Egil Eide
   HOME
*



picture info

Egil Eide
Egil Næss Eide (24 August 1868 – 13 December 1946) was a Norwegian silent film actor and director. He appeared in eighteen films between 1913 and 1935, and worked at the National Theatre between 1899 and 1939. Career He was born in Haugesund as a son of ship-owner Ludolf Eide (1821–1908) and Albertine Knagenhjelm Wiese (1834–1903). He was an uncle of zoologist Albert Eide Parr. After finishing his secondary education, Eide lived in the United States until 1894, where he went through his first marriage. Back in Norway, he made his state debut in 1894 at Den Nationale Scene. He was hired at Christiania Theater in 1898, and when it went defunct one year later he moved to the new National Theatre. He played many notable roles, both internationally known roles like Romeo, Othello, King Lear and Oedipus, but also in plays by the Nordic writers Henrik Ibsen, Bjørnstjerne Bjørnson and August Strindberg, including the title role in the first Norwegian performance (in 1904 ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Henrik Ibsen
Henrik Johan Ibsen (; ; 20 March 1828 – 23 May 1906) was a Norwegian playwright and theatre director. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playwrights of his time. His major works include ''Brand'', '' Peer Gynt'', '' An Enemy of the People'', ''Emperor and Galilean'', ''A Doll's House'', ''Hedda Gabler'', '' Ghosts'', ''The Wild Duck'', ''When We Dead Awaken'', ''Rosmersholm'', and ''The Master Builder''. Ibsen is the most frequently performed dramatist in the world after Shakespeare, and ''A Doll's House'' was the world's most performed play in 2006. Ibsen's early poetic and cinematic play ''Peer Gynt'' has strong surreal elements. After ''Peer Gynt'' Ibsen abandoned verse and wrote in realistic prose. Several of his later dramas were considered scandalous to many of his era, when European theatre was expected to model strict morals of family life and propriety. Ibsen's later wo ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  



MORE