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Electric Mud
''Electric Mud'' is the fifth studio album by Muddy Waters, with members of Rotary Connection playing as his backing band. Released in 1968, it imagines Muddy Waters as a psychedelic music, psychedelic musician. Producer Marshall Chess suggested that Muddy Waters record it in an attempt to appeal to a rock audience. The album peaked at number 127 on Billboard 200, ''Billboard'' 200 album chart. It was controversial for its fusion of electric blues with psychedelic elements. History The 1960s saw Marshall Chess seeking to introduce Muddy Waters' music to a younger audience; Chess Records, Waters' record label, founded by Marshall's father, Leonard Chess, released a series of compilation albums of Muddy Waters' older music repackaged with psychedelic artwork.Gordon, Robert. "Notes: ''Electric Mud'', ''After the Rain'', Marshall Chess and the Players". ''Can't Be Satisfied''. Pp. 348-349. 0-316-32849-9. In 1967, Marshall Chess formed Cadet Records, Cadet Concept Records as a subsid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muddy Waters
McKinley Morganfield (April 4, 1913 April 30, 1983), known professionally as Muddy Waters, was an American blues singer and musician who was an important figure in the post-war blues scene, and is often cited as the "father of modern Chicago blues". His style of playing has been described as "raining down Delta beatitude". Muddy Waters grew up on Stovall Plantation near Clarksdale, Mississippi, and by age 17 was playing the guitar and the harmonica, emulating the local blues artists Son House and Robert Johnson."His thick heavy voice, the dark colouration of his tone, and his firm, almost solid, personality were all clearly derived from House," wrote the music historian Peter Guralnick in ''Feel Like Going Home'', "but the embellishments, which he added, the imaginative slide technique and more agile rhythms, were closer to Johnson." He was recorded in Mississippi by Alan Lomax for the Library of Congress in 1941. In 1943, he moved to Chicago to become a full-time professi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howlin' Wolf
Chester Arthur Burnett (June 10, 1910January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer and guitarist. He is regarded as one of the most influential blues musicians of all time. Over a four-decade career, he recorded in genres such as blues, rhythm and blues, rock and roll, and psychedelic rock. He also helped bridge the gap between Delta blues and Chicago blues. Born into poverty in Mississippi as one of six children, he went through a rough childhood where his mother kicked him out of her house, and he moved in with his great-uncle, who was particularly abusive. He then ran away to his father's house where he finally found a happy family, and in the early 1930s became a protégé of legendary Delta blues guitarist and singer, Charley Patton. He started a solo career in the Deep South, playing with other notable blues musicians of the era, and at the end of a decade had made a name for himself in the Mississippi Delta. After going t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saxophone
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called '' saxophonists''. The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a horn section in som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Organ
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments: * Hammond-style organs used in pop, rock and jazz; * digital church organs, which imitate pipe organs and are used primarily in churches; * other types including combo organs, home organs, and software organs. History Predecessors ;Harmonium The immediate predecessor of the electronic organ was the harmonium, or reed organ, an instrument that was common in homes and small churches in the late 19th and early 20th centuries. In a fashion not totally unlike that of pipe organs, reed organs generate sound by forcing air over a set of reeds by means of a bellows, usually operated by constantly pumping a set of pedals. While reed organs have limited tonal quality, they are small, inexpensive, self ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Distortion (music)
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wah-wah Pedal
A wah-wah pedal, or simply wah pedal, is a type of electric guitar effects pedal that alters the tone and frequencies of the guitar signal to create a distinctive sound, mimicking the human voice saying the onomatopoeic name "wah-wah". The pedal sweeps the peak response of a frequency filter up and down in frequency to create the sound, a spectral glide, also known as "the wah effect". The wah-wah effect originated in the 1920s, with trumpet or trombone players finding they could produce an expressive crying tone by moving a mute in and out of the instrument's bell. This was later simulated with electronic circuitry for the electric guitar when the wah-wah pedal was invented. It is controlled by movement of the player's foot on a rocking pedal connected to a potentiometer. Wah-wah effects may be used as a fixed-filter to alter an instrument’s timbre (known as a “cocked-wah”); they may be used when a guitarist is soloing; or, classically, they may be used to create a "wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phil Upchurch
