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Elevation (song)
"Elevation" is a song by Irish rock band U2. It is the third track on their tenth studio album, ''All That You Can't Leave Behind'' (2000), and was released as the album's third single on 25 June 2001. The song became the band's 16th number-one single in their native Ireland and their second number one in the Netherlands. It also topped the charts in Canada and reached the top 10 in Australia, Denmark, Finland, Italy, Norway, Scotland, Spain, and the United Kingdom. A different mix of the song, entitled the "Tomb Raider mix", was included on the soundtrack of the 2001 film '' Lara Croft: Tomb Raider''. In 2002, "Elevation" won the Grammy Award for Best Rock Performance by a Duo or Group with Vocal at the 44th Annual Grammy Awards ceremony. The song lent its namesake to the band's 2001 Elevation Tour. Writing and composition "Elevation" was inspired by a sound that guitarist the Edge achieved from a vintage effects unit when playing his Gibson SG guitar through a Fender Bassman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All That You Can't Leave Behind
''All That You Can't Leave Behind'' is the tenth studio album by Irish rock band U2. It was produced by Brian Eno and Daniel Lanois, and was released on 30October 2000 through Island Records and Interscope Records. Following the band's experimentation with alternative rock and dance music in the 1990s and the mixed reception to their 1997 album, '' Pop'', U2 returned to a sound more akin to their earlier records for ''All That You Can't Leave Behind''. The group reunited with Eno and Lanois, who had produced three prior U2 albums together. The record was originally named "U2000", which had been a working title for their PopMart Tour. The album received positive reviews from most critics, reached number one in 32 countries, and sold over 12million copies. The songs "Beautiful Day", " Walk On", "Elevation", and " Stuck in a Moment You Can't Get Out Of" were all successful singles. The record and its songs won seven Grammy Awards; it is the only album in history to have multiple trac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Effects Unit
An effects unit or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing. Common effects include distortion/overdrive, often used with electric guitar in electric blues and rock music; dynamic effects such as volume pedals and compressors, which affect loudness; filters such as wah-wah pedals and graphic equalizers, which modify frequency ranges; modulation effects, such as chorus, flangers and phasers; pitch effects such as pitch shifters; and time effects, such as reverb and delay, which create echoing sounds and emulate the sound of different spaces. Most modern effects use solid-state electronics or digital signal processors. Some effects, particularly older ones such as Leslie speakers and spring reverbs, use mechanical components or vacuum tubes. Effects are often used as stompboxes, typically placed on the floor and controlled with footswitches. They may also be built into guita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
U2 360° Tour
The U2 360° Tour was a worldwide concert tour by rock band U2. Staged in support of the group's 2009 album ''No Line on the Horizon'', the tour visited stadiums from 2009 through 2011. The concerts featured the band playing "in the round" on a circular stage, allowing the audience to surround them on all sides. To accommodate the stage configuration, a large four-legged structure nicknamed "The Claw" was built above the stage, with the sound system and a cylindrical, expanding video screen on top of it. At tall, it was the largest stage ever constructed. U2 claimed that the tour would be "the first time a band has toured in stadiums with such a unique and original structure." In an era of declining music sales, analysts expected U2 360° to be a major source of income for the band. Every date of the tour sold out, many within minutes of tickets going on sale. To accommodate the time required to assemble and transport "The Claw" between tour dates, three separate stage stru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vertigo Tour
The Vertigo Tour was a worldwide concert tour by the Irish rock band U2. Staged in support of the group's 2004 album ''How to Dismantle an Atomic Bomb'', the tour visited arenas and stadiums between March 2005 and December 2006. The Vertigo Tour consisted of five legs that alternated between indoor arena shows in North America and outdoor stadium shows internationally. Much like the previous Elevation Tour, the indoor portion of the Vertigo Tour featured a stripped-down, intimate stage design. Protruding from the main stage was an ellipse-shaped catwalk that encapsulated a small number of fans. The tour grossed US$260 million in 110 sold-out concerts in 2005, making it the top-grossing tour of the year. In North America alone, the tour grossed $138.9 million from 1.4 million tickets sold. The Vertigo Tour won the 2005 Billboard Roadwork Touring Awards for Top Tour, Top Draw, and Top Single Event, and U2's management company Principle Management won for Top Manage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kite (U2 Song)
"Kite" is a song by Irish rock band U2. It is the fifth track on their 2000 album ''All That You Can't Leave Behind''. Writing and recording For three weeks in late 1998, U2 worked at Hanover Quay Studios with producers Brian Eno and Daniel Lanois in hopes of quickly developing new material for a studio album. With Eno on keyboards and Lanois on rhythm guitar and percussion, the six of them composed songs during jam sessions. Guitarist the Edge said that these group sessions did not produce many great ideas, resulting in him bringing in his own individual musical ideas for them to work on. One of these was a loop of a string section that inspired "Kite". After hearing the loop, the others quickly improvised the entirety of the song. During this process, lead singer Bono said his "voice returned" after several years of him suffering vocal difficulties. After hitting a high note when singing the line "I'm a man, I'm not a child", the others in the studio were taken aback. Bassis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Module
