Effigy Music
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Effigy Music
An effigy is an often life-size sculptural representation of a specific person, or a prototypical figure. The term is mostly used for the makeshift dummies used for symbolic punishment in political protests and for the figures burned in certain traditions around New Year, Carnival and Easter. In European cultures, effigies were in the past also used for punishment in formal justice, when the perpetrator could not be apprehended, and in popular justice practices of social shaming and exclusion. Additionally, "effigy" is used for certain traditional forms of sculpture, namely tomb effigies, funeral effigies and coin effigies. There is a large overlap and exchange between the ephemeral forms of effigies. Traditional holiday effigies are often politically charged, for instance, when the generalised figures Año Viejo (the Old Year) or Burning of Judas, Judas in Latin America are substituted by the effigy of a despised politician. Traditional forms are also borrowed for political p ...
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Ravana Fizzles
Ravana (; , , ) is a rakshasa king of the island of Lanka, and the chief antagonist of the Hindu epic ''Ramayana'' and its adaptations. In the ''Ramayana'', Ravana is described to be the eldest son of sage Vishrava and Rakshasa, rakshasi Kaikesi. He abducted Prince Rama's wife Sita and took her to his kingdom of Lanka, where he held her in the Ashok Vatika, Ashoka Vatika. Later, Rama, with the support of vanara King Sugriva and his army of vanaras, launched an invasion against Ravana in Lanka. Ravana was subsequently slain and Rama rescued his beloved wife Sita. Ravana is widely portrayed to be an evil character, though he also has many qualities that make him a learned scholar. He was well-versed in the six shastras and the four Vedas. Ravana is also considered to be the most revered devotee of Shiva. Images of Ravana are seen associated with Shiva at some temples. He also appears in the Buddhist Mahayana text ''Laṅkāvatāra Sūtra'', in Buddhist Ramayanas and Jataka tales ...
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