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Electronic Eden
''Electronic Eden'' is the second album by the Brains. It was released in 1981 through Mercury Records. It was the band's last studio album. Production Like the debut album, ''Electronic Eden'' was produced by Steve Lillywhite and engineered by Mark Richardson. Critical reception Robert Christgau Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and ... thought that "despite its dull initial impact every track will give up a hook." '' Trouser Press'' wrote: "Lillywhite concocts a thick, heavy sound that subjugates omGray’s synthesizers and Rick Price’s aggressive guitars to the tunes themselves. And for good reason: Gray’s songs are tart accounts of love and confusion perfectly suited to his dry, sardonic voice." '' The New York Times'' wrote that "the lyrics delineate urban land ...
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The Brains
The Brains were an American rock band from Atlanta, Georgia, led by songwriter Tom Gray in the late 1970s and early 1980s. Their 1980 debut album was entitled ''The Brains'', and was produced by Steve Lillywhite for Mercury Records. The album included "Money Changes Everything", originally released by the band in 1978, which became a hit single for Cyndi Lauper when she covered it in 1983. After a second Mercury recording in 1981, '' Electronic Eden'' (also produced by Lillywhite) and then an independently released EP, '' Dancing Under Streetlights'', the band split up. A song from ''Electronic Eden'', "Heart in the Street", was covered by Manfred Mann's Earth Band on their 1980 album ''Chance'' as "Heart on the Street." The band appeared many times at Atlanta's premier new wave/alternative rock venue, 688 Club (named for its address, 688 Spring Street), referred to locally as simply "688." The video for '' Dancing Under Streetlights'' was filmed one night in Spring Street, out ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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Mercury Records
Mercury Records is an American record label owned by Universal Music Group. It had significant success as an independent operation in the 1940s and 1950s. Smash Records and Fontana Records were sub labels of Mercury. In the United States, it is operated through Republic Records; in the United Kingdom and Japan (as Mercury Tokyo in the latter country), it is distributed by EMI Records. Since the separation of Island Records, Motown, Mercury Records, and Def Jam Recordings combining the Island Def Jam Music Group, Mercury Records has been placed under Island Records, although its back catalogue is still owned by the Island Def Jam Music Group (now Island Records). Background Mercury Records was started in Chicago in 1945 and over several decades, saw great success. The success of Mercury has been attributed to the use of alternative marketing techniques to promote records. The conventional method of record promotion used by major labels such as RCA Victor, Decca Records, and ...
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Steve Lillywhite
Stephen Alan Lillywhite, (born 15 March 1955) is a British record producer. Since he began his career in 1977, Lillywhite has been credited on over 500 records, and has collaborated with a variety of musicians including new wave acts XTC, Big Country, Siouxsie and the Banshees, Simple Minds, the Psychedelic Furs, Toyah, David Byrne, Talking Heads and Kirsty MacColl, as well as U2, the Rolling Stones, the Pogues, Blue October, Steel Pulse, the La's, Peter Gabriel, Morrissey, the Killers, Dave Matthews Band, Phish, Counting Crows and Joan Armatrading. He has won six Grammy Awards, including Producer of the Year, Non-Classical in 2006. In 2012, he was made a Commander of the Order of The British Empire (CBE) for his contributions to music. Career Early years Lillywhite entered the music industry in 1972, when he worked as a tape operator for PolyGram. He produced a demo recording for Ultravox!, which led to them being offered a recording contract with Island Records. Lillywhi ...
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The Brains (The Brains Album)
''The Brains'' is the debut album by The Brains. It was released in 1980 and contains the original recording of "Money Changes Everything", which, when released three years later, became a substantial hit single for pop singer Cyndi Lauper. Critical reception At the time of issuance the album made a great impression on ''Billboard'' critics. In the review of May 3 1980, they wrote: "This is a truly offbeat album which mixes '60s organ dominated psychedelia, new wave, heavy metal and world savvy lyrics into an intoxicating brew. Tom Gray's passionate vocals have enough aural sprawl and power to make the lyrics credible." Track listing *All songs written by Tom Gray except where noted. # "Treason" (Rick Price) 2:33 # "See Me" 4:57 # "Raeline" 1:52 # "Girl I Wanna" 3:42 # "In the Night" (Alfredo Villar) 5:23 # "Money Changes Everything" 3:29 # "Scared Kid" 3:10 # "Sweethearts" (Villar) 3:49 # "Girl in a Magazine" 3:08 # "Gold Dust Kids" 4:16 Personnel The Brains *Tom Gray: Vocals, ...
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Dancing Under Streetlights (The Brains Album)
''Dancing Under Streetlights'', an EP, is the third and final release by The Brains The Brains were an American rock band from Atlanta, Georgia, led by songwriter Tom Gray in the late 1970s and early 1980s. Their 1980 debut album was entitled ''The Brains'', and was produced by Steve Lillywhite for Mercury Records. The album i .... It was released in 1982. Track listing # "Dancing Under Streetlights" # "Tanya" # "Read My Mind" # "Don't Give Yourself Away" 1982 EPs The Brains albums {{ep-stub ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Robert Christgau
Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. Christgau spent 37 years as the chief music critic and senior editor for ''The Village Voice'', during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for ''Esquire'', ''Creem'', ''Newsday'', ''Playboy'', ''Rolling Stone'', ''Billboard'', NPR, ''Blender'', and ''MSN Music'', and was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world – when he talks, people listen." Christgau is best known for his terse, letter-graded capsule album reviews, composed in a concentrat ...
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The Rolling Stone Album Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, while a list of albums given a five star rating by the guide can be seen at Rocklist.net. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Le ...
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The Brains
The Brains were an American rock band from Atlanta, Georgia, led by songwriter Tom Gray in the late 1970s and early 1980s. Their 1980 debut album was entitled ''The Brains'', and was produced by Steve Lillywhite for Mercury Records. The album included "Money Changes Everything", originally released by the band in 1978, which became a hit single for Cyndi Lauper when she covered it in 1983. After a second Mercury recording in 1981, '' Electronic Eden'' (also produced by Lillywhite) and then an independently released EP, '' Dancing Under Streetlights'', the band split up. A song from ''Electronic Eden'', "Heart in the Street", was covered by Manfred Mann's Earth Band on their 1980 album ''Chance'' as "Heart on the Street." The band appeared many times at Atlanta's premier new wave/alternative rock venue, 688 Club (named for its address, 688 Spring Street), referred to locally as simply "688." The video for '' Dancing Under Streetlights'' was filmed one night in Spring Street, out ...
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Trouser Press
''Trouser Press'' was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow fan of the Who Dave Schulps and Karen Rose under the name "Trans-Oceanic Trouser Press" (a reference to a song by the Bonzo Dog Doo-Dah Band and an acronymic play on the British TV show ''Top of the Pops)''. Publication of the magazine ceased in 1984. The unexpired portion of mail subscriptions was completed by ''Rolling Stone'' sister publication ''Record'', which itself folded in 1985. ''Trouser Press'' has continued to exist in various formats. History The magazine's original scope was British bands and artists (early issues featured the slogan "America's Only British Rock Magazine"). Initial issues contained occasional interviews with major artists like Brian Eno and Robert Fripp and extensive record reviews. After 14 issues, the title was shortened to simply ''Trouser Press'', and it gradually transformed into a professional magazine w ...
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