Edward M. Bannister
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Edward M. Bannister
Edward Mitchell Bannister (November 2, 1828January 9, 1901) was an oil painter of the American Barbizon school. Born in Canada, he spent his adult life in New England in the United States. There, along with his wife Christiana Carteaux Bannister, he was a prominent member of African-American cultural and political communities, such as the Boston abolition movement. Bannister received national recognition after he won a first prize in painting at the 1876 Philadelphia Centennial Exhibition. He was also a founding member of the Providence Art Club and the Rhode Island School of Design. Bannister's style and predominantly pastoral subject matter reflected his admiration for the French artist Jean-François Millet and the French Barbizon School. A lifelong sailor, he also looked to the Rhode Island seaside for inspiration. Bannister continually experimented, and his artwork displays his Idealist philosophy and his control of color and atmosphere. He began his professional p ...
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Cabinet Card
The cabinet card was a style of photograph which was widely used for photographic portraiture after 1870. It consisted of a thin photograph mounted on a card typically measuring 108 by 165 mm ( by inches). History The '' carte de visite'' was displaced by the larger cabinet card in the 1880s. In the early 1860s, both types of photographs were essentially the same in process and design. Both were most often albumen prints, the primary difference being the cabinet card was larger and usually included extensive logos and information on the reverse side of the card to advertise the photographer’s services. However, later into its popularity, other types of papers began to replace the albumen process. Despite the similarity, the cabinet card format was initially used for landscape views before it was adopted for portraiture. Some cabinet card images from the 1890s have the appearance of a black-and-white photograph in contrast to the distinctive sepia toning notable in t ...
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Jean-François Millet
Jean-François Millet (; 4 October 1814 – 20 January 1875) was a French artist and one of the founders of the Barbizon school in rural France. Millet is noted for his paintings of peasant farmers and can be categorized as part of the Realism art movement. Toward the end of his career, he became increasingly interested in painting pure landscapes. He is known best for his oil paintings but is also noted for his pastels, conte crayon drawings, and etchings. Life and work Youth Millet was the first child of Jean-Louis-Nicolas and Aimée-Henriette-Adélaïde Henry Millet, members of the farming community in the village of Gruchy, in Gréville-Hague, Normandy, close to the coast.Murphy, p.xix. Under the guidance of two village priests—one of them was vicar Jean Lebrisseux—Millet acquired a knowledge of Latin and modern authors. But soon he had to help his father with the farm work; because Millet was the eldest of the sons. So all the farmer's work was familiar to him: to mo ...
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The Anglo-African
''The Anglo-African'' and ''The Weekly Anglo-African'' were periodicals published by African American abolitionist brothers Thomas Hamilton (1823–1865) and Robert Hamilton (1819–1870) in New York City during the American Civil War era. For a short period, one paper was also named the ''Pine and Palm''. History Thomas and Robert Hamilton were the sons of abolitionist and founder of the New York African Society for Mutual Relief William Hamilton. The elder Hamilton lived through the 1834 anti-abolitionist riots in New York and was critical of pacifist abolitionist newspapers like '' The Liberator''. The two brothers held similar views, and they founded ''The Anglo-African Magazine'', a monthly, in January 1859. It had 32 pages and cost one dollar for a yearly subscription. The Hamiltons founded the ''Weekly Anglo-African'' six months afterwards. The newspaper and magazine were the first publications to run Martin Delany's serialized novel, ''Blake; or the Huts of America''. ...
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Portraiture
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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High Culture
High culture is a subculture that emphasizes and encompasses the cultural objects of aesthetic value, which a society collectively esteem as exemplary art, and the intellectual works of philosophy, history, art, and literature that a society consider representative of their culture. Definition In popular usage, the term ''high culture'' identifies the culture of an upper class (an aristocracy) or of a status class (the intelligentsia); and also identifies a society’s common repository of broad-range knowledge and tradition (e.g. folk culture) that transcends the social-class system of the society. Sociologically, the term ''high culture'' is contrasted with the term ''low culture'', the forms of popular culture characteristic of the less-educated social classes, such as the barbarians, the Philistines, and ''hoi polloi'' (the masses). Concept In European history, high culture was understood as a cultural concept common to the humanities, until the mid-19th century, when Matthe ...
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John V
John V may refer to: * Patriarch John V of Alexandria or John the Merciful (died by 620), Patriarch of Alexandria from 606 to 616 * John V of Constantinople, Patriarch from 669 to 675 * Pope John V (685–686), Pope from 685 to his death in 686 * John V of Jerusalem, Greek Orthodox Patriarch of Jerusalem in 706–735 * John V the Historian or Hovhannes Draskhanakerttsi, Catholicos of Armenia from 897 to 925 * John V of Gaeta (1010–1040) * John V of Naples (died 1042), Duke from 1036 to 1042 * John V, Count of Soissons, (1281–1304) * John V, Margrave of Brandenburg-Salzwedel (1302–1317) * John V Palaiologos (1332–1391), Byzantine Emperor from 1341 * John V, Count of Sponheim-Starkenburg (1359–1437), German nobleman * John V, Lord of Arkel (1362–1428) * John V, Duke of Brittany (1389–1442), Count of Montfort * John V, Duke of Mecklenburg (1418–1443) * John V, Count of Hoya (died 1466), nicknamed ''the Pugnacious'' or ''the Wild'' * John V, Count of Armagnac (1420–1473 ...
