Elisabeth Schooling
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Elisabeth Schooling
Elisabeth Schooling (27 April 1915 – 22 June 1998) was a British ballet dancer. Early life Elisabeth Schooling was born in Hendon, London in 1915. Career From 1928, Schooling studied with Marie Rambert, and she danced in Ballet Club's (which later became Ballet Rambert) first seasons. Her first solo role was as the Bride in a 1934 ballet entitled ''Mermaid'', which was choreographed by Susan Salaman and Andrée Howard, using music by Ravel. Also in 1934, it was noticed that Schooling had a very similar appearance to the barmaid in Édouard Manet’s painting ''A Bar at the Folies-Bergère, Un bar aux Folies Bergère''. Marie Rambert’s husband Ashley Dukes suggested there might be a ballet around the picture, also introducing can-can dancers. ''Bar aux Folies-Bergère (ballet), Bar aux Folies-Bergère'' was first performed on 15 May 1934 at the Mercury Theatre, Notting Hill Gate, Mercury Theatre, Notting Hill, London. Although the role was created by Pearl Argyle, Schoolin ...
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Hendon
Hendon is an urban area in the Borough of Barnet, North-West London northwest of Charing Cross. Hendon was an ancient manor and parish in the county of Middlesex and a former borough, the Municipal Borough of Hendon; it has been part of Greater London since 1965. Hendon falls almost entirely within the NW4 postcode, while the West Hendon part falls in NW9. Colindale to the north-west was once considered part of Hendon but is today separated by the M1 motorway. The district is most famous for the London Aerodrome which later became the RAF Hendon; from 1972 the site of the RAF station was gradually handed over to the RAF Museum. The railways reached Hendon in 1868 with Hendon station on the Midland Main Line, followed by the London Underground further east under the name Hendon Central in 1923. Brent Street emerged as its commercial centre by the 1890s. A social polarity was developed between the uphill areas of Hendon and the lowlands around the railway station. Hendon is l ...
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Bar Aux Folies-Bergère (ballet)
''Bar aux Folies-Bergère'' is a one-act ballet created in 1934 with the scenario and choreography by Ninette de Valois. The music consists of piano works of Emmanuel Chabrier selected and arranged by Constant Lambert, and the designs were by William Chappell after Manet. Background The Ballet Rambert in 1934 had a dancer, Elisabeth Schooling, who had a very similar appearance to the barmaid in Manet's '' Un bar aux Folies Bergère''. Ashley Dukes, Marie Rambert's husband suggested there might be a ballet around the picture, also introducing can-can dancers. In fact the role was created by Pearl Argyle, but Schooling danced it subsequently.Rambert, Marie. ''Quicksilver: an autobiography.'' Papermac (Macmillan Publishers Ltd), London, 1983, p157. The original owner of Manet's 1882 painting was Chabrier; it now hangs in the Courtauld Institute of Art in London. ''Bar aux Folies-Bergère'' was first performed on 15 May 1934 by Ballet Rambert at the Ballet Club at the Mercury Thea ...
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British Ballerinas
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *''Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * Briton (d ...
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1998 Deaths
This is a list of deaths of notable people, organised by year. New deaths articles are added to their respective month (e.g., Deaths in ) and then linked here. 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 2012 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1989 1988 1987 See also * Lists of deaths by day The following pages, corresponding to the Gregorian calendar, list the historical events, births, deaths, and holidays and observances of the specified day of the year: Footnotes See also * Leap year * List of calendars * List of non-standard ... * Deaths by year {{DEFAULTSORT:deaths by year ...
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1915 Births
Events Below, the events of World War I have the "WWI" prefix. January * January – British physicist Sir Joseph Larmor publishes his observations on "The Influence of Local Atmospheric Cooling on Astronomical Refraction". *January 1 ** WWI: British Royal Navy battleship HMS ''Formidable'' is sunk off Lyme Regis, Dorset, England, by an Imperial German Navy U-boat, with the loss of 547 crew. ** Battle of Broken Hill: A train ambush near Broken Hill, New South Wales, Australia, is carried out by two men (claiming to be in support of the Ottoman Empire) who are killed, together with 4 civilians. * January 5 – Joseph E. Carberry sets an altitude record of , carrying Capt. Benjamin Delahauf Foulois as a passenger, in a fixed-wing aircraft. * January 12 ** The United States House of Representatives rejects a proposal to give women the right to vote. ** '' A Fool There Was'' premières in the United States, starring Theda Bara as a '' femme fatale''; she quickly become ...
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Frank Staff
Frank Staff (15 June 1918 – 10 May 1971) was a South African ballet dancer, choreographer, producer, and company director. He was a major figure in the history of European theatrical dance in South Africa. Early life Frank Cedric Staff was born to an Irish mother and an English father in the diamond mining town of Kimberley, in what is now the Northern Cape Province of South Africa. As a teenager, he moved to Cape Town, where he attended Diocesan College and received his early dance training from Helen Webb and Maude Lloyd, who had studied with Marie Rambert in London. After Lloyd returned to England in 1933, she encouraged her young pupil to join her. At age fifteen, Staff moved to London to continue his training at Rambert's school in Bedford Gardens. Career Staff was soon invited to join Rambert's Ballet Club, as her performing group was then called. For the next twelve years, from 1933 to 1945, he worked with the Rambert company as both a dancer and choreographer. Excep ...
