Electroclash Albums
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Electroclash Albums
Electroclash (also known as synthcore, retro-electro, tech-pop, nouveau disco, and the new new wave) is a genre of music that fuses 1980s electro, new wave and synth-pop with 1990s techno, retro-style electropop and electronic dance music. It emerged in the later 1990s and is often thought of as reaching its peak circa 2002/2003. It was pioneered by and associated with acts such as I-F, DJ Hell, Miss Kittin and The Hacker, and Fischerspooner. Terminology and characteristics The term electroclash describes a musical movement that combined synthpop, techno, punk and performance art. The genre was in reaction to the rigid formulations of techno music, putting an emphasis on song writing, showmanship and a sense of humour, and was described by ''The Guardian'' as one of "the two most significant upheavals in recent dance music history". The visual aesthetic of electroclash has been associated with the 1982 cult film '' Liquid Sky''. DJ Hell is widely credited as inventor an ...
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House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ...
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Electro House
Electro house is a genre of electronic dance music characterized by heavy bass and a tempo around 130 beats per minute. The term has been used to describe the music of many ''DJ Mag'' Top 100 DJs, including Benny Benassi, Skrillex, Steve Aoki & Deadmau5. Characteristics Simon Reynolds described electro house, as a style attributed to artists like Zedd, Erol Alkan and Bloody Beetroots. Electro-house is typified by its heavy bass. This is often in the form of buzzing basslines, such as those created with sawtooth waves and distortion. It is also often in the form of large bass drum sounds in a four-on-the-floor pattern. The tempo of electro house is usually between 125 and 135 beats per minute, usually 130. Electro house sometimes resembles tech house, but it can contain melodic elements and electro-influenced samples and synths. In contrast, Reynolds stated the genre had "little relationship with either house or electro". History Reynolds described the sound as being infl ...
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Miss Kittin
Caroline Hervé (born 1973), known professionally as Miss Kittin, is a French electronic music producer, DJ, singer, and songwriter. Since rising to prominence in 1998 for her singles " 1982" and "Frank Sinatra" with The Hacker, she has worked with other musicians such as Chicks on Speed, Felix da Housecat and Golden Boy. She released her debut solo album ''I Com'' in 2004, a second, ''BatBox'', in 2008, and a third, ''Calling from the Stars'', in 2013. She achieved international popularity with the singles "Rippin Kittin" and "Silver Screen Shower Scene". Life and career 1973–1994: Early life Miss Kittin was born Caroline Hervé in 1973 in Grenoble, a city in the Alps, in southeastern France. Music such as Genesis, Supertramp, Miles Davis, Maria Callas, Pink Floyd and The Beatles became a prominent part of her and her parents' lives. At the age of 6, Hervé often played piano for fun at her grandparents', and reproduced melodies from the radio. Miss Kittin tried taking pia ...
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DJ Hell
Helmut Josef Geier (born 6 September 1962), known professionally as DJ Hell, is a German DJ. Biography 1970s and 1980s DJ Hell described his musical beginnings in an interview with '' The European'', telling them “I was socialized with German electronic music of the 1960s and 1970s. There were no commercial aspirations; it was all about experimentation.” Hell has worked as a DJ since 1978.„Arbeiter der Nacht“
Interview with sueddeutsche.de, 23.8.2013.
Starting in 1983, he began working as a DJ at Club Libella in , Germany, near his hometown of Altenmarkt an der Alz. This would be his first residency, where he cultivated his ...
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Electro (music)
Electro (or electro- funk)Rap meets Techno, with a short history of Electro
Globaldarkness.com. Retrieved on July 18, 2011.
is a of and early hip hop directly influenced by the use of the Roland TR-808 drum machines, ...
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Music
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz ...
