Elizabeth Atherton
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Elizabeth Atherton
Elizabeth Atherton is a British lyric soprano. Born and brought up in London, she is the daughter of conductor David Atherton. She studied at Trinity College, Cambridge and at the Royal Scottish Academy of Music and Drama with Patricia MacMahon. She is a winner of the Maggie Teyte Prize and the Handel Singing Competition. Atherton is known for her versatility across a broad spectrum of music and her natural presence on stage. She first came to press attention whilst still at college with a Park Lane Group recital at the Purcell Room in 2002. The Times noted, "her voice is already formidable. Each note is hit dead in the centre; the tone is warm, the projection vast... there’s a dramatic actress in chrysalis here". On leaving college, she made her professional debut with English Touring Opera as Helena in Britten's ''Midsummer Night's Dream'' and was then immediately contracted to Welsh National Opera, where her roles included Mozart's Pamina, Donna Elvira and Countess. Richard M ...
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Lyric Soprano
A lyric soprano is a type of operatic soprano voice that has a warm quality with a bright, full timbre that can be heard over an orchestra. The lyric soprano voice generally has a higher tessitura than a soubrette and usually plays ingenues and other sympathetic characters in opera. Lyric sopranos have a range from approximately middle C ( C4) to "high D" (D6). This is the most common female singing voice. There is a tendency to divide lyric sopranos into two groups: light and full. Light lyric soprano A light-lyric soprano has a bigger voice than a soubrette but still possesses a youthful quality.Nashville Opera
There are a wide variety of roles written for this voice, and they may sing

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Moses Und Aron
''Moses und Aron'' (English: ''Moses and Aaron'') is a three-act opera by Arnold Schoenberg with the third act unfinished. The German libretto is by the composer after the Book of Exodus. Hungarian composer Zoltán Kocsis completed the last act with Schoenberg's heirs' permission in 2010, but ''Moses und Aron'' was almost always performed as Schoenberg left it in 1932, with only two of the planned three acts completed. Compositional history ''Moses und Aron'' has its roots in Schoenberg's earlier agitprop play, '' Der biblische Weg'' (''The Biblical Way'', 1926–27), a response in dramatic form to the growing anti-Jewish movements in the German-speaking world after 1848 and a deeply personal expression of his own "Jewish identity" crisis. The latter began with a face-to-face encounter with anti-Semitic agitation at Mattsee, near Salzburg, during the summer of 1921, when he was forced to leave the resort because he was a Jew, although he had converted to Protestantism in 1898. ...
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Stavanger Symphony Orchestra
The Stavanger Symphony Orchestra ( no, Stavanger Symfoniorkester, SSO) is a symphony orchestra based in Stavanger, Norway. The SSO principal venue is the Stavanger Concert Hall (Stavanger konserthus), performing in the Fartein Valen concert hall. History The Norwegian Broadcasting Corporation founded the orchestra in 1938 as the ''Stavanger musikerforenings orkester'', for radio broadcasts. The orchestra's first artistic leader was the violinist Gunnar Knudsen, from 1938 to 1945. In 1965, the orchestra's name was changed to the ''Symfoniorkestret i Stavanger'', and again in 1982 to its present name. Past artistic leaders of the orchestra have included Susanna Mälkki (2002–2005), and more recently the American conductor Steven Sloane (2007–2013). Christian Vásquez was chief conductor from 2013 to 2019. In addition to its chief conductor, the SSO has appointed conductors with a formal principal responsibility for early music programming, including Frans Brüggen (1990– ...
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Philharmonia Orchestra
The Philharmonia Orchestra is a British orchestra based in London. It was founded in 1945 by Walter Legge, a classical music record producer for EMI. Among the conductors who worked with the orchestra in its early years were Richard Strauss, Wilhelm Furtwängler and Arturo Toscanini; of the Philharmonia's younger conductors, the most important to its development was Herbert von Karajan who, though never formally chief conductor, was closely associated with the orchestra in the late 1940s and early 1950s. The Philharmonia became widely regarded as the finest of London's five symphony orchestras in its first two decades. From the late 1950s to the early 1970s the orchestra's chief conductor was Otto Klemperer, with whom the orchestra gave many concerts and made numerous recordings of the core orchestral repertoire. During Klemperer's tenure Legge, citing the difficulty of maintaining the orchestra's high standards, attempted to disband it in 1964, but the players, backed by Klemp ...
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Ulster Orchestra
The Ulster Orchestra, based in Belfast, is the only full-time professional orchestra in Northern Ireland. The orchestra plays the majority of its concerts in Belfast's Ulster Hall and Waterfront Hall. It also gives concerts across the United Kingdom and the Republic of Ireland, including performances at the Belfast Festival, the BBC Proms, the Wexford Opera Festival, the Kilkenny Arts Festival, and the National Concert Hall, Dublin. The orchestra currently employs 63 full-time musicians and 17 administrative support staff. History The orchestra was founded in 1966 by the Arts Council of Northern Ireland, with Maurice Miles as its first principal conductor, János Fürst as its first leader, and Donald Froud as its first general manager. Fürst later became the orchestra's assistant conductor. The orchestra replaced the semi-professional City of Belfast Symphony Orchestra, which was subsequently disbanded. From 1966 the Ulster Orchestra consisted of 37 players and existed in th ...
