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Eduardo Armani
Eduardo Armani (22 August 1898 - 13 December 1970) was an Argentine violinist and conductor. Biography He studied music at the Conservatorio Santa Cecilia (in Buenos Aires) with teachers Cayetano Troiani and Hércules Galvani, finishing his studies at the age of 15. He began performing with prominent classical music figures such as Juan José Castro, Luis Gianneo, Julio Perceval, José María Castro, Washington Castro, and Ennio Bolognini. In 1919 he performed as solo violin during the performances of the dancer Isadora Duncan, at the Teatro Opera (in Buenos Aires). He repeated the following year accompanying Ana Pavlova at the Teatro Coliseo, which earned him a contract to perform in Brazil, Puerto Rico, Uruguay, and Venezuela. In 1921 he conducted the French orchestra of Madame Rasimi's Revue Company, at the Opera theater. He repeated in 1922 with the Folies Bergère, in 1923 with the Moulin Rouge and in 1924 with the Casino de Paris. In 1922 he joined the country' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puerto Rico
Puerto Rico (; abbreviated PR; tnq, Boriken, ''Borinquen''), officially the Commonwealth of Puerto Rico ( es, link=yes, Estado Libre Asociado de Puerto Rico, lit=Free Associated State of Puerto Rico), is a Caribbean island and Unincorporated territories of the United States, unincorporated territory of the United States. It is located in the northeast Caribbean Sea, approximately southeast of Miami, Florida, between the Dominican Republic and the United States Virgin Islands, U.S. Virgin Islands, and includes the eponymous main island and several smaller islands, such as Isla de Mona, Mona, Culebra, Puerto Rico, Culebra, and Vieques, Puerto Rico, Vieques. It has roughly 3.2 million residents, and its Capital city, capital and Municipalities of Puerto Rico, most populous city is San Juan, Puerto Rico, San Juan. Spanish language, Spanish and English language, English are the official languages of the executive branch of government, though Spanish predominates. Puerto Rico ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Osvaldo Fresedo
Osvaldo Fresedo (May 5, 1897 - November 18, 1984), nicknamed ''El pibe de La Paternal'' ("the kid from La Paternal") was an Argentine songwriter and director of a tango orchestra. He had one of the longest recording careers in tango history, from 1920 to 1980. Career Fresedo was born into a middle-class family in La Paternal, Buenos Aires, Argentina. His mother gave him the first music lessons. While he was still small, his family moved to a working-class neighborhood, and it was there he began his interest in tango. He learned to play the bandoneón and as a teenager joined several of the most famous orchestras of the era of the ''Guardia Vieja'' ("Old Guard"). In 1920 traveled to United States. In Camden, New Jersey he recorded a few albums with a quartet that also included violinist Tito Rocatagliatta and pianist Enrique Pedro Delfino. Back in Buenos Aires, he formed his first orchestra which, from the outset, displayed his trademark style. Although his style evolved some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Colón
The Teatro Colón (Spanish: ''Columbus Theatre'') is the main opera house in Buenos Aires, Argentina. It is considered one of the ten best opera houses in the world by National Geographic. According to a survey carried out by the acoustics expert Leo Beranek among leading international opera and orchestra directors, the Teatro Colón has the room with the best acoustics for opera and the second best for concerts in the world. The present Colón replaced an original theatre which opened in 1857. Towards the end of the century it became clear that a new theatre was needed and, after a 20-year process, the present theatre opened on 25 May 1908, with Giuseppe Verdi's ''Aïda''. The Teatro Colón was visited by the foremost singers and opera companies of the time, who would sometimes go on to other cities including Montevideo, Rio de Janeiro and São Paulo. After this period of huge international success, the theatre's decline became clear and plans were made for massive ren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuel Romero (director)
