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Edmond Rochefort
Edmond Rochefort, full name Claude-Louis-Marie de Rochefort-Luçay (Évaux-les-Bains, 1790 – Paris, April 1871), was a French writer, dramatist, vaudevillist and songs writer. His only play that was met with some success is ''Jocko ou le Singe du Brésil'', presented at the Théâtre du Vaudeville in Paris. He was son of Lieutenant-Colonel François-Louis, comte de Rochefort, and his wife, Catherine-Françoise le Bel de la Voreille. Rochefort wrote a book, ''Mémoires d'un vaudevilliste'' in which he recounts his adventures in La Réunion and the literary relationships he had with some writers of his time. In 1819 he was private secretary of Monsieur Millius, Governor of the Reunion Island. But lacking the necessary training, he returned to France in 1822 to marry Marie-Nicole Morel. He also authored a report ''Sur l'Ile de Bourbon et de Madagascar'' which was delivered to the Minister of the Navy and the original of which is in the O.M Archives in Aix-en-Provence. He had 4 chi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Évaux-les-Bains
Évaux-les-Bains (; oc, Evahon) is a commune in the Creuse department in the Nouvelle-Aquitaine region in central France. History A spa town founded by the Romans in the first century, who developed thermal baths and called the place “Ivaonum,” possibly after a deity, Ivaos. It became a place of pilgrimage after the sixth century, because of the tomb of the Christian hermit Marien. A monastery was built here in the tenth century, but this was destroyed in the seventeenth century. It was the regional capital of the Combraille in the thirteenth century and was besieged during the Hundred Years War by the Routiers. The Roman baths, abandoned since the fifth century, became popular again at the beginning of the 17th century and again in the nineteenth century. Geography An area of lakes and streams, forestry, farming and associated light industry, consisting of a small town and several hamlets situated between the valleys of the rivers Cher and Tardes, some southwest of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mathurin-Joseph Brisset
Mathurin-Joseph Brisset (22 November 1792 – 7 June 1856) was a French writer, poet, political journalist and playwright of the first half of the 19th century. Biography A bodyguard attached to the company of Havré, then an infantry officer during the reigns of Louis XVIII and Charles X, he took part to the Spanish campaign (1823) where he was awarded the cross of first class knight of the Order of Saint Ferdinand. He left the army after the July Revolution of 1830 and landed as political critic by the '' Gazette de France''. He also held there theatrical criticism and devoted himself entirely to writing. Thus, he published a considerable number of historical novels and his plays were presented on the most famous Parisian stages of his time: Théâtre des Nouveautés, Théâtre du Vaudeville, Théâtre de la Porte-Saint-Martin, Gymnase dramatique etc. Works *1816: ''Les Dames du Lis'', poem *1818: ''La Statue de Henri IV'', ode *1818: ''La Salle des Maréchaux'' *1820 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People From Creuse
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People Of The Second French Empire
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century French Dramatists And Playwrights
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Dupeuty
Charles Désiré Dupeuty (6 February 1798 – 20 October 1865), was a 19th-century French librettist and playwright. Biography After he studied at the Lycée Impérial, he enrolled in the army during the Hundred Days then worked as an employee. He made his debut in the theatre in 1821, and in 1825 founded the opposition newspaper ''La nouveauté''. He is famous for being one of the founders of the Société des auteurs dramatiques of which he was vice-président for six years. Many of his plays were performed on the most important Parisians stages of the 19th century: Théâtre des Folies-Dramatiques, Théâtre du Vaudeville, Théâtre du Palais-Royal, Théâtre de la Gaîté, Théâtre de la Porte-Saint-Martin, Théâtre des Variétés etc. Adolphe Dupeuty was his son. Works * ''La Fête au village'', 1821 * ''L'Arracheur de dents'', folie-parade in 1 act, mingled with couplets, with Villeneuve, 1822 * ''Fille et garçon, ou la Petite orpheline'', comédie en vaudev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Achille D'Artois
