Eddie Taylor Jr.
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Eddie Taylor Jr.
Edward Taylor (March 27, 1972 – March 8, 2019), better known as Eddie Taylor Jr., was an American Chicago blues and electric blues guitarist, singer and songwriter. He released six studio albums, and a compilation album of his better known tracks, all on the European-based label, Wolf Records. Among the musicians who worked in Taylor's backing band was his fellow guitar player Johnny B. Moore. Taylor also supported other musicians including Moore, Little Arthur Duncan, Willie Kent and Hubert Sumlin, plus Buddy Guy, Keith Richards, Eric Clapton, and Billy Gibbons. His father was Eddie Taylor, another Chicago blues musician. His step-brother Larry Taylor is a blues drummer and vocalist, and his sister Demetria is a blues vocalist in Chicago. Taylor's mother, Vera (Leevera), was the niece of the bluesmen Eddie "Guitar" Burns and Jimmy Burns. Life and career Taylor was born in Chicago, Illinois, United States on March 27, 1972. His father, Eddie Taylor was a notable blues musi ...
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Chicago
(''City in a Garden''); I Will , image_map = , map_caption = Interactive Map of Chicago , coordinates = , coordinates_footnotes = , subdivision_type = Country , subdivision_name = United States , subdivision_type1 = State , subdivision_type2 = Counties , subdivision_name1 = Illinois , subdivision_name2 = Cook and DuPage , established_title = Settled , established_date = , established_title2 = Incorporated (city) , established_date2 = , founder = Jean Baptiste Point du Sable , government_type = Mayor–council , governing_body = Chicago City Council , leader_title = Mayor , leader_name = Lori Lightfoot ( D) , leader_title1 = City Clerk , leader_name1 = Anna Valencia ( D) , unit_pref = Imperial , area_footnotes = , area_tot ...
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Gibson ES-335
The Gibson ES-335 is the world's first commercial semi-hollowbody electric guitar, sometimes known as semi-acoustic. Released by the Gibson Guitar Corporation as part of its ES (Electric Spanish) series in 1958, it is neither fully hollow nor fully solid; instead, a solid maple wood block runs through the center of its body. The side "wings" formed by the two "cutaways" into its upper bouts are hollow, and the top has two violin-style f-holes over the hollow chambers. Since its release, Gibson has released numerous variations of and other models based on the design of the ES-335. The ES-335 is currently manufactured at the Gibson Nashville facility. It was also produced at Gibson Memphis from 2000 until 2019, when the Memphis facility was closed. History Before 1952, Gibson produced only hollow-body guitars, which are prone to feedback when amplified loudly. That year saw the introduction of their first solid-body, the Gibson Les Paul, a significantly different instrument from L ...
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Syl Johnson
Sylvester Johnson (born Sylvester Thompson; July 1, 1936 – February 6, 2022) was an American blues and soul singer, musician, songwriter and record producer. His most successful records included "Different Strokes" (1967), " Is It Because I'm Black" (1969) and " Take Me to the River" (1975). Biography Early life and recording debut Born near Holly Springs, Mississippi, the sixth child of a harmonica-playing farmer, he moved with his family in about 1950 to Chicago, where blues guitarist Magic Sam was his next-door neighbor. Mark Winegardner, "Syl Johnson", ''Oxford American'', November 21, 2011
Retrieved February 8, 2022
Johnson sang and played with Magic Sam and other blues artists, such as

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Muddy Waters
McKinley Morganfield (April 4, 1913 April 30, 1983), known professionally as Muddy Waters, was an American blues singer and musician who was an important figure in the post-war blues scene, and is often cited as the "father of modern Chicago blues". His style of playing has been described as "raining down Delta beatitude". Muddy Waters grew up on Stovall Plantation near Clarksdale, Mississippi, and by age 17 was playing the guitar and the harmonica, emulating the local blues artists Son House and Robert Johnson."His thick heavy voice, the dark colouration of his tone, and his firm, almost solid, personality were all clearly derived from House," wrote the music historian Peter Guralnick in ''Feel Like Going Home'', "but the embellishments, which he added, the imaginative slide technique and more agile rhythms, were closer to Johnson." He was recorded in Mississippi by Alan Lomax for the Library of Congress in 1941. In 1943, he moved to Chicago to become a full-time professi ...
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Stop Breaking Down
"Stop Breaking Down" or "Stop Breakin' Down Blues" is a Delta blues song recorded by Robert Johnson in 1937. An "upbeat boogie with a strong chorus line", the lyrics are partly based on Johnson's experience with certain women: The song shares elements with earlier blues songs and became popular largely through later interpretations by other artists, such as Sonny Boy Williamson I in 1945 and the Rolling Stones in 1972. Recording and composition Robert Johnson recorded "Stop Breakin' Down Blues" during his last recording session in 1937 in Dallas, Texas. The song is a solo piece with Johnson providing guitar accompaniment to his vocals. Several songs have been identified as "melodic precedents": "Caught Me Wrong Again" (Memphis Minnie, 1936), "Stop Hanging Around" (Buddy Moss, 1935), and "You Got to Move" (Memphis Minnie and Joe McCoy, 1934). Of his Dallas recordings, it is Johnson's most uptempo song, with "his exhuberant vocal driv nghome the story line". Two takes of the song ...
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Robert Johnson
Robert Leroy Johnson (May 8, 1911August 16, 1938) was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Although his recording career spanned only seven months, he is now recognized as a master of the blues, particularly the Delta blues style, and is also one of the most influential musicians of the 20th century. The Rock and Roll Hall of Fame describes him as being "the first ever rock star". As a traveling performer who played mostly on street corners, in juke joints, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. He participated in only two recording sessions, one in San Antonio in 1936, and one in Dallas in 1937, that produced 29 distinct songs (with 13 surviving alternate takes) recorded by famed Country Music Hall of Fame producer Don Law. These songs, recor ...
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