Manuel Romeo (September 21, 1891 – October 3, 1954 in Buenos Aires) was an Argentine film director, screenwriter, dramatist and score composer, and one of the influential directors in the cinema of Argentina of the classic era. He directed and wrote over 50 films between 1931 and 1951 even composing the musical scores for several. He was a pioneer of Variety Theatre, and one of the few tango lyrical writers that has reached timeless classical success. When he was a teenager, he began his journalist job in the Magacine Fray Mochoy, and in the newspapers Crítica y Última Hora. His first play, "Teatro breve" is from 1919 with the collaboration of Ivo Pelay. He wrote 180 more. In 1922 the most famous, "El bailarín del cabaret", was staged with the César Ratti's company, where Corsini triunfó (had a success) with "Patotero sentimental". In 1923 he travelled to Europe with Luis Bayón Herrera. In Paris, where he acted on several plays, he met Carlos Gardel and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduardo Morera
Eduardo Morera (9 January 1906 – 21 January 1997) was an Argentine film director. Although his career was relatively short compared to other directors of the period, he directed 18 films between 1930 and 1943, including influential tango films such as 1937's '' Así es el tango''. He worked with popular actors of the period such as Tita Merello and Tito Lusiardo. Filmography *''Añoranzas'' (1930) *''Canchero'' (1930) *''El Carretero'' (1930) *''Enfundá la mandolina'' (1930) *''Mano a mano'' (1930) *''Padrino Pelado'' (1930) *''Rosas de Otoño'' (1930) *''Tengo miedo'' (1930) *''Viejo smoking ''Viejo smoking'' ( English title:''Old dinner jacket'') is a 1930 Argentine short musical film directed and written by Eduardo Morera, based on a play by Florencio Chiarello. It stars Carlos Gardel and Inés Murray. Cast * Carlos Gardel a ...'' (1930) *''Yira, yira'' (1930) *''Diez canciones de Gardel'' (1931) *'' Idolos de la radio'' (1934) *''Por buen camino ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casino De Paris
The Casino de Paris, located at 16, rue de Clichy, in the 9th arrondissement, is one of the well known music halls of Paris, with a history dating back to the 18th century. Contrary to what the name might suggest, it is a performance venue, not a gambling house. The closest métro/RER stations are Liège, Trinité – d'Estienne d'Orves, and Haussmann – Saint-Lazare. The first building at this location where shows could be mounted was erected by the Duc de Richelieu around 1730, while after the Revolution the site was renamed Jardin de Tivoli and was the venue for fireworks displays. In 1880 it became the Palace Theatre, which housed shows of different types, including wrestling. It was at the beginning of the First World War, however, that the modern Casino de Paris began to take shape, when the venue was converted into a cinema and music hall. After the bombardments of the First World War caused performances to be interrupted, the revue format was resumed, one which las ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moulin Rouge
Moulin Rouge (, ; ) is a cabaret in Paris, on Boulevard de Clichy, at Place Blanche, the intersection of, and terminus of Rue Blanche. In 1889, the Moulin Rouge was co-founded by Charles Zidler and Joseph Oller, who also owned the Olympia (Paris), Paris Olympia. The original venue was destroyed by fire in 1915. Moulin Rouge is southwest of Montmartre, in the Paris district of Quartier Pigalle, Pigalle on Boulevard de Clichy in the 18ème arrondissement, Paris, 18th ''arrondissement'', it has a red windmill on its roof. The closest métro station is Blanche (Paris Métro), Blanche. Moulin Rouge is best known as the birthplace of the modern form of the can-can dance. Originally introduced as a seductive dance by the courtesans who operated from the site, the can-can dance revue evolved into a form of entertainment of its own and led to the introduction of cabarets across Europe. Today, the Moulin Rouge is a tourist attraction, offering predominantly musical dance entertainment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folies Bergère
The Folies Bergère () is a cabaret music hall, located in Paris, France. Located at 32 Rue Richer in the 9th Arrondissement, the Folies Bergère was built as an opera house by the architect Plumeret. It opened on 2 May 1869 as the Folies Trévise, with light entertainment including operettas, comic opera, popular songs, and gymnastics. It became the Folies Bergère on 13 September 1872, named after nearby Rue Bergère. The house was at the height of its fame and popularity from the 1890s' ''Belle Époque'' through the 1920s. Revues featured extravagant costumes, sets and effects, and often nude women. In 1926, Josephine Baker, an African-American expatriate singer, dancer and entertainer, caused a sensation at the Folies Bergère by dancing in a costume consisting of a skirt made of a string of artificial bananas and little else. The institution is still in business, and is still a strong symbol of French and Parisian life. History Located at 32 Rue Richer in the 9th Arr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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