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Los Angeles Times
The ''Los Angeles Times'' (abbreviated as ''LA Times'') is a daily newspaper that started publishing in Los Angeles in 1881. Based in the LA-adjacent suburb of El Segundo since 2018, it is the sixth-largest newspaper by circulation in the United States. The publication has won more than 40 Pulitzer Prizes. It is owned by Patrick Soon-Shiong and published by the Times Mirror Company. The newspaper’s coverage emphasizes California and especially Southern California stories. In the 19th century, the paper developed a reputation for civic boosterism and opposition to labor unions, the latter of which led to the bombing of its headquarters in 1910. The paper's profile grew substantially in the 1960s under publisher Otis Chandler, who adopted a more national focus. In recent decades the paper's readership has declined, and it has been beset by a series of ownership changes, staff reductions, and other controversies. In January 2018, the paper's staff voted to unionize and final ...
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Fischerspooner NYC 2005
Fischerspooner were an electroclash duo and performance troupe formed in 1998 in Chicago after meeting in school. The name is a combination of the founders' last names, Warren Fischer and Casey Spooner. Career Originally a duo formed by classically trained musician Warren Fischer and video-artist and experimental theater performer Casey Spooner for an impromptu rendition of their makeshift track "Indian Cab Driver" at the Astor Place Starbucks, the group grew to over 20 performers, most of whom are dancers and guest vocalists. "We started as a performance art piece about entertainment that ultimately became legitimate entertainment," said Casey Spooner, when talking about the group's origins in an April 2009 interview. ''#1'' (2001) Their debut album, '' #1'', has been released on several record labels, including International DJ Gigolo, Ministry of Sound and Capitol Records, and includes their hit singles "Sweetness", " Emerge", and a cover of Wire's " the 15th". In the f ...
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Romo
Romantic Modernism, more commonly known as Romo, was a musical and nightclubbing movement, of glam/style pop lineage, in the UK circa 1995–1997, centred on the twin homes of Camden-based clubnight Club Skinny and its West End clone Arcadia, as well as concerts by the chief associated bands. The Romo movement was essentially a derivation of late-1970s disco and early-1980s club music, with an emphasis on the extroverted sartorial style and decadent air of New Romantic-era bands such as Japan and Soft Cell. Nonetheless, contemporary features in ''Melody Maker'' (where the genre was championed mainly by Simon Price and Taylor Parkes – it was dismissed by the rival ''NME'') tended to downplay the nostalgic connection with New Romantic, emphasising Romo's newness and contemporary relevance. Much championed by the said writers at the ''Melody Maker'' as a stylish and poppy backlash against the dressed-down style and raw sound of the Britpop movement, while variously feted and ...
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Electropunk
Electronic rock is a music genre that involves a combination of rock music and electronic music, featuring instruments typically found within both genres. It originates from the late 1960s, when rock bands began incorporating electronic instrumentation into their music. Electronic rock acts usually fuse elements from other music styles, including punk rock, industrial rock, hip hop, techno, and synth-pop, which has helped spur subgenres such as indietronica, dance-punk, and electroclash. Overview Being a fusion of rock and electronic, electronic rock features instruments found in both genres, such as synthesizers, mellotrons, tape music techniques, electric guitars, and drums. Some electronic rock artists, however, often eschew guitar in favor of using technology to emulate a rock sound. Vocals are typically mellow or upbeat, but instrumentals are also common in the genre. A trend of rock bands that incorporated electronic sounds began during the late 1960s. According to crit ...
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Madchester
Madchester was a musical and cultural scene that developed in the English city of Manchester in the late 1980s, closely associated with the indie dance scene. Indie-dance (sometimes referred to as indie-rave) saw artists merging indie music with elements of acid house, psychedelia and 1960s pop. The term Madchester was coined by Factory Records' Tony Wilson, with the label popularised by the British music press in the early 1990s, and its most famous groups include the Stone Roses, Happy Mondays, Inspiral Carpets, the Charlatans, James and 808 State. It is widely seen as being heavily influenced by drugs, especially MDMA. At that time, the Haçienda nightclub, co-owned by members of New Order, was a major catalyst for the distinctive musical ethos in the city that was called the Second Summer of Love. Pre-Madchester The music scene in Manchester immediately before the Madchester era had been dominated by The Smiths, New Order, and The Fall, who were to become a significa ...
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