Echorec
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Echorec
The Binson Echorec is an echo machine produced by Italian (Milan) company Binson founded by Dr. Bonfiglio Bini, an early manufacturer of such devices. Unlike most other analog echo machines, they used an analog magnetic drum recorder instead of a tape loop. After using Meazzi Echomatic machines successfully to establish his signature sound, Hank Marvin of The Shadows began using Binson echoes. He used various Binson units on record and stage for much of the mid-to-late 1960s, in conjunction with Vox AC30 amplifiers and Burns London guitars. Marvin continued to use Binsons until c.1979/1980, when he began using the Roland RE-201 echo. Binson units were used to great effect by Pink Floyd's original frontman Syd Barrett and then guitarist David Gilmour, but also by keyboardist Richard Wright. The classic Binson delay effect can be heard on songs such as "Interstellar Overdrive", "Astronomy Domine", "Shine On You Crazy Diamond" and "Time". Engineer Andy Johns used a Binson echo un ...
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Binson
The Binson Echorec is an echo machine produced by Italian (Milan) company Binson founded by Dr. Bonfiglio Bini, an early manufacturer of such devices. Unlike most other analog echo machines, they used an analog magnetic drum recorder instead of a tape loop. After using Meazzi Echomatic machines successfully to establish his signature sound, Hank Marvin of The Shadows began using Binson echoes. He used various Binson units on record and stage for much of the mid-to-late 1960s, in conjunction with Vox AC30 amplifiers and Burns London guitars. Marvin continued to use Binsons until c.1979/1980, when he began using the Roland RE-201 echo. Binson units were used to great effect by Pink Floyd's original frontman Syd Barrett and then guitarist David Gilmour, but also by keyboardist Richard Wright. The classic Binson delay effect can be heard on songs such as "Interstellar Overdrive", "Astronomy Domine", "Shine On You Crazy Diamond" and "Time". Engineer Andy Johns used a Binson echo un ...
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Their Mortal Remains
''Pink Floyd: Their Mortal Remains'' is a touring exhibition of the history of the British rock band Pink Floyd, opening on 13 May 2017 (with a museum members' preview on 12 May) at the Victoria and Albert Museum in London, England, and originally scheduled to run until 1 October. After high visitor numbers, the exhibition's run was extended by two weeks, to 15 October 2017. It followed the V&As successful '' David Bowie Is'' exhibition. Naming and marketing The exhibition's title reflects the lyric "I've got a grand piano to prop up my mortal remains", from the song " Nobody Home", on ''The Wall''. It was promoted with media appearances by all three surviving band members (David Gilmour, Nick Mason, and Roger Waters), and designer Aubrey Powell; as well as the flying of an inflatable pig over the V&A, and at the BBC's Broadcasting House. Content Treating the band's history in chronological order, the exhibition ends with their 2005 reunion at Live 8, with footage of the b ...
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Richard Wright (musician)
Richard William Wright (28 July 1943 – 15 September 2008) was an English musician who was a co-founder of the progressive rock band Pink Floyd. He played keyboards and sang, appearing on almost every Pink Floyd album and performing on all their tours. He was inducted into the Rock and Roll Hall of Fame in 1996 as a member of Pink Floyd. Wright grew up in Hatch End, Middlesex and met future Pink Floyd bandmates Roger Waters and Nick Mason while studying architecture at the Regent Street Polytechnic, London. After being joined by frontman and songwriter Syd Barrett, the group found commercial success in 1967. Barrett was replaced by David Gilmour in 1968, who, along with Waters and Wright, took over songwriting. Initially contributing more as a singer/songwriter, Wright later acted mainly as an arranger on compositions by Waters and Gilmour. He began to contribute less towards the end of the 1970s and left the band after touring ''The Wall'' in 1981. He rejoined as a se ...
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Echoes (Pink Floyd Song)
"Echoes" is a song by the rock band Pink Floyd, and the sixth and last track on their 1971 album ''Meddle''. It is 23 and a half minutes long and takes up the entire second side of the original LP. The track evolved from a variety of different musical themes and ideas, including instrumental passages and studio effects, resulting in the side-long piece. The music was written by the group, while Roger Waters' lyrics addressed themes of human communication and empathy, which he returned to in later work. The song was performed live regularly by Pink Floyd from 1971 to 1975, including a performance in the film ''Live at Pompeii'' (1972). It was used for the opening shows on the 1987 A Momentary Lapse of Reason Tour but subsequently dropped. David Gilmour revived "Echoes" for his 2006 On an Island Tour, which featured Richard Wright, but retired the piece after Wright's death in 2008. The studio recording was used in the film ''Crystal Voyager'' (1973) while an edited version is in ...
