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Eliogabalo
''Eliogabalo'' (''Heliogabalus'') is an opera by the Italian composer Francesco Cavalli based on the life of the Roman emperor Heliogabalus. The author of the original libretto is unknown but it was probably reworked by Aurelio Aureli. The opera was composed in 1667 and was intended to be premiered during the Venetian Carnival season of 1668. In fact, it was never staged and was replaced by another opera of the same name by Giovanni Antonio Boretti, perhaps because Cavalli's style was considered too old-fashioned. ''Eliogabalo'' was first performed in 1999, in Crema, Italy. ''Eliogabalo'' was revived at La Monnaie in 2004 by René Jacobs. Its North American premiere took place in 2007 at the Aspen Music Festival, conducted by Jane Glover. Gotham Chamber Opera in performed it in 2013 in a Manhattan nightclub in Chrystie Street, Richard Kimmel's The Box, directed by James Marvel. In a co-production with the Dutch National Opera, the Paris Opera The Paris Opera (, ) is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Cavalli
Francesco Cavalli (born Pietro Francesco Caletti-Bruni; 14 February 1602 – 14 January 1676) was a Republic of Venice, Venetian composer, organist and singer of the early Baroque music, Baroque period. He succeeded his teacher Claudio Monteverdi as the dominant and leading opera composer of the mid 17th-century. A central figure of Venetian musical life, Cavalli wrote more than forty operas, almost all of which premiered in the city's theaters. His best known works include ''Ormindo'' (1644), ''Giasone'' (1649) and ''La Calisto'' (1651). Life Cavalli was born at Crema, Lombardy, Crema, then an Domini di Terraferma, inland province of the Venetian Republic. He became a singer (boy soprano) at St Mark's Basilica in Venice in 1616, where he had the opportunity to work under the tutorship of Claudio Monteverdi. He became second organist in 1639, first organist in 1665, and in 1668 ''Kapellmeister, maestro di cappella''. He took the name "Cavalli" from his patron, Venetian nobleman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gotham Chamber Opera
Gotham Chamber Opera was a professional opera company located in New York City. The company was founded in 2000 under the name of the Henry Street Chamber Opera by Artistic Director Neal Goren and specialized in producing rarely performed chamber operas from the Baroque era to the present. In 2003, it changed its name to the Gotham Chamber Opera (GCO) after incorporating as an independent 501(c)(3) organization. Its Executive Director was Edward Barnes, who took over from David Bennett. It closed in 2015. History Henry Street Chamber Opera The company first presented the American premiere of Mozart's ''Il sogno di Scipione'' (1771), staged by Christopher Alden in 2001 at the Playhouse at the Abrons Arts Center, a 350-seat theater on the New Yorks's Lower East Side. Soon after, the company produced a double bill of Henry Purcell's ''Dido and Aeneas'' (1689) and Darius Milhaud's ' (1924). Two more American premieres followed in November 2002 with Czech composer Bohuslav MartinÅ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elagabalus
Marcus Aurelius Antoninus (born Sextus Varius Avitus Bassianus, 204 – 11/12 March 222), better known by his nickname "Elagabalus" (, ), was Roman emperor from 218 to 222, while he was still a teenager. His short reign was conspicuous for sex scandals and religious controversy. A close relative to the Severan dynasty, he came from a prominent Arab family in Emesa ( Homs), Syria, where since his early youth he served as head priest of the sun god Elagabal. After the death of his cousin, the emperor Caracalla, Elagabalus was raised to the principate at 14 years of age in an army revolt instigated by his grandmother Julia Maesa against Caracalla's short-lived successor, Macrinus. He only posthumously became known by the Latinised name of his god. Later historians suggest Elagabalus showed a disregard for Roman religious traditions and sexual taboos. He replaced the traditional head of the Roman pantheon, Jupiter, with the deity Elagabal, of whom he had been high priest. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aurelio Aureli
Aurelio Aureli (Venice, before 1652 – id. after 1708) was an Italian librettist. Life Little is known about Aureli's life. He began his operatic career in 1652 with ''L'Erginda''. Until 1687, he worked as a librettist mainly in Venice, except for a brief trip to Vienna. In Venice he was a member of the ''Accademia degli Imperfetti'' and perhaps also of the ''Accademia degli Incogniti''. From 1688 to 1694 he was, however, in the service of the Duke of Parma, during which time he wrote a dozen plays, almost all of which were subsequently set to music by the court composer Bernardo Sabadini. The last librettos were written in Venice and other cities of the Republic. Work His works include over 50 libretti, including: * ''Erismena'' (1655), set to music by Francesco Cavalli * ''Le fortune di Rodope e Damira'', Pietro Andrea Ziani, Venise (1657); * ''Il Perseo'', set to music by , Venise, Teatro ai SS. Giovanni e Paolo, (1665); * diverse versioni de ''L'Eliogabalo'', set to mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonardo GarcÃa Alarcón
Leonardo GarcÃa Alarcón (born 1976 in La Plata) is an Argentinian conductor specializing in baroque music. He studied harpsichord and organ and was assistant to Gabriel Garrido for several years, before founding the ensemble Cappella Mediterranea, with whom he has performed at many festivals, particularly the Festival d'Ambronay. Following a performance of ''Il diluvio universale'' by Michelangelo Falvetti (1642–1692), he received the médaille de citoyen d'honneur d'Ambronay. He teaches at the Geneva Conservatoire and carries out research into 17th century basso continuo playing. He shares direction of the Ensemble Clematis with violinist Stéphanie de Failly. Since 2010 he is artistic director of the [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Tommasini
