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Elbette
''Elbette'' (''Of Course'') is the third studio album by Turkish singer Candan Erçetin. It was released in 1999 by Topkapı Müzik. A pop and folk album, it was Erçetin's first studio album since the 1997 release of '' Çapkın''. Mete Özgencil wrote eight of the album's songs on his own, and one of them together with Erçetin. This album marked the end of Özgencil and Erçetin's collaboration. ''Elbette'' was produced by Rıza Erekli and recorded at Erekli & Tunç Studio in Istanbul. ''Elbette'' contains 13 main songs, in addition to a bonus version of "Söz Vermiştin". Like her first album, Erçetin used elements of Balkan music in this album. Her life events after the release of ''Çapkın'' helped with the creation of ''Elbette''. Six of the songs are about her life, and the seven others are mainly concerned with the concept of love. The songs were developed around Erçetin's ideas and were included in the album according to Erçetin's wishes. Music critics gave positive r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Candan Erçetin
Candan Erçetin (; born 10 February 1961) is a Turkish people, Turkish singer-songwriter. Over the twenty five years of her singing career, she has been recognized for preparing and singing songs about human life. Despite the fact that she made her albums without much publicity, her work influenced other artists. Erçetin has released many music videos with different themes. Because her family originate from the Balkans, she has often used elements of Balkan music in her songs and works. In addition to Turkish, she has written songs in French and Greek. Erçetin was born in Kırklareli, and is of Albanians, Albanian and Macedonians (ethnic group), Macedonian descent. She later moved to Istanbul and attended Galatasaray High School. In the following years she received voice training. She later studied classical archeology at Istanbul University. In her final year at school, she recorded the song "Halley (song), Halley" and Turkey in the Eurovision Song Contest 1986, represented Tu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oyalama Artık
''Oyalama Artık: The Remix EP 2'' (''Don't Put Off Anymore'') is a remix EP by Candan Erçetin. Track listing #Oyalama Artık (Radio Mix) #Kaybettik Biz (Remix) #Her Aşk Bitermiş (Remix) #Aşkı Ne Sandın (Remix) #Onlar Yanlış Biliyor (Remix) #Oyalama Artık (Flamenco Mix) #Oyalama Artık (Extended Mix) {{DEFAULTSORT:Oyalama Artik Candan Erçetin albums 1998 EPs 1998 remix albums Remix EPs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unut Sevme
"Unut Sevme" ( en, Forget, Don't Love) is Turkish Turkish may refer to: *a Turkic language spoken by the Turks * of or about Turkey ** Turkish language *** Turkish alphabet ** Turkish people, a Turkic ethnic group and nation *** Turkish citizen, a citizen of Turkey *** Turkish communities and mi ... singer Candan Erçetin's first single. It was released as a limited number of 2500 copies, of which all signed by her. The song is written by Baki Çallıoğlu and previously sung by Güzide Kasacı during 1960s. Track listing #"Album Version" - 4:38 #"Funky House Mix (Radio Edit)" - 5:03 #"Afro-Orient Percussion Mix (Radio Mix)" - 4:12 #"Latin House Mix (Radio Edit)" - 4:35 #"Funky House Mix (Extended Version)" - 5:48 #"Afro-Orient Percussion Mix (Extended Version)" - 5:35 #"Latin House Mix (Extended Version)" - 7:49 References {{Authority control Candan Erçetin songs 2001 singles 2001 songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hakan Karahan
Hakan Karahan (born 1 January 1960), also known with his pseudonym Sinan, is a Turkish writer and songwriter. He wrote several songs for Candan Erçetin and was producer for the movies '' Kaptan Feza'' and '' Gölgesizler''. Books * Yeni Başlayanlar İçin Aikido (1996, Alfa Yayınları, ) * Ama Öyle! (2006, Alfa Yayınları, ) Poems: * Kafamdaki Ses (1998, Scala Yayıncılık, ) * İntizar (2000, Scala Yayıncılık, ) Novels: * Sürüden Ayrı (2001, Alfa Yayınları, ) * 19 (2004, Alfa Yayınları, ) * Azrail (2005, Alfa Yayınları, ) * Kıyamet Haritası (2007, Altın Kitaplar, ) * Nehirde Kayan Yıldızlar (2012, Altın Kitaplar, ) * Abluka (2014, Self published Self-publishing is the publication of media by its author at their own cost, without the involvement of a publisher. The term usually refers to written media, such as books and magazines, either as an ebook or as a physical copy using POD (pr ..., ) List of songs by Sinan Filmography Television Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neden (Candan Erçetin Album)
