Eharo Mask
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Eharo Mask
Eharo masks (literally "dance head" or "dance mask") were a type of mask used by the Elema people of the eastern Gulf of Papua as part of the "hevehe" cycle of masked rituals. These masks were crafted from barkcloth, vegetable fiber, and various pigments. In contrast to the large sacred hevehe masks, the smaller eharo masks were meant for amusing the audience, and were used only twice during the 7 to 20 years long hevehe cycle (beginning and end). The cycle is not practiced anymore today. Some represented specific spirits, while others were simply humorous archetypes from stories. Because they are not as sacred compared to other masks, the women of the village were allowed to observe the mask's construction. These masks would later be burned about a month after the ceremonies, making it difficult to recover samples. It was during the time period of these practices that Vailala Madness took place. In an effort many rituals were destroyed and replaced with more European-accepted one ...
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Masque Eharo MHNT ETH AC NB9
The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque involved music, dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Masquers who did not speak or sing were often courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully. Development The masque tradition developed from the elaborate pageants and court ...
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Gulf Of Papua
The Gulf of Papua is located in the southern coast region of New Guinea. It has a total surface area of . Geography Some of New Guinea's largest rivers, such as the Fly River, Turama River, Kikori River, Purari River, and Wawoi River flow into the gulf, making it a large delta. While the western coast is characterized by swampy tidal waterways, land to the east ending at Cape Possession is flat and sandy. The Papuan Gulf's central and eastern interior slowly rises to meet the mountainous Southern Highlands, and is covered in a variety of inland swamps and dense tropical hardwood forests. The western interior possess a large region of limestone karst. The dry season begins in October and extends to February, after which the wet season starts. The southern border of the gulf is defined as a line from the southwestern corner of the Fly River Delta in the west, to Cape Suckling 355 km east of this, which is 70 km northwest of Port Moresby. This encloses a sea are ...
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Barkcloth
Barkcloth or bark cloth is a versatile material that was once common in Asia, Africa, and the Pacific. Barkcloth comes primarily from trees of the family Moraceae, including ''Broussonetia papyrifera'', '' Artocarpus altilis'', ''Artocarpus tamaran'', and ''Ficus natalensis''. It is made by beating sodden strips of the fibrous inner bark of these trees into sheets, which are then finished into a variety of items. Many texts that mention "paper" clothing are actually referring to barkcloth. Some modern cotton-based fabrics are also named "barkcloth" for their resemblance to these traditional fabrics. Traditional Austronesia Before the development of woven textiles, barkcloth made from trees belonging to the mulberry family (Moraceae) were an important aspect of the pre-Austronesian and Austronesian material culture during the Neolithic period. Stone barkcloth beaters, in particular, are considered part of the "Austronesian toolkit." They have been found in abundance in the ...
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Vailala Madness
The Vailala Madness was a social movement in the Papuan Gulf, in the Territory of Papua, beginning in the later part of 1919 and diminishing after 1922. It is generally accepted as the first well-documented cargo cult, a class of millenarian religion-political movements. Name The Vailala Madness acquired its name from observations of the behavior of people who participated in it, which included glossolalia, shaking and psychosomatic symptoms. In the indigenous language, participants called it ''iki haveva'', or "belly-don't know", meaning, roughly, "dizziness". Return of the Ancestors The movement included the belief that a 'Ghost Steamer' piloted by the returning dead, would arrive presently, bringing with it a cargo that included, besides departed relatives: tinned food, tools, various other resources; and in one version, guns with which to expel the colonizers. White ancestors The ancestors who would return with the ship were conceived as being white, an idea which recu ...
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Culture Of Papua New Guinea
The culture of Papua New Guinea is many-sided and complex. It is estimated that more than 7000 different cultural groups exist in Papua New Guinea, and most groups have their own language. Because of this diversity, in which they take pride, many different styles of cultural expression have emerged; each group has created its own expressive forms in art, dance, weaponry, costumes, singing, music, architecture and much more. To unify the nation, the language Tok Pisin, once called Neo-Melanesian (or Pidgin English) has evolved as the ''lingua franca'' — the medium through which diverse language groups are able to communicate with one another in Parliament, in the news media, and elsewhere. People typically live in villages or dispersed hamlets which rely on the subsistence farming of yams and taro. The principal livestock in traditional Papua New Guinea is the oceanic pig (Sus papuensis). History Traditions On the Sepik River, there is a world-renowned tradition of wood c ...
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Malagan
Malagan (also spelled malangan or malanggan) ceremonies are large, intricate traditional cultural events that take place in parts of New Ireland province in Papua New Guinea. The word malagan refers to wooden carvings prepared for ceremonies and to an entire system of traditional culture. Malagan ceremonies ''Malagan'' ceremonies are the most large-scale and famous of the many events that take place within the ''malagan'' culture. They take place irregularly, and are typically large and complex events, taking several days, and requiring months or years of preparation. While a ''malagan'' ceremony is always held in the name of one or more people who have died in recent years, it is not at all merely a mortuary rite. Many other interactions take place within the overall event, including announcements, repayment of debts, recognition of obligations, resolution of disputes, and many other customary activities. Malagan carvings and carvers ''Malagan'' carvings, now world-famo ...
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Papua New Guinean Culture
The culture of Papua New Guinea is many-sided and complex. It is estimated that more than 7000 different cultural groups exist in Papua New Guinea, and most groups have their own language. Because of this diversity, in which they take pride, many different styles of cultural expression have emerged; each group has created its own expressive forms in art, dance, weaponry, costumes, singing, music, architecture and much more. To unify the nation, the language Tok Pisin, once called Neo-Melanesian (or Pidgin English) has evolved as the ''lingua franca'' — the medium through which diverse language groups are able to communicate with one another in Parliament, in the news media, and elsewhere. People typically live in villages or dispersed hamlets which rely on the subsistence farming of yams and taro. The principal livestock in traditional Papua New Guinea is the oceanic pig (Sus papuensis). History Traditions On the Sepik River, there is a world-renowned tradition of wood c ...
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