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The Liberator Masthead, 1861 Jan 11
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ...
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Book Of Negroes
The ''Book of Negroes'' is a document created by Brigadier General Samuel Birch, under the direction of Sir Guy Carleton, that records names and descriptions of 3,000 Black Loyalists, enslaved Africans who escaped to the British lines during the American Revolution and were evacuated to points in Nova Scotia as free people of colour. Background The first African person in Nova Scotia arrived with the founding of Port Royal in 1605. African people were then brought as slaves to Nova Scotia during the founding of Louisbourg and Halifax. The first major migration of African people to Nova Scotia happened during the American Revolution. Enslaved Africans in America who escaped to the British during the American Revolutionary War became the first settlement of Black Nova Scotians and Black Canadians. Other Black Loyalists were transported to settlements in several islands in the West Indies and some to London. Recorded in 1783, this 150-page document is the only one to have recor ...
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Black Loyalist
Black Loyalists were people of African descent who sided with the Loyalist (American Revolution), Loyalists during the American Revolutionary War. In particular, the term refers to men who escaped enslavement by Patriot (American Revolution), Patriot masters and served on the Loyalist side because of the British Crown, Crown's guarantee of freedom. Some 3,000 Black Loyalists were evacuated from New York to Nova Scotia; they were individually listed in the ''Book of Negroes'' as the British gave them certificates of freedom and arranged for their transportation. The Crown gave them land grants and supplies to help them resettle in Nova Scotia. Some of the European Loyalists who emigrated to Nova Scotia brought their enslaved servants with them, making for an uneasy society. One historian has argued that those slaves should not be regarded as Loyalists, as they had no choice in their fates. Other Black Loyalists were evacuated to London or the Caribbean colonies. Thousands of ensl ...
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Mixed Race
Mixed race people are people of more than one race or ethnicity. A variety of terms have been used both historically and presently for mixed race people in a variety of contexts, including ''multiethnic'', ''polyethnic'', occasionally ''bi-ethnic'', '' Métis'', '' Muwallad'', ''Colored'', ''Dougla'', ''half-caste'', '' ʻafakasi'', ''mestizo'', ''Melungeon'', ''quadroon'', ''octoroon'', '' sambo/zambo'', ''Eurasian'', ''hapa'', ''hāfu'', ''Garifuna'', ''pardo'' and ''Guran''. A number of these terms are now considered offensive, in addition to those that were initially coined for pejorative use. Individuals of mixed-race backgrounds make up a significant portion of the population in many parts of the world. In North America, studies have found that the mixed race population is continuing to grow. In many countries of Latin America, mestizos make up the majority of the population and in some others also mulattoes. In the Caribbean, mixed race people officially make up the major ...
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Barbadians
Barbadians or Bajans (pronounced ) are people who are identified with the country of Barbados, by being citizens or their descendants in the Barbadian diaspora. The connection may be residential, legal, historical or cultural. For most Barbadians, several (or all) of those connections exist and are collectively the source of their identity. Barbadians are a multi-ethnic and multicultural society of various ethnic, religious and national origins; therefore Barbadians do not necessarily equate their ethnicity with their Barbadian nationality. Ethnic groups Most Barbadians are of African or mixed-race descent. They are descendants of slaves brought from West Africa. White Barbadians are mainly of British and Irish descent. There is also a small population of Syrians, Lebanese, Jewish, Indian and Chinese people in the country. Diaspora Many Barbadians now live overseas and outside of Barbados; the majority have migrated to Anglophone countries, including around 65,000 in the Uni ...
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National Museum Of African Art
The National Museum of African Art is the Smithsonian Institution's African art museum, located on the National Mall of the United States capital. Its collections include 9,000 works of traditional and contemporary African art from both Sub-Saharan and North Africa, 300,000 photographs, and 50,000 library volumes. It was the first institution dedicated to African art in the United States and remains the largest collection. ''The Washington Post'' called the museum a mainstay in the international art world and the main venue for contemporary African art in the United States. The museum was founded in 1964 by a Foreign Service in Capitol Hill. The collection focused on traditional African art and an educational mission to teach black cultural heritage. To ensure the museum's longevity, the founder lobbied the national legislature to adopt the museum under the Smithsonian's auspices. It joined the Smithsonian in 1979 and became the National Museum of African Art two years later. ...
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