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Walter Gore
Walter Gore (8 October 1910 – 16 April 1979) was a British ballet dancer, company director and choreographer. Early life Walter Gore was born in Waterside, East Ayrshire Scotland in 1910 into a theatrical family. From 1924, he studied acting at the Italia Conti Academy, and dance with Léonide Massine and with Marie Rambert. Career Gore was a dancer with Ballet Rambert from 1930 to 1935. He returned as a choreographer in 1938 with his first ballet ''Final Waltz''. In 1944, whilst on leave from Army duty in France, Gore created a ballet based on Benjamin Britten's Simple Symphony also entitled ''Simple Symphony'' for the Ballet Rambert. The work was largely created on Sally Gilmour and Margaret Scott. He remained at Ballet Rambert until 1950 and then worked occasionally with the Ballets des Champs-Elysées and the Sadler's Wells Ballet. He founded his own company, The Walter Gore Ballet, in 1953. He led the Frankfurt Ballet from 1957 to 1959, then became the founder a ...
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Pearl Argyle
Pearl Argyle (born Pearl Wellman; 7 November 1910 – 29 January 1947) was a South African ballet dancer and actress. Remembered today primarily for her extraordinary beauty, she appeared in leading roles with English ballet companies in the 1930s and later performed in stage musicals and in films. Early life and training Argyle was born in Johannesburg, the daughter of Ernest James Wellman and Mary Wellman. She first enters dance history in the mid-1920s, when she appeared in London and enrolled in ballet classes at the schools of Nikolai Legat, in Colet Gardens, and Dame Marie Rambert, in Notting Hill Gate. There she was known as Pearl Argyle by other students and members of Rambert's Ballet Club, the performing group from which Ballet Rambert was to evolve. Among other club members at the time was the emerging choreographer Frederick Ashton, who would play a significant role in her career on the ballet stage. Ballet At the time that Argyle studied at the Rambert Ballet Scho ...
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Mercury Theatre, Notting Hill Gate
The Mercury Theatre was a small theatre on Ladbroke Road, Notting Hill Gate, London, notable for the productions of poetic dramas between 1933 and 1956, and as the home of the Ballet Rambert until 1987. History (founding) The Mercury Theatre was opened in 1933 by Ashley Dukes for the production of new drama and to serve as a centre for the Ballet Rambert, run by his wife Marie Rambert. The building, at 2, Ladbroke Road, London W11, had been built in 1851 as a Sunday school for the adjacent Congregational Chapel, but was extensively altered to serve as a theatre. It was a well-equipped but small venue, seating about 150. Productions The style was set by the first production, ''Jupiter Translated'', an adaptation of Molière's ''Amphitryon'' by Walter James Turner with a ballet by Rupert Doone as entr'acte. Vladimir Rosing's ''British Opera Group'' was in residence for several weeks in June 1935. The theatre's reputation was further established in 1935 by the first London p ...
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Ashley Dukes
Ashley Dukes (29 May 1885 – 4 May 1959) was an English playwright/dramatist, critic, theatre manager. Biography Personal life Ashley Dukes was born one of five children in 1885. He was the son of the Congregationalist clergyman, Rev. Edwin Joshua Dukes (1847-1930), of Kingsland, London, and his wife, the former Edith Mary Pope (1863-1898), of Sandford, Devon. He met Marie Rambert, a ballet dancer, at a dinner party in 1917. In Rambert's autobiography she says "after four days of personal meetings, and seven months of correspondence we were married on 3 March 1918." Career He initially taught science at university and became a drama critic in 1909. He wrote for several publications until 1925. Dukes wrote ''The World to Play With'' concerning the theatre and the play was published by Oxford University Press in 1928. In 1933, he founded the Mercury Theatre in London and wrote plays that appeared in the West End of London and on Broadway in New York. The Ashley Dukes Company w ...
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Exeter
Exeter () is a city in Devon, South West England. It is situated on the River Exe, approximately northeast of Plymouth and southwest of Bristol. In Roman Britain, Exeter was established as the base of Legio II Augusta under the personal command of Vespasian. Exeter became a religious centre in the Middle Ages. Exeter Cathedral, founded in the mid 11th century, became Anglican in the 16th-century English Reformation. Exeter became an affluent centre for the wool trade, although by the First World War the city was in decline. After the Second World War, much of the city centre was rebuilt and is now a centre for education, business and tourism in Devon and Cornwall. It is home to two of the constituent campuses of the University of Exeter: Streatham and St Luke's. The administrative area of Exeter has the status of a non-metropolitan district under the administration of the County Council. It is the county town of Devon and home to the headquarters of Devon County Council. A p ...
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A Bar At The Folies-Bergère
''A Bar at the Folies-Bergère'' (french: Un bar aux Folies Bergère) is a painting by Édouard Manet, considered to be his last major work. It was painted in 1882 and exhibited at the Paris Salon of that year. It depicts a scene in the Folies Bergère nightclub in Paris. The painting originally belonged to the composer Emmanuel Chabrier, a close friend of Manet, and hung over his piano. It is now in the Courtauld Gallery in London. Painting The painting exemplifies Manet's commitment to Realism in its detailed representation of a contemporary scene. Many features have puzzled critics but almost all of them have been shown to have a rationale, and the painting has been the subject of numerous popular and scholarly articles. The central figure stands before a mirror, although critics—accusing Manet of ignorance of perspective and alleging various impossibilities in the painting—have debated this point since the earliest reviews were published. In 2000, however, a photograp ...
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