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Electric Sitar
An electric sitar is a type of electric guitar designed to mimic the sound of the sitar, a traditional musical instrument of India. Depending on the manufacturer and model, these instruments bear varying degrees of resemblance to the traditional sitar. Most resemble the electric guitar in the style of the body and headstock, though some have a body shaped to resemble that of the sitar (such as a model made by Danelectro). History The instrument was developed in the early 1960s by session guitarist Vinnie Bell in partnership with Danelectro and released under the brandname Coral™ in 1967. At the time, many western musical groups began to use the sitar, which is generally considered a difficult instrument to learn. By contrast, the electric sitar, with its standard guitar fretboard and tuning, is a more familiar fret arrangement for a guitarist to play. The twangy sitar-like tone comes from a flat bridge adding the necessary buzz to the guitar strings. Configuration In addition t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drone (music)
In music, a drone is a harmonic or monophonic effect or accompaniment where a note or chord is continuously sounded throughout most or all of a piece. A drone may also be any part of a musical instrument used to produce this effect; an archaic term for this is ''burden'' (''bourdon'' or ''burdon'') such as a "drone ipeof a bagpipe", the pedal point in an organ, or the lowest course of a lute. Α ''burden'' is also part of a song that is repeated at the end of each stanza, such as the chorus or refrain.Brabner, John H F., ed. (1884). The national encyclopædia', Vol. V, p.99. Libr. ed. William McKenzie. . Musical effect "Of all harmonic devices, it droneis not only the simplest, but probably also the most fertile." A drone effect can be achieved through a sustained sound or through repetition of a note. It most often establishes a tonality upon which the rest of the piece is built. A drone can be instrumental, vocal or both. Drone (both instrumental and vocal) can be place ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggie Young
Reggie Grimes Young Jr. (December 12, 1936 – January 17, 2019) was an American musician who was lead guitarist in the American Sound Studio house band, The Memphis Boys, and was a leading session musician. He played on various recordings with artists such as Elvis Presley, Joe Cocker, Dobie Gray, Joe Tex, Merrilee Rush, B.J. Thomas, John Prine, Dusty Springfield, Herbie Mann, J.J. Cale, Jimmy Buffett, Dionne Warwick, Roy Hamilton, Willie Nelson, Waylon Jennings, the Box Tops, Johnny Cash, Jerry Lee Lewis, Merle Haggard, Joey Tempest, George Strait, and The Highwaymen. Young was inducted into the Musicians Hall of Fame and Museum in 2019. Early career Born December 12, 1936, in Caruthersville, Missouri, and raised in Osceola, Arkansas, Young's first band was Eddie Bond & the Stompers, a rockabilly band from Memphis, Tennessee, that toured with Johnny Cash, Carl Perkins, and Roy Orbison during the mid-'50s. By 1958, Young was with singer Johnny Horton, making several ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hooked On A Feeling
"Hooked on a Feeling" is a 1968 pop song, written by Mark James and originally performed by B. J. Thomas. Thomas's version featured the sound of the electric sitar (played by Reggie Young) and reached No. 5 in 1969 on the ''Billboard'' Hot 100. It has been recorded by many other artists, including Blue Swede, whose version reached No. 1 in the United States in 1974. Production The song was written by Mark James, who was introduced to producer Chips Moman around 1967 by Moman's mutual friend Steve Tyrell, a singer and James' manager. James was hired by early 1968 to write for Moman's publishing company, which led to him writing songs for many artists, including his childhood friend B.J. Thomas. One of these songs was "Hooked on a Feeling", which James wrote about the thrills of being in love, inspired by his feelings for his childhood sweetheart. It was recorded at the American Sound Studio in Memphis, Tennessee in 1968, and first released on October 29 of that year. Country ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Signed, Sealed, Delivered I'm Yours
"Signed, Sealed, Delivered (I'm Yours)" is a soul song, by American musician Stevie Wonder, released in June 1970 as a single on Motown's Tamla label. It spent six weeks at number one on the U.S. R&B chart and peaked at number three on the U.S. Pop chart. In the same year, the song was also released on the album '' Signed, Sealed & Delivered''. The song was arranged by Paul Riser and features an electric sitar played by Eddie "Chank" Willis. In the lyrics, the singer has left his girlfriend but realizes it was a mistake. "I've done a lot of foolish things that I really didn't mean." Now he has returned, making the commitment that he's back, similar to a special delivery package from the post office, "signed, sealed, delivered, I'm yours." The song was a series of firsts for the 20-year-old Wonder: "Signed, Sealed, Delivered (I'm Yours)" was the first single Wonder produced on his own, and was also the first to feature his female backup singing group composed of Lynda Tuck ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stevie Wonder
Stevland Hardaway Morris ( Judkins; May 13, 1950), known professionally as Stevie Wonder, is an American singer-songwriter, who is credited as a pioneer and influence by musicians across a range of genres that include rhythm and blues, Pop music, pop, Soul music, soul, Gospel music, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of Contemporary R&B, R&B. He also helped drive such genres into the album era, crafting his LP record, LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Visual impairment, Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder. Wonder's single "Fingertips" was a No. 1 hit on the Billboard Hot 100, ''Billboard'' Hot 100 in 1963, at the age of 13, making him the List o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Willis