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London Symphony Orchestra
The London Symphony Orchestra (LSO) is a British symphony orchestra based in London. Founded in 1904, the LSO is the oldest of London's orchestras, symphony orchestras. The LSO was created by a group of players who left Henry Wood's Queen's Hall Orchestra because of a new rule requiring players to give the orchestra their exclusive services. The LSO itself later introduced a similar rule for its members. From the outset the LSO was organised on co-operative lines, with all players sharing the profits at the end of each season. This practice continued for the orchestra's first four decades. The LSO underwent periods of eclipse in the 1930s and 1950s when it was regarded as inferior in quality to new London orchestras, to which it lost players and bookings: the BBC Symphony Orchestra and the London Philharmonic Orchestra in the 1930s and the Philharmonia Orchestra, Philharmonia and Royal Philharmonic Orchestra, Royal Philharmonic after the Second World War. The profit-sharing ...
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Orchestre De Paris
The Orchestre de Paris () is a French orchestra based in Paris. The orchestra currently performs most of its concerts at the Philharmonie de Paris. History In 1967, following the dissolution of the Orchestre de la Société des Concerts du Conservatoire, the French Minister of Culture, André Malraux, and his director of music, Marcel Landowski, engaged conductor Charles Munch (conductor), Charles Munch to create a new orchestra in Paris. Soon after its creation, Munch died in 1968, and Herbert von Karajan was hired as an interim music advisor from 1969 to 1971. Successive music directors include Sir Georg Solti, Daniel Barenboim, and Semyon Bychkov (conductor), Semyon Bychkov. Christoph von Dohnányi served as artistic advisor from 1998 to 2000. During his tenure, Barenboim saw a need for a permanent chorus for the orchestra, and engaged the English chorus master Arthur Oldham to create the ''Chœur de l'Orchestre de Paris'' in 1976. Oldham remained with the Chorus till his ...
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Medea
In Greek mythology, Medea (; grc, Μήδεια, ''Mēdeia'', perhaps implying "planner / schemer") is the daughter of King Aeëtes of Colchis, a niece of Circe and the granddaughter of the sun god Helios. Medea figures in the myth of Jason and the Argonauts, appearing in Hesiod's ''Theogony'' around 700 BCE, but best known from Euripides's tragedy ''Medea'' and Apollonius of Rhodes's epic ''Argonautica''. Medea is known in most stories as a sorceress and is often depicted as a priestess of the goddess Hecate. Medea plays the archetypal role of helper-maiden, aiding Jason in his search for the Golden Fleece by using her magic to save his life out of love. Once he finished his quest, she abandons her native home of Colchis, and flees westwards with Jason, where they eventually settle in Corinth and get married. Euripides's 5th-century BCE tragedy ''Medea'', depicts the ending of her union with Jason, when after ten years of marriage, Jason abandons her to wed King Creon's daugh ...
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Salome
Salome (; he, שְלוֹמִית, Shlomit, related to , "peace"; el, Σαλώμη), also known as Salome III, was a Jewish princess, the daughter of Herod II, son of Herod the Great, and princess Herodias, granddaughter of Herod the Great, and stepdaughter of Herod Antipas. She is known from the New Testament, where she is not named, and from an account by Flavius Josephus. In the New Testament, the stepdaughter of Herod Antipas demands and receives the head of John the Baptist. According to Josephus, she was first married to her uncle Philip the Tetrarch, after whose death (AD 34), she married her cousin Aristobulus of Chalcis, thus becoming queen of Chalcis and Armenia Minor. The gospel story of her dance at the birthday celebration of her stepfather, who had John the Baptist beheaded at her request, inspired art, literature and music over an extended period of time. Among the paintings are those by Titian and Gustave Moreau. Oscar Wilde's 1891 eponymous play, and its 190 ...
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Kundry
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first ...
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The Corridor (opera)
''The Corridor'' is a chamber opera composed by Harrison Birtwistle to an English language libretto by David Harsent. It premiered at the Aldeburgh Festival on 12 June 2009. The title refers to the corridor through which Orpheus and Eurydice passed as he was leading her from the underworld. Background and performance history Various aspects of the myth of Orpheus have been a recurring theme in Birtwistle's work, first explored in his three-act opera ''The Mask of Orpheus'' (1986) and later incorporated into his two-act opera '' The Second Mrs Kong'' (1994). Between 2003 and 2004, he also composed ''The Orpheus Elegies'', a 26 part song cycle for countertenor, oboe and harp based on Rilke's ''Sonnets to Orpheus''. ''The Corridor'' focuses entirely on the moment in which Orpheus looks back at Eurydice, thus forcing her to return to the underworld forever. The opera's librettist, David Harsent, considers this one of the most brutal events in mythology: It might not have the direc ...
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Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ...
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