''Neden'' (''Why?'') is Candan Erçetin's fourth studio album. It was released in March 2002. This album had significant differences with her previous works, as she was no longer working with Mete Özgencil. Instead, the album has songs mostly written by herself and Aylin Atalay. She proved her success in music-writing as well as performing. The CD version of the album has a cover with fragrance, the first of its kind in Turkey. Track listing Personnel *Topkapı Müzik – production *Rıza Erekli – producer *Candan Erçetin – vocals, songwriter, composer, drums, goblet drum, Turkish tambur *Alper Erinç – composer, arranger, drums, guitar, mandolin, trumpet, Pro Tools editing *Aylin Atalay – songwriter *Sinan – songwriter *Ümit Aksu – songwriter *Bülent Erinç – arranger *Neslihan Engin – composer, arranger, tambur, production assistant *Özgür Buldum – arranger *Tansel Doğanay – arranger, accordion *Özcan Şenyaylar – accordion, violin, bowed string ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mete Özgencil
Mete Özgencil (born 1962) is a Turkish songwriter, composer, music video director, singer, screenwriter and painter. Early life Born in Istanbul on 1962, Özgencil lived in Izmir for 14 years and graduated from the management faculty of Ege Üniversitesi. He worked as a graphic designer for four years and as a painter for two years. He has had eight personal exhibitions of his paintings. He made over 40 book covers of Çilek series of Remzi Kitabevi. He has been the art director of Irfan Tozum's film ''Cazibe Hanımın Gündüz Düşleri'' and won the best art director award in Ankara. He wrote the scenario of the film ''Mum Kokulu Kadinlar''. He got involved with music and wrote more than 100 lyrics and directed over 200 music videos. Album He released his own album ''Olmalı'' in 2001. Works *1993 Gökkhan Kırdar – Yerine Sevemem (Music Video) *1994 Candan Erçetin – Hazırım Album (9 Lyrics, 6 Music Videos) *1995 Umay Umay – Düşmedim Daha (Duet, Lyrics, Mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bendir
The ''bendir'' ( ar, بندير, plural ''banadir'', ) is a wooden-framed frame drum of North Africa and Southwest Asia. The bendir is a traditional instrument that is played throughout North Africa, as well as in Sufi ceremonies; it was played, too, in Ancient Egypt and Mesopotamia. In Turkish, the word ''bendir'' means "a big hand frame drum". Construction and play The bandir often has a snare (usually made of gut) stretched across the head, which gives the tone a buzzing quality when the drum is struck with the fingers or palm. The drum is played in a vertical position. One holds the drum by looping the thumb of the non-dominant hand through a hole in the frame. Similar frame drums include the tar of Egypt and the bodhrán of Ireland. Unlike the bendir, the tar does not have a snare on the back of the frame, and the bodhrán is played with a beater. See also *Daf * Riq *Mazhar *Davul *Long drum Long drums are a loose category of tubular membranophones, characterized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zurna
The zurna (Armenian language, Armenian: զուռնա zuṙna; Classical Armenian, Old Armenian: սուռնայ suṙnay; Albanian language, Albanian: surle/surla; Persian language, Persian: karna/Kornay/surnay; Macedonian language, Macedonian: зурла/сурла zurla/surla; Bulgarian language, Bulgarian: ''зурна/зурла''; Serbian language, Serbian: зурла/zurla; Syriac language, Syriac Aramaic: ܙܘܪܢܐ/zurna; Tat language (Caucasus), Tat: zurna; Turkish language, Turkish: zurna; Kurdish Language, Kurdish: zirne; Greek language, Greek : ζουρνας; Azerbaijani language, Azeri: zurna) is a double reed wind instrument played in central Eurasia, Western Asia and parts of North Africa. It is usually accompanied by a davul (bass drum) in Music of Armenia, Armenian, Anatolian and Assyrian folk/pop music, Assyrian folk music. Characteristics and history The zurna, like the duduk and kaval, is a woodwind instrument used to play folk music. The zurna is made from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zaman (newspaper)
