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Edward James Loder
Edward James Loder (10 July 1809 – 5 April 1865) was an English composer and conductor. His best remembered work is perhaps the 1855 opera ''Raymond and Agnes'', though his most successful opera during his lifetime was ''The Night Dancers''. Biography Loder was born in Bath, Somerset. He was the son of John David Loder (1788–1846), a violinist and musical director of the Theatre Royal, Bath, and his wife Rosamund, née Mills (1787–1856), a step-daughter of the comedian John Fawcett. Edward Loder's twin brother John Fawcett Loder (1809–1853) was a violinist, and a younger brother William Sowerby Loder (1812–1851) was a cellist who married the soprano Emily Woodyatt. His cousins included the composer and conductor George Loder (1816–1868) and George's sister, composer and pianist Kate Loder. Loder's family sent him to Frankfurt in 1826 to study under Ferdinand Ries, who was an old friend of the family. He returned to England in 1828 and embarked on a successful care ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walcot, Bath
Walcot is a suburb of the city of Bath, England. It lies to the north-north-east of the city centre, and is an electoral ward of the city.Bath and North East Somerset Council District Council Elections The Paragon and, continuing out of the city, London Road are part of the . The other main thoroughfare is Walcot Street, which adjoins the city centre and is well known for its artisan shops. Walcot Street and London Road are believed to be a [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodrama
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Foresters, Or Twenty-Five Years Since
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Oxenford
John Oxenford (12 August 1812 – 21 February 1877) was an English dramatist, critic and translator. Life Oxenford was born in Camberwell, London, his father a prosperous merchant. Whilst he was privately educated, it is reported that he was mostly self-taught in Greek, Latin and modern languages. He began his literary career by writing on finance, though later became the author of many translations from German, notably of Goethe's ''Dichtung und Wahrheit'' (1846) and Eckermann's '' Conversations with Goethe'' (1850). Oxenford's primary interest was in the theatre and over sixty-eight plays are attributed to him. His first play was ''My Fellow Clerk'', produced at the Lyceum Theatre in 1835. This was followed by a long series of pieces, the most famous of which was perhaps the ''Porter's Knot'' (1858) and ''Twice Killed'' (1835). He also wrote many operatic libretti, including eight for George Alexander Macfarren, including ''Robin Hood'' (1860) and ''Helvellyn'' (1864). Oxenf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dice Of Death
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas John Dibdin
Thomas John Dibdin (21 March 1771 – 16 September 1841) was an English dramatist and songwriter. Life Dibdin was the son of Charles Dibdin, a songwriter and theatre manager, and of "Mrs Davenet", an actress whose real name was Harriett Pitt. He was introduced to the stage at five years old, in his godfather David Garrick’s pageant of ‘’Jubilee of Shakespeare’’. Mrs Siddons was The Venus and the Young Tom Cupid. He was apprenticed to his maternal uncle, a London upholsterer, and later to William Rawlins, afterwards sheriff of London. He summoned his second master unsuccessfully for rough treatment; and after a few years of service he ran away to join a company of country players. From 1789 to 1795 he played all sorts of parts; he worked as a scene painter at Liverpool in 1791; and during this period he composed more than 1,000 songs. His first work as a dramatist was ''Something New'', followed by ''The Mad Guardian'' in 1795. He returned to London in 1795, having m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Covenanters
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas James Serle
Thomas James Serle (1798–1889) was an English dramatist and actor. He was also a journalist with the '' Weekly Dispatch''. Early life Serle was born in Gracechurch Street, London, on 28 October 1798, and educated for the Bar. Between the ages of 16 and 18, he wrote four five-act plays, which were presented to Drury Lane Theatre by Peter Moore, then on its committee, without result. At the age of 18 Serle played Romeo at the Theatre Royal, Liverpool, with John Vandenhoff as Mercutio, in ''Romeo and Juliet''; and soon after (1820 and 1821) played the lead in ''Hamlet'' at Cambridge, Croydon, and seven times at the Regency Theatre, Tottenham Court Road. He brought out a five-act play there, and acted the principal character, Rupert Duval, over three nights. Serle next played a season at the old Royalty Theatre, opening in ''Hamlet'', at the time when Clarkson Frederick Stanfield painted the scenery there. On tour Playing in the provincess, Serle brought out ''Waltheoff the Saxon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drama
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's '' Poetics'' (c. 335 BC)—the earliest work of dramatic theory. The term "drama" comes from a Greek word meaning "deed" or " act" (Classical Greek: , ''drâma''), which is derived from "I do" (Classical Greek: , ''dráō''). The two masks associated with drama represent the traditional generic division between comedy and tragedy. In English (as was the analogous case in many other European languages), the word ''play'' or ''game'' (translating the Anglo-Saxon ''pleġan'' or Latin ''ludus'') was the standard term for dramas until William Shakespeare's time—just as its creator was a ''play-maker'' rather than a ''dramatist'' and the building was a ''play-house'' r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Widow Queen
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyceum Theatre, London
The Lyceum Theatre ( ) is a West End theatre located in the City of Westminster, on Wellington Street, just off the Strand in central London. It has a seating capacity of 2,100. The origins of the theatre date to 1765. Managed by Samuel Arnold, from 1794 to 1809 the building hosted a variety of entertainments including a circus produced by Philip Astley, a chapel, and the first London exhibition of waxworks by Madame Tussauds. From 1816 to 1830, it served as The English Opera House. After a fire, the house was rebuilt and reopened on 14 July 1834 to a design by Samuel Beazley. The building is unique in that it has a balcony overhanging the dress circle. It was built by the partnership of Peto & Grissell. The theatre then played opera, adaptations of Charles Dickens novels and James Planché's "fairy extravaganzas", among other works. From 1871 to 1902, Henry Irving appeared at the theatre, especially in Shakespeare productions, usually starring opposite Ellen Terry. In 1904 t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel James Arnold
Samuel James Arnold (1774–1852) was an English dramatist and theatrical manager. Under his management the Lyceum Theatre, London became the English Opera House, and staged the first English productions of many operas, including in 1824 Carl Maria von Weber's ''Der Freischütz''. Life Arnold was the son of the composer Samuel Arnold, and was given an artistic education. In 1794 at the Haymarket Theatre he produced ''Auld Robin Gray'', a musical play in two acts; and this was followed by other works of the same class: ''Who Pays the Reckoning?'' produced at the Haymarket in 1795; ''The Shipwreck'', produced at the Drury Lane Theatre in 1796; ''The Irish Legacy'', produced at the Haymarket in 1797; and ''The Veteran Tar'', produced at Drury Lane in 1801. ''Foul Deeds Will Rise'', first played at the Haymarket in 1804, was described by the critic John Genest as "an unnatural mixture of tragedy and farce". ''The Prior Claim'', produced at Drury Lane in 1805, was a comedy written in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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