Anthony Carl Tommasini (born April 14, 1948) is an American music critic and author who specializes in classical music. Described as "a discerning critic, whose taste, knowledge and judgment have made him a must-read", Tommasini was the chief classical music critic for ''The New York Times'' from 2000 to 2021. Also a pianist, he has released two CDS and two books on the music of his colleague and mentor, the composer and critic Virgil Thomson. A classical music enthusiast since his youth, Tommasini attended both Yale University and Boston University to study piano, and then taught music at Emerson College. In 1986 he left academia to write music criticism for ''The Boston Globe''. Tommasini joined the ''Times'' in 1996 and became their chief classical music critic in 2000 for over two decades. He traveled to cover important premieres of contemporary classical music, encouraged diversity in both classical repertoire and ensembles, and wrote books covering influential operas and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dutch National Opera
The Dutch National Opera (DNO; formerly De Nederlandse Opera, now De Nationale Opera in Dutch) is a Dutch opera company based in Amsterdam, Netherlands. Its present home base is the Dutch National Opera & Ballet housed in the Stopera building, a modern building designed by Cees Dam and Wilhelm Holzbauer which opened in 1986. History The DNO was established shortly after the end of World War II as a repertory company with a permanent ensemble. In the postwar period, it toured extensively in the Netherlands from its home base in the Stadsschouwburg, a ''fin de siècle'' theatre on the Leidseplein in Amsterdam. In 1964, it was renamed ''De Nederlandse Operastichting''. (''The Dutch Opera Foundation''), and the company adopted a ''stagione'' orientation, inviting different soloists and artistic teams for each new production. In 1986, the company moved to the new Stopera building, which it shares with the Dutch National Ballet, and thereafter became known as De Nederlandse Opera (DNO) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palais Garnier
The Palais Garnier (, Garnier Palace), also known as Opéra Garnier (, Garnier Opera), is a 1,979-seatBeauvert 1996, p. 102. opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera from 1861 to 1875 at the behest of Emperor Napoleon III. Initially referred to as ''le nouvel Opéra de Paris'' (the new Paris Opera), it soon became known as the Palais Garnier, "in acknowledgment of its extraordinary opulence" and the architect Charles Garnier's plans and designs, which are representative of the Napoleon III style. It was the primary theatre of the Paris Opera and its associated Paris Opera Ballet until 1989, when a new opera house, the Opéra Bastille, opened at the Place de la Bastille. The company now uses the Palais Garnier mainly for ballet. The theatre has been a ''monument historique'' of France since 1923. The Palais Garnier has been called "probably the most famous opera house in the world, a symbol of Paris like No ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Groves (tenor)
Paul Groves (born November 24, 1964, in Lake Charles, Louisiana) is an American operatic tenor. In 1991 he won the Metropolitan Opera National Council Auditions and in 1995 he won the prestigious Richard Tucker Award. He has sung leading roles with major opera houses throughout the world, including the Boston Lyric Opera, De Nederlandse Opera, La Scala, the Los Angeles Opera, the Lyric Opera of Chicago, the Metropolitan Opera, the Paris Opera, the Salzburg Festival, the San Francisco Opera, the Santa Fe Opera, the Vienna State Opera, the Washington National Opera, the Grand Theatre Genève and the Welsh National Opera among others. Early life and education Groves graduated from the[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco Fagioli
Franco Maximiliano Fagioli (born 1981, in Tucumán) is an Argentinian operatic countertenor. Life Born in Argentina, Fagioli initially studied piano and then singing at the Superior Art Institute of the Teatro Colón in Buenos Aires. He began his international career in 2003, when he won the Bertelsmann singing competition Neue Stimmen in Gütersloh, Germany. Franco Fagioli has since made regular appearances at opera houses in Buenos Aires, Karlsruhe, Bonn, Zurich, Essen and Genoa, at the Theater an der Wien in Vienna and the Théâtre des Champs-Elysées in Paris. He has also been invited to perform at a number of festivals, including those in Halle, Ludwigsburg, Innsbruck and Froville. He has worked with conductors such as Rinaldo Alessandrini, Alan Curtis, Gabriel Garrido, Nikolaus Harnoncourt, René Jacobs, José Manuel Quintana, Marc Minkowski, Riccardo Muti and Christophe Rousset. Franco Fagioli is one of the five countertenors to appear in the opera, TV, CD and DVD ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alex Ross (music Critic)
Alex Ross (born January 12, 1968) is an American music critic and author who specializes in classical music. A staff member of ''The New Yorker'' magazine since 1996, his extensive writings include performance and record reviews, industry updates, cultural commentary and historical narratives in the realm of classical music. He has written three well-received books: '' The Rest Is Noise: Listening to the Twentieth Century'' (2007), ''Listen to This'' (2011), and ''Wagnerism: Art and Politics in the Shadow of Music'' (2020). A graduate of Harvard University and student of composer Peter Lieberson, from 1992 to 1996 Ross was a critic for ''The New York Times''. He has received wide acclaim for his publications; ''The Rest Is Noise'' was a finalist for the 2008 Pulitzer Prize for General Nonfiction, and his other awards and honors include a MacArthur Fellowship and the Belmont Prize. He maintains a popular classical music blog, ''The Rest is Noise''. Life and career Alex Ross w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