Philip Upchurch (born July 19, 1941) is an American jazz and blues guitarist and bassist. Career Upchurch started his career working with the Kool Gents, the Dells, and the Spaniels, before going on to work with Curtis Mayfield, Otis Rush, and Jimmy Reed. (His association with Kool Gents member Dee Clark would continue, including playing guitar on Clark's 1961 solo hit " Raindrops".) He then returned to Chicago to play and record with Woody Herman, Stan Getz, Groove Holmes, B.B. King, and Dizzy Gillespie. In 1961, his record "You Can't Sit Down" by the Philip Upchurch Combo, sold over one million copies and was awarded a gold disc. "You Can't Sit Down, Part 2" peaked at No. 29 on the ''Billboard'' charts in the US. And he released his first album. In the 1960s he toured with Oscar Brown, appearing on the 1965 live album, '' Mr. Oscar Brown, Jr. Goes to Washington''. In the mid-1960s he was house guitarist of Chess Records and he played with The Dells, Howlin' Wolf, Muddy Water ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Satterfield
Louis Edward Satterfield (April 3, 1937 – September 27, 2004) was an American bassist and trombonist. Satterfield was a member of both The Pharaohs and the Phenix Horns. He also collaborated with prominent artists such as Earth, Wind & Fire, Muddy Waters, Phil Collins, B.B King, The Emotions, Ramsey Lewis, The Whispers and The Gap Band. Biography and career Satterfield was born in Shaw, Mississippi, a city in Bolivar and Sunflower counties, Mississippi, in the Mississippi Delta region, on April 3, 1937. In the late 1950s–early 1960s, Satterfield, Charles Handy on trumpet, and Don Myrick on alto saxophone formed The Jazzmen, a student jazz trio at Crane Junior College in Chicago, Illinois. They were backed by Fred Humphrey on piano, Ernest McCarthy on bass guitar, and Maurice White on drums. Satterfield as a session bassist, White, and Handy were studio musicians at Chess Records in Chicago. Satterfield most memorable contribution being the bassline to Fontella Bass's " Rescu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morris Jennings
Morris Jennings was an American drummer and musician from Chicago. He recorded as Moe Jennings, M. Jennings, Maurice Jennings, Morris "Gator" Jennings, and Morris Jennings Jr. Jennings is best known for having played drums on the ''Electric Mud'' album by Muddy Waters, the 1969 album ''The Howlin' Wolf Album'' by Howlin' Wolf, and the 1972 Curtis Mayfield album ''Super Fly''. His work at Chess Records includes "California Soul" by Marlena Shaw, which includes an unusual two-bar break early in the song. Jennings died at his South Side Chicago home of natural causes at age 77 on June 3, 2016. ''Chicago Tribune''. Retrieved June 16, 2016. Discography With[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Cosey
Peter Palus Cosey (October 9, 1943 – May 30, 2012) was an American guitarist who played with Miles Davis' band between 1973 and 1975. His fiercely flanged and distorted guitar invited comparisons to Jimi Hendrix. Cosey kept a low profile for much of his career and released no solo recorded works. He appeared on Davis's albums ''Get Up with It'' (1974), ''Agharta (album), Agharta'' (1975), ''Pangaea (album), Pangaea'' (1976), ''Dark Magus'' (1977), and ''The Complete On the Corner Sessions'' (2007). Biography Early life Cosey was born in Chicago, Illinois. He was the only child of a musical family. His father and mother wrote for Louis Jordan and Eddie "Cleanhead" Vinson and his father played for Sidney Bechet and Josephine Baker. Following the death of his father, Cosey and his mother moved to Phoenix, Arizona, Phoenix, Arizona, where he spent his teenage years and began developing his guitar style. Early career Prior to joining the Miles Davis band in 1973, Cosey was a b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene Barge
James Gene Barge (born August 9, 1926) is an American tenor and alto saxophonist, composer in several bands, and actor. Biography Born in Norfolk, Virginia in August 1926, he was a founding member of the 1960s band The Church Street Five, which recorded for the locally based label, Legrand Records, operated by Frank Guida. The band included Gene Barge (sax), Ron "Junior" Farley (bass), Willie Burnell (piano), Leonard Barks (trombone), and Emmet Shields (drums). In 1961, the Dovells reached #2 on the Billboard Hot 100 with a song called " The Bristol Stomp", which refers to Bristol, Pennsylvania, and includes the line "We ponied and twisted and we rocked with Daddy G". Since Gene Barge had earlier co-written "A Night With Daddy 'G' - Part 1" and "A Night With Daddy 'G' - Part 2" (Legrand LEG 1004), many applied the pseudonym 'Daddy G' to him. It is not known whether the 'Daddy G' of that 1961 song lyric was intended to be Gene Barge or Bishop 'Daddy' Grace, a Norfolk, Virginia ev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago
(''City in a Garden''); I Will , image_map = , map_caption = Interactive Map of Chicago , coordinates = , coordinates_footnotes = , subdivision_type = Country , subdivision_name = United States , subdivision_type1 = State , subdivision_type2 = Counties , subdivision_name1 = Illinois , subdivision_name2 = Cook and DuPage , established_title = Settled , established_date = , established_title2 = Incorporated (city) , established_date2 = , founder = Jean Baptiste Point du Sable , government_type = Mayor–council , governing_body = Chicago City Council , leader_title = Mayor , leader_name = Lori Lightfoot ( D) , leader_title1 = City Clerk , leader_name1 = Anna Valencia ( D) , unit_pref = Imperial , area_footnotes = , area_tot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
