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Edificio Grassy
The Edificio Grassy is a building located at 1 Gran Vía in Madrid, Spain. Architecture Situated just off Calle de Alcalá, at the very beginning of Gran Vía, the Edificio Grassy was built between 1916 and 1917. It was constructed on a triangular piece of land, in the same way as the Edificio Metrópolis next to it. Moreover, its architect Eladio Laredo aimed to achieve an architectural similarity between both of them. This trend was respected to a certain extent along Gran Vía. It comprises two independent buildings, which are joined together by the hall and the patio. Eclectic in its architecture, it boasts a rotunda topped by two superimposed belvederes of Renaissance influence. Nowadays Since 1952 it hosts the upscale Grassy Jeweler's. Its basement also houses a museum of ancient clocks, with remarkable French, German and English items which span from the 16th to the 19th century, conforming an interesting private collection. The facade of the building is well kno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eclecticism In Architecture
Eclecticism is a 19th and 20th century architectural style in which a single piece of work incorporates a mixture of elements from previous historical styles to create something that is new and original. In architecture and interior design, these elements may include structural features, furniture, decorative motives, distinct historical ornament, traditional cultural motifs or styles from other countries, with the mixture usually chosen based on its suitability to the project and overall aesthetic value. The term is also used of the many architects of the 19th and early 20th centuries who designed buildings in a variety of styles according to the wishes of their clients, or their own. The styles were typically revivalist, and each building might be mostly or entirely consistent within the style selected, or itself an eclectic mixture. Gothic Revival architecture, especially in churches, was most likely to strive for a relatively "pure" revival style from a particular medieval ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audemars Piguet
Audemars Piguet Holding SA () is a Swiss manufacturer of luxury watches and clocks, headquartered in Le Brassus, Switzerland. The company was founded by Jules Louis Audemars and Edward Auguste Piguet in the Vallée de Joux in 1875, acquiring the name ''Audemars Piguet & Cie'' in 1881. The company has been family-owned since its founding. The company is best known for introducing the Royal Oak wristwatch in 1972, which helped the brand rise to prominence within the watchmaking industry. One of its earlier achievements was creating the first minute-repeating movement in 1892. The company developed the first skeleton watch in 1934 and has manufactured some of the thinnest watches, such as the 1986 ultra-thin automatic tourbillon wristwatch (Calibre 2870). History Early history Jules Louis Audemars and Edward Auguste Piguet knew each other in their childhood but were not reconnected until 1874, when they were in their early twenties. In 1875, they formed partnership with Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Office Buildings Completed In 1917
An office is a space where an organization's employees perform administrative work in order to support and realize objects and goals of the organization. The word "office" may also denote a position within an organization with specific duties attached to it (see officer, office-holder, official); the latter is in fact an earlier usage, office as place originally referring to the location of one's duty. When used as an adjective, the term "office" may refer to business-related tasks. In law, a company or organization has offices in any place where it has an official presence, even if that presence consists of (for example) a storage silo rather than an establishment with desk-and-chair. An office is also an architectural and design phenomenon: ranging from a small office such as a bench in the corner of a small business of extremely small size (see small office/home office), through entire floors of buildings, up to and including massive buildings dedicated entirely to one c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théophile Gautier
Pierre Jules Théophile Gautier ( , ; 30 August 1811 – 23 October 1872) was a French poet, dramatist, novelist, journalist, and art and literary critic. While an ardent defender of Romanticism, Gautier's work is difficult to classify and remains a point of reference for many subsequent literary traditions such as Parnassianism, Symbolism, Decadence and Modernism. He was widely esteemed by writers as disparate as Balzac, Baudelaire, the Goncourt brothers, Flaubert, Pound, Eliot, James, Proust and Wilde. Life and times Gautier was born on 30 August 1811 in Tarbes, capital of Hautes-Pyrénées département (southwestern France). His father was Jean-Pierre Gautier,See "Cimetières de France et d'ailleurs – La descendance de Théophile Gautier", landrucimetieres.fr/ref> a fairly cultured minor government official, and his mother was Antoinette-Adelaïde Cocard. The family moved to Paris in 1814, taking up residence in the ancient Marais district. Gautier's education comm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyperrealism (painting)
Hyperrealism is a genre of painting and sculpture resembling a high-resolution photograph. Hyperrealism is considered an advancement of photorealism by the methods used to create the resulting paintings or sculptures. The term is primarily applied to an independent art movement and art style in the United States and Europe that has developed since the early 1970s. Carole Feuerman is the forerunner in the hyperrealism movement along with Duane Hanson and John De Andrea. History The art dealer Isy Brachot coined the French word ''hyperréalisme'', meaning hyperrealism, as the title of a major exhibition and catalogue at his gallery in Brussels in 1973. The exhibition was dominated by such American photorealists as Ralph Goings, Chuck Close, Don Eddy, Robert Bechtle and Richard McLean (United States), Richard McLean; but it included such influential European artists as Domenico Gnoli (painter), Domenico Gnoli, Gerhard Richter, Konrad Klapheck, and . Since then, ''hyperealisme'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio López García
Antonio López García (born 6 January 1936) is a Spanish Painting, painter and Sculpture, sculptor, known for his Realism (arts), realistic style. He is criticized by some modern artists for what they consider neo-academism, but has been praised by leading art critics, such as Robert Studley Forrest Hughes, Robert Hughes, who considered him "the greatest realist artist alive" in 1986. His style sometimes is deemed Hyperreality, hyperrealistic. His painting was the subject of the film ''El Sol del Membrillo'', by Victor Erice, in 1992. Early life Antonio López was born on 6 January 1936 in Tomelloso, Ciudad Real, a few months before the beginning of the Spanish Civil War. It first appeared that Antonio would continue in the family tradition as a farmer, but an early facility for drawing caught the attention of his uncle Antonio López Torres, a local painter of Landscape painting, landscapes, who gave him his first lessons. In 1949 he moved to Madrid in order to study for entra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