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One Of These Days (instrumental)
"One of These Days" is the opening track from Pink Floyd's 1971 album ''Meddle''. The composition is instrumental except for the spoken line from drummer Nick Mason, "One of these days, I'm going to cut you into little pieces." It features double-tracked bass guitars played by David Gilmour and Roger Waters, with each bass hard panned into one channel of stereo, but one bass sound is quite muted and dull. According to Gilmour, this is because that particular instrument had old strings on it, and the roadie they had sent to get new strings for it wandered off to see his girlfriend instead. Music The predominant element of the piece is that of a bass guitar played through a delay (Binson Echorec) unit, set to produce repeats in quarter-note triplets. The result of this setting is: if the player plays simple quarter notes, the added echoes will produce a pattern of ''quarter note – eighth note, quarter note – eighth note''. Pink Floyd would again use this technique on the b ...
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Roger Waters
George Roger Waters (born 6 September 1943) is an English musician, singer-songwriter and composer. In 1965, he co-founded the progressive rock band Pink Floyd. Waters initially served as the bassist, but following the departure of singer-songwriter Syd Barrett in 1968, he also became their lyricist, co-lead vocalist and conceptual leader until his departure in 1983. Pink Floyd achieved international success with the concept albums ''The Dark Side of the Moon'' (1973), ''Wish You Were Here (Pink Floyd album), Wish You Were Here'' (1975), ''Animals (Pink Floyd album), Animals'' (1977), ''The Wall'' (1979), and ''The Final Cut (album), The Final Cut'' (1983). By the early 1980s, they had become one of the most critically acclaimed and commercially successful groups in popular music. Amid creative differences, Waters left in 1985 and began a legal dispute over the use of the band's name and material. They settled out of court in 1987. Waters's solo work includes the studio albu ...
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When The Levee Breaks
"When the Levee Breaks" is a country blues song written and first recorded by Memphis Minnie and Kansas Joe McCoy in 1929. The lyrics reflect experiences during the upheaval caused by the Great Mississippi Flood of 1927. "When the Levee Breaks" was re-worked by English rock group Led Zeppelin as the last song on their untitled fourth album. Singer Robert Plant used many of the original lyrics and the songwriting is credited to Memphis Minnie and the individual members of Led Zeppelin. Many other artists have performed and recorded versions of the song. Background and lyrics When blues musical duo Kansas Joe McCoy and Memphis Minnie wrote "When the Levee Breaks," the Great Mississippi Flood of 1927 was still fresh in people's memories. The flooding affected 26,000 square miles of the Mississippi Deltahundreds were killed and hundreds of thousands of residents were forced to evacuate. The event is the subject of several blues songs, the most popular being "Backwater Blues" b ...
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Echo Machine
Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio. The delayed signal may be played back multiple times, or fed back into the recording, to create the sound of a repeating, decaying echo. Delay effects range from a subtle echo effect to a pronounced blending of previous sounds with new sounds. Delay effects can be created using tape loops, an approach developed in the 1940s and 1950s and used by artists including Elvis Presley and Buddy Holly. Analog effects units were introduced in the 1970s; digital effects pedals in 1984; and audio plug-in software in the 2000s. History The first delay effects were achieved using tape loops improvised on reel-to-reel audio tape recording systems. By shortening or lengthening the loop of tape and ad ...
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Vox AC30
The Vox AC30 is a guitar amplifier manufactured by Vox. It was introduced in 1958 to meet the growing demand for louder amplifiers. Characterised by its "jangly" high-end sound it has become widely recognized by British musicians and others, such as George Harrison and John Lennon of the Beatles, Bill Wyman of the Rolling Stones, Brian May of Queen, Dave Davies of the Kinks and Hank Marvin. History The Vox AC30 was originally introduced in 1959 at Hank Marvin's request as the "big brother" of the fifteen watt (15 W) AC15 model, Vox's original flagship amplifier, because the AC15 was not loud enough with the screaming fans at Cliff Richard's concerts. The AC15 was powered by a pair of EL84 tubes, an EF86-driven "Normal" channel, an ECC83-driven "Vib-Trem" channel, and rectified by an EZ81. The original first-generation AC30 used a GZ34 tube rectifier, three ECC83s (12AX7) for the Normal channel and the tremolo/vibrato oscillator/modulator circuits, one ECC81 (12AT7) phase inver ...
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Hank Marvin
Hank Brian Marvin (born Brian Robson Rankin, 28 October 1941) is an English multi-instrumentalist, vocalist and songwriter. He is widely known as the lead guitarist for The Shadows, a group which primarily performed instrumentals and was the backing band for Cliff Richard, and subsequently for Marvin, Welch & Farrar. Early life and career Hank Marvin was born Brian Robson Rankin in Newcastle upon Tyne, England. As a child he played banjo and piano. After hearing Buddy Holly he decided to learn the guitar and also adopted Holly-style dark-rimmed glasses. He chose his stage name while launching his career. It is an amalgamation of his childhood nickname, Hank, which he used to differentiate himself from friends also named Brian, and the first name of Marvin Rainwater, the country and rockabilly singer. He moved to London in April 1958 after persuading his parents to let him do so in pursuit of a career in the music business. Sixteen-year-old Marvin and his Rutherford Grammar S ...
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Victoria And Albert Museum
The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Royal Borough of Kensington and Chelsea, in an area known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum, the Royal Albert Hall and Imperial College London. The museum is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. As with other national British museums, entrance is free. The V&A covers and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. Ho ...
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Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ...
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