Edge Of This World
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Edge Of This World
"Edge of This World" (stylized as "EDGE OF THIS WORLD") is a song recorded by Japanese singer Misia for her tenth studio album, ''Soul Quest''. It was released by Ariola Japan in truetone format on April 14, 2011 and as a digital single on April 28, 2011. It is the theme song to the anime film adaption of ''King of Thorn''. Composition "Edge of This World" was composed in the key of E minor and set to a common time tempo of 123 beats per minute. Misia's vocals span from A3 to D5. The song was created right after the release of '' Just Ballade''. Misia describes it as an "edgy ballad" with a "dark electro and house" sound. Misia has stated that the message expressed in her lyrics, that you can "shape the world to your desires", is a direct reflection of her feelings at the time and what led to creating the soulful R&B sound of ''Soul Quest''. ''King of Thorn'' director Kazuyoshi Katayama has stated that he never considered anyone other than Misia to sing to theme song to his film. ...
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Misia
Misaki Itō, commonly known as and stylized as MISIA, is a Japanese singer and songwriter. Born in Nagasaki, Misia moved to Fukuoka at the age of 14 to pursue a recording career. There, she continued her secondary education and briefly attended Seinan Gakuin University before withdrawing to focus on her musical career. She was signed to BMG Japan in 1997, after auditioning for record producer Haruo Yoda. Misia came to prominence following the release of her debut album, ''Mother Father Brother Sister'' (1998), which became the seventh best-selling Japanese debut album of all time, earning her two Japan Gold Disc Awards and one Japan Record Award. In 2000, Misia released her sophomore album, '' Love Is the Message'', which earned her another Japan Gold Disc Award and Japan Record Award. Her third studio album, '' Marvelous'' (2001), spawned her first number-one single on the Oricon singles chart, "Everything". The song became one of the best-selling singles of all time in Japan, ...
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Billboard Japan Hot 100
The ''Billboard Japan'' Hot 100 is a record chart in Japan for songs. It has been compiled by ''Billboard Japan'' and '' Hanshin Contents Link'' since February 2008. The chart is updated every Wednesday at Billboard-japan.com ( JST) and every Thursday at Billboard.com ( UTC). The first number-one song on the chart was " Stay Gold" by Hikaru Utada on the issue dated January 16, 2008. The current number-one on the chart as of the issue dated December 21, 2022, is "Subtitle" by Official Hige Dandism. Methodology From the chart's inception in 2008, to December 2010, the chart combined CD single sales data from SoundScan Japan, tracking sales at physical stores across Japan, and radio airplay figures from Japan's then 32 AM and FM radio stations sourced from the Japanese company Plantech. In December 2010, the chart expanded to include sales from online stores, as well as sales from iTunes Japan. From December 2013, ''Billboard'' incorporated more digital music stores (such aRecochoku ...
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2010 Songs
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is t ...
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2010 Singles
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is t ...
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Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ...
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ...
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Tortured Soul (band)
Tortured Soul is a music group from Brooklyn, New York, United States, comprising composer, singer and drummer John-Christian Urich, bass player Jordan Scannella and keyboard player Isamu MacGregor. History Tortured Soul's origins date back to 2001 while Urich was steering Cooly's Hot Box, an acid jazz outfit also featuring indie soul vocalist Angela Johnson. After putting Cooly's Hot Box on hiatus, Urich composed ''Might Do Something Wrong'' which was picked up by New York-based deep house label Central Park Recordings. A mix of the track by Osunlade was used at Club Shelter and became the first piece of a full-length disc. Urich began playing his compositions "Might Do Something Wrong", "When You Find Your Love Hold On", "Fall In Love" and "How's Your Life" with his bandmates from the rhythm section of NYC's acid-jazz band Topaz: bassist Jason "JKriv" Kriveloff and keyboardist Ethan White. Eventually they broke away to form the trio Tortured Soul. They began touring in 2003. ...
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Electronic Keyboard
An electronic keyboard, portable keyboard, or digital keyboard is an electronic musical instrument, an electronic derivative of keyboard instruments. Electronic keyboards include synthesizers, digital pianos, stage pianos, electronic organs and digital audio workstations. In technical terms, an electronic keyboard is a synthesizer with a low-wattage power amplifier and small loudspeakers. Electronic keyboards are capable of recreating a wide range of instrument sounds (piano, Hammond organ, pipe organ, violin, etc.) and synthesizer tones with less complex sound synthesis. Electronic keyboards are usually designed for home users, beginners and other non-professional users. They typically have unweighted keys. The least expensive models do not have velocity-sensitive keys, but mid- to high-priced models do. Home keyboards typically have little, if any, digital sound editing capacity. The user typically selects from a range of preset "voices" or sounds, which include imitations ...
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Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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