Ecclesia And Synagoga
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Ecclesia And Synagoga
Ecclesia and Synagoga, or Ecclesia et Synagoga in Latin, meaning "Church and Synagogue", are a pair of figures personifying the Church and the Jewish synagogue, that is to say Judaism, found in medieval Christian art. They often appear sculpted as large figures on either side of a church portal, as in the most famous examples, those at Strasbourg Cathedral. They may also be found standing on either side of the cross in scenes of the ''Crucifixion'', especially in Romanesque art, and less frequently in a variety of other contexts. The two female figures are usually young and attractive; Ecclesia is generally adorned with a crown, chalice and cross-topped staff, looking confidently forward. In contrast, Synagoga is blindfolded and drooping, carrying a broken lance (possibly an allusion to the Holy Lance that stabbed Christ) and the Tablets of the Law or Torah scrolls that may even be slipping from her hand. The staff and spear may have pennants flying from them. In images of the ' ...
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Statues 'L'Église' Et 'La Synagogue' De La Cathédrale De Strasbourg, Original Gothique Conservé Au Musée De L'Oeuvre Notre-Dame
A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals are carved or cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size; a sculpture that represents persons or animals in full figure but that is small enough to lift and carry is a statuette or figurine, whilst one more than twice life-size is a colossal statue. Statues have been produced in many cultures from prehistory to the present; the oldest-known statue dating to about 30,000 years ago. Statues represent many different people and animals, real and mythical. Many statues are placed in public places as public art. The world's tallest statue, ''Statue of Unity'', is tall and is located near the Narmada dam in Gujarat, India. Color Ancient statues often show the bare surface of the material of which they are made. For example, many people associate Greek classical art with white marble sculpture, but there is evidenc ...
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Old Testament Sacrifice
In Judaism, the korban ( ''qorbān''), also spelled ''qorban'' or ''corban'', is any of a variety of sacrificial offerings described and commanded in the Torah. The plural form is korbanot, korbanoth or korbans. The term Korban primarily refers to sacrificial offerings given from humans to God for the purpose of doing homage, winning favor, or securing pardon. The object sacrificed was usually an animal that was ritually slaughtered and then transferred from the human to the divine realm by being burned on an altar. After the destruction of the Second Temple, sacrifices were prohibited because there was no longer a Temple, the only place allowed by halakha for sacrifices. Offering of sacrifices was briefly reinstated during the Jewish–Roman wars of the second century AD and was continued in certain communities thereafter. When sacrifices were offered in ancient times, they were offered as a fulfillment of Biblical commandments. Since there is no longer a Temple, modern r ...
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Jesus
Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label=Hebrew/Aramaic ( AD 30 or 33), also referred to as Jesus Christ or Jesus of Nazareth (among other names and titles), was a first-century Jewish preacher and religious leader; he is the central figure of Christianity, the world's largest religion. Most Christians believe he is the incarnation of God the Son and the awaited Messiah (the Christ) prophesied in the Hebrew Bible. Virtually all modern scholars of antiquity agree that Jesus existed historically. Research into the historical Jesus has yielded some uncertainty on the historical reliability of the Gospels and on how closely the Jesus portrayed in the New Testament reflects the historical Jesus, as the only detailed records of Jesus' life are contained in the Gospels. Jesus was a Galilean Jew who was circumcised, was baptized by John the Baptist, began his own ministry and was often referred to as "rabbi". Jesus debated with fellow Jews on ho ...
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Supersessionism
Supersessionism, also called replacement theology or fulfillment theology, is a Christian theology which asserts that the New Covenant through Jesus in Christianity, Jesus Christ has superseded or replaced the Mosaic covenant exclusive to the Jews. Supersessionist theology also holds that the universal Christian Church has succeeded ancient Israel as Galatians 6, God's true Israel and that Christians have succeeded the ancient Israelites as the people of God. Often claimed to have originated with Paul the Apostle in the New Testament, supersessionism has formed a core tenet of Eastern Orthodox, Roman Catholic and Protestant churches for the majority of their history. Many early Church Fathers – including Justin Martyr and Augustine of Hippo – were supersessionist. Most historic Christian denomination, Christian Churches, including the Roman Catholic Church, Methodist Churches and Reformed Churches, hold that Christian views on the Old Covenant, the Old Covenant has three compo ...
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Cod St Peter Perg 139 Scherenberg-Psalter 8r
Cod is the common name for the demersal fish genus ''Gadus'', belonging to the family Gadidae. Cod is also used as part of the common name for a number of other fish species, and one species that belongs to genus ''Gadus'' is commonly not called cod (Alaska pollock, ''Gadus chalcogrammus''). The two most common species of cod are the Atlantic cod (''Gadus morhua''), which lives in the colder waters and deeper sea regions throughout the North Atlantic, and the Pacific cod (''Gadus macrocephalus''), found in both eastern and western regions of the northern Pacific Ocean, Pacific. ''Gadus morhua'' was named by Carl Linnaeus, Linnaeus in 10th edition of Systema Naturae, 1758. (However, ''G. morhua callarias'', a low-salinity, nonmigratory Subspecies, race restricted to parts of the Baltic, was originally described as ''Gadus callarias'' by Linnaeus.) Cod is popular as a food with a mild flavour and a dense, flaky, Whitefish (fisheries term), white flesh. Cod livers are processed to ...