''Zaman'' (, literally "time" or "era"), sometimes stylized as ZAMAN, was a daily newspaper in Turkey. ''Zaman'' was a major, high-circulation daily before government seizure on 4 March 2016 (the circulation was around 650,000 as of February 2016). It was founded in 1986 and was the first Turkish daily to go online in 1995. It contained national (Turkish), international, business, and other news. It also had many regular columnists covering current affairs, interviews, and a culture section. The newspaper originally supported the Justice and Development Party (AKP), but became increasingly critical of that party and its leader, Turkish president and former prime minister Recep Tayyip Erdoğan, particularly after the AKP closed the 2013 December investigation into corruption. On 4 March 2016, in what activists and international media groups criticized as another blow to press freedom in Turkey, control of the newspaper was seized by the government. The takeover was motivated b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cümbüş
The ''cümbüş'' (; ) is a Turkish stringed instrument of relatively modern origin. It was developed in 1930 by Zeynel Abidin Cümbüş (1881–1947) as an oud-like instrument that could be heard as part of a larger ensemble. The cümbüş is shaped like an American banjo, with a spun-aluminum resonator bowl and skin soundboard. Although originally configured as an oud, the instrument has been converted to other instruments by attaching a different set of neck and strings. The standard cümbüş is fretless, but guitar, mandolin and ukulele versions have fretboards. The neck is adjustable, allowing the musician to change the angle of the neck to its strings by turning a screw. One model is made with a wooden resonator bowl, with the effect of a less tinny, softer sound.Zeynel Abidin Cümbüş manufacturers, ''Cumbu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duduk
The duduk ( ; hy, դուդուկ ) or tsiranapogh ( hy, ծիրանափող, meaning “apricot-made wind instrument”), is an ancient Armenian double reed woodwind instrument made of apricot wood. It is indigenous to Armenia. Variations of the Armenian duduk appear throughout the Caucasus and the Middle East, including Azerbaijan, Georgia, Russia, Turkey, and Iran. Duduk, Balaban, and Mey are almost identical, except for historical and geographical differences. It is commonly played in pairs: while the first player plays the melody, the second plays a steady drone called ''dum'', and the sound of the two instruments together creates a richer, more haunting sound. The unflattened reed and cylindrical body produce a sound closer to the English horn than the oboe or bassoon. Unlike other double reed instruments like the oboe or shawm, the duduk has a very large reed proportional to its size. UNESCO proclaimed the Armenian duduk and its music as a Masterpiece of the Intangib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanpura
The tanpura (), also referred to as tambura and tanpuri, is a long-necked plucked string instrument, originating in India, found in various forms in Indian music. It does not play melody, but rather supports and sustains the melody of another instrument or singer by providing a continuous harmonic bourdon or drone. A tanpura is not played in rhythm with the soloist or percussionist: as the precise timing of plucking a cycle of four strings in a continuous loop is a determinant factor in the resultant sound, it is played unchangingly during the complete performance. The repeated cycle of plucking all strings creates the sonic canvas on which the melody of the raga is drawn. The combined sound of all strings–each string a fundamental tone with its own spectrum of overtones–supports and blends with the external tones sung or played by the soloist. Hindustani musicians favour the term ''tanpura'' whereas Carnatic musicians say ''tambura''; ''tanpuri'' is a smaller varian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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