Louis Charles Achille d'Artois de Bournonville (17 March 1791 - 2 December 1868) was a French writer, libretist and dramatist. Biography A very prolific librettist, his plays have been performed on the most important Parisian stages during his lifetime (Théâtre des Variétés, Théâtre du Vaudeville, Théâtre de la Gaîté, Opéra-Comique, Odéon, Théâtre de la Renaissance...). Works * ''Les maris ont tort'', comédie en vaudevilles in 1 act, 1813 * ''Pauché ou la curiosité des femmes'', comédie anachréontique, in 1 act, mingled with vaudevilles, with Théaulon, 1814 * ''Le Roi et la Ligue'', opéra comique in 2 acts, with Théaulon, 1815 * ''Turenne, ou Un trait de modestie'', with F. de Bury, 1815 * ''Les visites'', tableau vaudeville in 1 act, with Armand d'Artois and Théaulon, 1815 * ''La Rosière de Hartwell'', comedie en vaudevilles on one act, with Armand d'Artois, 1816 * ''Les perroquets de la mère Philippe'', with Armand d'Artois and Emmanuel Théa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexis Decomberousse
Alexis Decomberousse, full name Alexis Barbe Benoît Decomberousse, (13 January 1793 – 22 November 1862) was a 19th-century French playwright and vaudevillist. His plays were presented on the most important Parisian stages of the 19th century such as the Théâtre de l'Ambigu, Théâtre du Palais-Royal, Théâtre des Variétés, Théâtre du Gymnase, Théâtre de la Gaîté, Théâtre de la Porte-Saint-Martin etc.). Works * ''Le Cocher de fiacre'', melodrama in 3 acts, with Benjamin Antier, 1825 * ''Le Pauvre de l'Hôtel-Dieu'', mélodrama in 3 acts, with Antier, 1826 * ''Le Prisonnier amateur'', comedy mingled with couplets, with Armand d'Artois, Ferdinand Laloue and Frédérick Lemaître, 1826 * ''Le Vieil Artiste, ou la Séduction'', melodrama in 3 acts, with Frédérick Lemaître, 1826 * ''Le Fou'', drama in 3 acts, with Antony Béraud and Gustave Drouineau, 1829 * ''La Maîtresse'', comédie-vaudeville in 2 acts, with Hippolyte Le Roux and Merville, 1829 * ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Rondeau
Charles Rondeau was a 19th-century French playwright. Often signing his participations ''Charles'', his plays were presented on numerous Parisian stages of the 19th century including the Théâtre de la Gaîté (boulevard du Temple), Théâtre de la Gaîté, the Théâtre du Vaudeville, and the Théâtre des Variétés. Works *1813: ''La Coutume écossaise ou Le Mariage sur la frontière'', comédie en vaudeville in 1 act, with Alexandre de Ferrière *1819: ''Cadet Butteux, électeur à Lyon'', vaudeville politique, with Victor Ducange *1829: ''Les Petits braconniers, ou la Capitulation'', comedy in 1 act, mingled with couplets, with Nicolas Brazier and Jean-Toussaint Merle *1829: ''Les Ricochets'', one-act comedy de Picard, set in couplets and arranged for the Théâtre Comte *1830: ''Madame Grégoire ou Le cabaret de la Pomme de pin'', comédie en vaudeville in 2 acts, with Edmond Rochefort and Charles Dupeuty *1836: ''La Grue'', fabliau mêlé de chant, with de Ferdinand de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles De Livry
Charles Sanguin, marquis de Livry (Paris 1802 – Enghien 14 October 1867) was a 19th-century French playwright. After he made a career in the military, he became famous in the theatre. His plays, often signed Charles, were presented on the most important Parisian stages of his time including the Théâtre des Variétés, the Théâtre du Palais-Royal, the Théâtre de la Porte-Saint-Martin, and the Théâtre de la Gaité. Works *1828: ''Le Château de Monsieur le baron'', comédie en vaudevilles in 2 acts, with Achille d'Artois and de Leuven *1828: ''Le Coup de pistolet'', comédie en vaudevilles in 1 act, with Adolphe d'Houdetot *1828: ''L'École de natation'', tableau-vaudeville in 1 act, with de Leuven and Alphonse Signol *1829: ''L'Audience du juge de paix, ou le Bureau de conciliation'', tableau in 1 act, with Edmond Rochefort *1829: ''La Barrière du combat, ou le Théâtre des animaux'', 2 tableaux mingled with animals and couplets, with Adolphe de Leuven and Jul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barthélemy Jarnet
Barthélemy Jarnet was a 19th-century French playwright. A dramaturge at the Théâtre Montmartre (1836), his plays were presented at the Théâtre du Vaudeville, the Théâtre des Délassements-Comiques and the Théâtre de la Gaîté. Works *1829: ''Les Cuisiniers diplomates'', comédie en vaudeville in 1 act, with Edmond Rochefort and Michel Masson *1829: ''Le Brutal'', vaudeville in 1 act, with Masson and Armand d'Artois *1834: ''La Gueule de Lion'', one-act comedy, with Léon Lévy Brunswick *1847: ''Catherine 3/6'', three-act vaudeville, parody of '' La Reine Margot'' by Alexandre Dumas, with Adolphe Salvat and Auguste Jouhaud Auguste Jouhaud (6 October 1805, Brussels – 27 January 1888, Paris) was a 19th-century Belgian writer and playwright who authored more than 600 theatre plays. Main plays * ''Un voyage à melun'' (1842) * ''La fauvette : opéra-comique'' * ''Les ... Bibliography * Maurice Artus, ''Le théâtre Montmartre'', 1904, (p. 27) 19th-cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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