Eddie "Chank" Willis (June 3, 1936 – August 20, 2018) was an American soul musician. Willis played electric guitar and occasional electric sitar for Motown's in-house studio band, The Funk Brothers, during the 1960s and early 1970s. Career Born in Grenada, Mississippi, Willis was known for his signature style of muted guitar riffs which added a distinctive tone or "color" to the beat, often timed with the snare, of the hundreds of hit songs recorded at Hitsville U.S.A. for Motown artists. Among the recordings Willis performed on are " Please Mr. Postman" by The Marvelettes, "The Way You Do the Things You Do" by The Temptations, "You Keep Me Hanging On" by The Supremes, and "I Was Made to Love Her" by Stevie Wonder. Influences for Willis included Chet Atkins, Wes Montgomery, and Albert King. He played a Gibson Firebird guitar on most of his early 1960s work, later moving on to use a Gibson ES-335. On recordings such as The Supremes' "No Matter What Sign You Are", Willis perfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
No Matter What Sign You Are
"No Matter What Sign You Are" is a song released for Diana Ross & the Supremes by the Motown label. Background Originally intended to be Diana Ross & the Supremes' final single before the departure of Diana Ross and penned by Berry Gordy, the song failed to fulfil Gordy's expectations as the single did not reach the top 20 in either the US and UK, peaking at 31 and 37 respectively in July 1969. The song released as the third single from ''Let the Sunshine In''. As with most singles released under this billing of the group, session singers perform the backing vocals on the recorded single as opposed to Supremes group members at the time, Mary Wilson and Cindy Birdsong. Personnel *Lead vocals by Diana Ross *Background vocals by the Blackberries (Venetta Fields, Clydie King, and Sherlie Matthews) *Instrumentation by the Funk Brothers Track listing *7" single (9 May 1969) (United States/United Kingdom/Netherlands) #"No Matter What Sign You Are" – 2:38 #"The Young Folks" – 2:29 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Supremes
The Supremes were an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal group, vocal band, with List of Billboard Hot 100 chart achievements and milestones#Most number-one singles, 12 number-one singles on the Billboard Hot 100, ''Billboard'' Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. It is said that their breakthrough made it possible for future African American Rhythm and blues, R&B and soul musicians to find mainstream success. ''Billboard'' ranked the Supremes as the 16th greatest Hot 100 artist of all time. Florence Ballard, Mary Wilson (singer), Mary Wilson, Diana Ross, and Betty McGlown, the original members, were all from the Brewster-Douglass Housing Projects, Brewster-Douglass public housing proje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Games People Play (Joe South Song)
"Games People Play" is a song written, composed, and performed by American singer-songwriter Joe South, released in August 1968, that won the Grammy Award for Best Contemporary Song and the Grammy Award for Song of the Year, both for 1970. Release "Games People Play" is a protest song whose lyrics speak against various forms of hatred, hypocrisy, inhumanity, intolerance, and irresponsibility, in both interpersonal and social interactions between people. ''Billboard'' favorably reviewed the song some three months after its release and eight weeks before it finally reached the Hot 100. The song was released on South's debut album ''Introspect'' and as a single, reaching No. 12 on the Hot 100. It was also a No. 6 hit in the UK in 1969, No. 4 in Ireland, and won the Grammy Award for Best Contemporary Song and the Grammy Award for Song of the Year. The distinctive guitar in the opening is played on a Danelectro electric sitar, which can be seen in a video recorded to support Sout ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe South
Joe South (born Joseph Alfred Souter; February 28, 1940 – September 5, 2012) was an American singer-songwriter, guitarist, and record producer. Best known for his songwriting, South won the Grammy Award for Song of the Year in 1970 for " Games People Play" and was again nominated for the award in 1972 for "Rose Garden". Career South had met and was encouraged by Bill Lowery, an Atlanta music publisher and radio personality. He began his recording career in Atlanta with the National Recording Corporation, where he served as staff guitarist along with other NRC artists Ray Stevens and Jerry Reed. South's earliest recordings have been re-released by NRC on CD. He soon returned to Nashville with The Manrando Group and then on to Charlie Wayne Felts Promotions. (Charlie Wayne Felts is the cousin of Rockabilly Hall of Fame Inductee and Grand Ole Opry Member, Narvel Felts.) South had his first top 50 hit in July 1958 with a cover version of the b-side of The Big Bopper's hit sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monterey (Eric Burdon And The Animals Song)
"Monterey" is a 1967 song by Eric Burdon & The Animals. The music and lyrics were composed by the group's members, Eric Burdon, John Weider, Vic Briggs, Danny McCulloch, and Barry Jenkins. The song provides an oral account of the June 1967 Monterey Pop Festival, at which the Animals performed. Burdon namedrops several of the acts who performed at the festival such as the Byrds, Jefferson Airplane, the Who, the Grateful Dead, and Jimi Hendrix. In 1968, two different video clips of the song were aired. Background Eric Burdon and the Animals performed at the 1967 Monterey Pop Festival at the peak of the Summer of Love; they followed Johnny Rivers onstage and were introduced by Chet Helms. In his book, ''Monterey Pop'', Joel Selvin wrote that, at the festival, "Burdon did nothing short of reinvent himself in front of the audience." The song "Monterey" was subsequently written in tribute to the group's experiences at the festival, and proved to be one of the new band's biggest hits. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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