A sound module is an electronic musical instrument without a human-playable interface such as a piano-style musical keyboard. Sound modules have to be operated using an externally connected device, which is often a MIDI controller, of which the most common type is the musical keyboard. Another common way of controlling a sound module is through a sequencer, which is computer hardware or software designed to record and playback control information for sound-generating hardware. Connections between sound modules, controllers, and sequencers are generally made with MIDI (Musical Instrument Digital Interface), which is a standardized interface designed for this purpose. Sound modules are often rack-mountable, but are also produced in table-top form factor, particularly when the intended user is a DJ or record producer. The height of a sound module is often described in rack units. Small sound modules are mostly 1U in height, the larger models a multiplication e.g. 2U or 3U. Desp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wah-wah (music)
Wah-wah (or wa-wa) is an imitative word (or onomatopoeia) for the sound of altering the resonance of musical notes to extend expressiveness, sounding much like a human voice saying the syllable ''wah''. The wah-wah effect is a spectral glide, a "modification of the vowel quality of a tone". Etymology The word is derived from the sound of the effect itself; an imitative or onomatopoeia word. The effect's "wa-wa" sound was noted by jazz player Barney Bigard when he heard Tricky Sam Nanton use the effect on his trombone in the early 1920s. History Acoustic The wah-wah effect is believed to have originated in the 1920s, with brass instrument players finding they could produce an expressive crying tone by moving a mute, or plunger, in and out of the instrument's bell. In 1921, trumpet player Johnny Dunn's use of this style inspired Tricky Sam Nanton to use the mute with the trombone. Electronic By the early 1960s, the sound of the acoustic technique had been emulated with electro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiwatt
Hiwatt is a British company that manufactures amplifiers for electric guitars and electric basses. Starting in the late 1960s, together with Marshall and Vox, Hiwatt contributed to the sonic image popularly termed "British sound". History Origins Hylight Electronics was the brainchild of British audio engineer David Reeves. He attended technical school in the late 1950s and did apprenticeships at Marconi Company and Mullard. While working his day job, young Reeves started working evenings in a small room over Plato Music on Crown Passage in Morden from 1964–1968. He fixed things at first, repairing hifi sets and televisions. It was during this time that he first conceived the idea to start his own company and invented the Hiwatt name. In 1963, a local band's amplifier blew up, Dave Reeves said "I could build a better one than that" so he did. In early 1966, Reeves was made redundant from Mullard and used the £800 redundancy pay to pay to further develop his amps. First ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Programming (music)
Programming is a form of music production and performance using electronic devices and computer software, such as sequencers and workstations or hardware synthesizers, sampler and sequencers, to generate sounds of musical instruments. These musical sounds are created through the use of music coding languages. There are many music coding languages of varying complexity. Music programming is also frequently used in modern pop and rock music from various regions of the world, and sometimes in jazz and contemporary classical music. It gained popularity in the 1950s and has been emerging ever since. Music programming is the process in which a musician produces a sound or "patch" (be it from scratch or with the aid of a synthesizer/ sampler), or uses a sequencer to arrange a song. Coding languages Music coding languages are used to program the electronic devices to produce the instrumental sounds they make. Each coding language has its own level of difficulty and function. Alda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riff
A riff is a repeated chord progression or refrain in music (also known as an ostinato figure in classical music); it is a pattern, or melody, often played by the rhythm section instruments or solo instrument, that forms the basis or accompaniment of a musical composition. Though riffs are most often found in rock music, heavy metal music, Latin, funk, and jazz, classical music is also sometimes based on a riff, such as Ravel's Boléro. Riffs can be as simple as a tenor saxophone honking a simple, catchy rhythmic figure, or as complex as the riff-based variations in the head arrangements played by the Count Basie Orchestra. David Brackett (1999) defines riffs as "short melodic phrases", while Richard Middleton (1999) defines them as "short rhythmic, melodic, or harmonic figures repeated to form a structural framework". Rikky Rooksby states: "A riff is a short, repeated, memorable musical phrase, often pitched low on the guitar, which focuses much of the energy and excitement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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