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Eilhart Von Oberge
Eilhart von Oberge was a German poet of the late 12th century. He is known exclusively through his Middle High German romance ''Tristrant'', the oldest surviving complete version of the Tristan and Iseult story in any language.''The Arthurian Handbook'', pp. 100–101.Kalinke, Marianne E. (1991). "Eilhart von Oberge." In Norris J. Lacy, ''The New Arthurian Encyclopedia'', pp. 127–128. New York: Garland. . ''Tristrant'' is part of the "common" or "primitive" branch of the legend, best known through Béroul's fragmentary Norman language ''Tristan''. It is German literature's first rendition of the story, though Gottfried von Strassburg's ''Tristan'', part of the "courtly" branch, is more famous and respected. It is usually considered that Eilhart adapted his work from a French source, likely the same one used by Béroul, but the differences between ''Tristrant'' and Béroul's work suggest that Eilhart was not particularly faithful to the original. Some episodes and details appearing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle High German
Middle High German (MHG; german: Mittelhochdeutsch (Mhd.)) is the term for the form of German spoken in the High Middle Ages. It is conventionally dated between 1050 and 1350, developing from Old High German and into Early New High German. High German is defined as those varieties of German which were affected by the Second Sound Shift; the Middle Low German and Middle Dutch languages spoken to the North and North West, which did not participate in this sound change, are not part of MHG. While there is no ''standard'' MHG, the prestige of the Hohenstaufen court gave rise in the late 12th century to a supra-regional literary language (') based on Swabian, an Alemannic dialect. This historical interpretation is complicated by the tendency of modern editions of MHG texts to use ''normalised'' spellings based on this variety (usually called "Classical MHG"), which make the written language appear more consistent than it actually is in the manuscripts. Scholars are uncertain as to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brittany
Brittany (; french: link=no, Bretagne ; br, Breizh, or ; Gallo language, Gallo: ''Bertaèyn'' ) is a peninsula, Historical region, historical country and cultural area in the west of modern France, covering the western part of what was known as Armorica during the period of Roman occupation. It became an Kingdom of Brittany, independent kingdom and then a Duchy of Brittany, duchy before being Union of Brittany and France, united with the Kingdom of France in 1532 as a provinces of France, province governed as a separate nation under the crown. Brittany has also been referred to as Little Britain (as opposed to Great Britain, with which it shares an etymology). It is bordered by the English Channel to the north, Normandy to the northeast, eastern Pays de la Loire to the southeast, the Bay of Biscay to the south, and the Celtic Sea and the Atlantic Ocean to the west. Its land area is 34,023 km2 . Brittany is the site of some of the world's oldest standing architecture, ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Poets
This list contains the names of individuals (of any ethnicity or nationality) who wrote poetry in the German language. Most are identified as "German poets", but some are not German. A *Abraham a Sancta Clara *Friedrich Achleitner *Dietmar von Aist *Heinrich Albert (composer) * Der wilde Alexander * Hermann Allmers * Peter Paul Althaus *Günther Anders *Alfred Andersch *Ernst Moritz Arndt *Achim von Arnim *Bettina von Arnim * Hans Arp *H. C. Artmann * Hans Erasmus Aßmann *Hartmann von Aue *Count Anton Alexander von Auersperg *Rose Ausländer B *Ingeborg Bachmann *Hugo Ball * Wolfgang Bauer *Konrad Bayer *Johannes Robert Becher *Richard Beer-Hofmann *Gottfried Benn *Michael Beheim *Werner Bergengruen *Thomas Bernhard *F.W. Bernstein *Marcel Beyer *Horst Bienek *Otto Julius Bierbaum *Wolf Biermann *Johannes Bobrowski * Paul Boldt *Wolfgang Borchert *Nicolas Born *Thomas Brasch *Volker Braun *Bertolt Brecht * Helene Brehm * Clemens von Brentano *Theo Breuer *Rolf Dieter Brinkmann * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Writers Of Arthurian Literature
A writer is a person who uses written words in different writing styles and techniques to communicate ideas. Writers produce different forms of literary art and creative writing such as novels, short stories, books, poetry, travelogues, plays, screenplays, teleplays, songs, and essays as well as other reports and news articles that may be of interest to the general public. Writers' texts are published across a wide range of media. Skilled writers who are able to use language to express ideas well, often contribute significantly to the cultural content of a society. The term "writer" is also used elsewhere in the arts and music, such as songwriter or a screenwriter, but also a stand-alone "writer" typically refers to the creation of written language. Some writers work from an oral tradition. Writers can produce material across a number of genres, fictional or non-fictional. Other writers use multiple media such as graphics or illustration to enhance the communication of thei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th-century German Poets
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th-century Deaths
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th-century Births
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geoffrey Ashe
Geoffrey Thomas Leslie Ashe (29 March 1923 – 30 January 2022) was a British cultural historian and lecturer, known for his focus on King Arthur. Early life Born in London, Ashe was an only child who excelled all his classmates in academics. Periods of poor health meant that he had ample opportunity to read broadly, or be read to. Through his parents, he developed a life-long enjoyment of Gilbert & Sullivan's operas and Conan Doyles' Sherlock Holmes canon. His mother read some of Conan Doyle's stories to him from the ''Strand'' when they were first published; his father took him to see Gilbert & Sullivan performances by some of the cast who had worked with Gilbert himself. Ashe's father was general manager of Poly Tours, later Lunn-Poly, and travelled to Europe and the British Isles frequently with his parents to the hotels used by the agency, sometimes to correct problems, sometimes to establish business contacts. His favourite childhood memories were of summers spent i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Bédier
Joseph Bédier (28 January 1864 – 29 August 1938) was a French writer and scholar and historian of medieval France. Biography Bédier was born in Paris, France, to Adolphe Bédier, a lawyer of Breton origin, and spent his childhood in Réunion. He was a professor of medieval French literature at the Université de Fribourg, Switzerland (1889–1891) and the Collège de France, Paris (c. 1893). Modern theories of the ''fabliaux'' and the ''chansons de geste'' are based on two of Bédier's studies. Bédier revived interest in several important old French texts, including '' Le roman de Tristan et Iseut'' (1900), ''La chanson de Roland'' (1921), and '' Les fabliaux'' (1893). He was a member of the Académie française from 1920 until his death. His ''Tristan et Iseut'' was translated into Cornish by A. S. D. Smith, into English by Hilaire Belloc and Paul Rosenfeld, and into German by Rudolf G. Binding. In 2013, a new English translation by Edward J. Gallagher was published by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoel
King Hoel ( br, Hoel I Mawr, "Hoel the Great"; la, Hoelus, Hovelus, Hœlus), also known as Sir Howel, Saint Hywel and Hywel the Great, was a late 5th- and early 6th-centuryFord, David Nashat ''Early British Kingdoms''. 2001. Retrieved 1 December 2014. member of the ruling dynasty of Cornouaille. He may have ruled Cornouaille jointly after the restoration of his father, Budic II of Brittany, but he seems to have predeceased his father and left his young son, Tewdwr, as Budic's heir.Ford, David Nash"Tewdwr Mawr"at ''Early British Kingdoms''. 2001. Retrieved 1 December 2014. Hywel appears in Welsh mythology and the Matter of Britain as a "king of Brittany". A relative of Arthur, he was one of his most loyal allies (or, sometimes, knights) and was said to have helped him conquer "Gaul" (northern France). Life The historical Hywel was the son of Budic II, king of Cornouaille in northwest Brittany. For all or most of his childhood, a usurping cousin ruled in Budic's place an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romance (heroic Literature)
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ''medieva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