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Book Cover
A book cover is any protective covering used to bind together the pages of a book. Beyond the familiar distinction between hardcovers and paperbacks, there are further alternatives and additions, such as dust jackets, ring-binding, and older forms such as the nineteenth-century "paper-boards" and the traditional types of bookbinding, hand-binding. The term "Bookcover" is often used for a book cover image in library management software. This article is concerned with modern mechanically produced covers. History Before the early nineteenth century, books were hand-bound, in the case of luxury medieval manuscripts in treasure bindings using materials such as gold, silver and jewels. For hundreds of years, book bindings had functioned as a protective device for the expensively printed or hand-made pages, and as a decorative tribute to their cultural authority. In the 1820s great changes began to occur in how a book might be covered, with the gradual introduction of techniques for ...
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Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs a ...
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Carolingian Art
Carolingian art comes from the Frankish Empire in the period of roughly 120 years from about 780 to 900—during the reign of Charlemagne and his immediate heirs—popularly known as the Carolingian Renaissance. The art was produced by and for the court circle and a group of important monasteries under Imperial patronage; survivals from outside this charmed circle show a considerable drop in quality of workmanship and sophistication of design. The art was produced in several centres in what are now France, Germany, Austria, northern Italy and the Low Countries, and received considerable influence, via continental mission centres, from the Insular art of the British Isles, as well as a number of Byzantine artists who appear to have been resident in Carolingian centres. There was for the first time a thoroughgoing attempt in Northern Europe to revive and emulate classical Mediterranean art forms and styles, that resulted in a blending of classical and Northern elements in a sumptuo ...
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Old Covenant
The Mosaic covenant (named after Moses), also known as the Sinaitic covenant (after the biblical Mount Sinai), refers to a covenant between God and the Israelites, including their proselytes, not limited to the ten commandments, nor the event when they were given, but including the entirety of laws that Moses delivered from God in the five books of Torah. Historical-critical scholarship The concept of a covenant began long before the biblical era, specifically the beginnings of Israel. According to George E. Mendenhall, covenants were originally established as legal customs and then later were replicated in the field of religion. These covenants were created on the basis of an oath, a promise between two parties followed by performance. Engaging in an oath implied that the more powerful party would ensure that the other received proper punishment if it were to default. In the case of religion, the god(s) would be carrying out punishment. Such covenants assured that either bless ...
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Drogo Sacramentary
The Drogo Sacramentary (Paris, Bibliothèque Nationale de FranceMS lat. 9428 is a Carolingian illuminated manuscript on vellum from 850 AD, one of the monuments of Carolingian book illumination. It is a sacramentary, a book containing all the prayers spoken by the officiating priest during the course of the year. The sacramentary was written and painted for the personal use of Charlemagne's son Drogo, the Bishop of Metz. Metz was an important bishopric: Charles the Bald was crowned in the Basilica, and Louis the Pious and his illegitimate half-brother Drogo the Bishop are buried there. In 843 Metz became the capital of the kingdom of Lotharingia, and several diets and councils were held there. Drogo's position enabled him to be one of the great patrons of 9th-century arts. He embellished his cathedral in Metz with works which rank among the highlights of Carolingian art in beauty and preciousness. Among them are three surviving manuscripts from the court school, of which t ...
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Historiated Initial
A historiated initial is an initial, an enlarged letter at the beginning of a paragraph or other section of text, that contains a picture. Strictly speaking, a historiated initial depicts an identifiable figure or a specific scene, while an inhabited initial contains figures (human or animal) that are decorative only, without forming a subject. Both sorts became very common and elaborate in luxury illuminated manuscripts. These illustrated initials were first seen in the Insular art of the early 8th century. The earliest known example is in the Saint Petersburg Bede, an Insular manuscript of 731–46, and the Vespasian Psalter has another. The size and decoration of the initial further gives clues to both its importance and location. Letters that began a new section of a text or a particularly noteworthy section might receive more flourishes and space. They would also provide a visual point of reference, "marking the division of the text into books, chapters, paragraphs and som ...
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Nativity Of Jesus In Art
The Nativity of Jesus has been a major subject of Christian art since the 4th century. The artistic depictions of the ''Nativity'' or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition. Christian art includes a great many representations of the Virgin Mary and the Christ Child. Such works are generally referred to as the "Madonna and Child" or "Virgin and Child". They are not usually representations of the ''Nativity'' specifically, but are often devotional objects representing a particular aspect or attribute of the Virgin Mary, or Jesus. ''Nativity'' pictures, on the other hand, are specifically illustrative, and include many narrative details; they are a normal component of the sequences illustrating both the Life of Christ and the Life of the Virgin. The Nativity has been depicted in many different media, both pictorial and sculptural. Pictoria ...
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