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East Asian Cinema
East Asian cinema is cinema produced in East Asia or by people from this region. It is part of Asian cinema, which in turn is part of world cinema. The most significant film industries that are categorized as East Asian cinema are the industries of Mainland China, Hong Kong, Japan, South Korea, and Taiwan. The term is sometimes confused with Southeast Asian cinema which include the likes of Singapore, Malaysia, Indonesia, Vietnam, Thailand, and the Philippines. Styles and genres The scope of East Asian cinema is huge and covers a wide array of different film styles and genres. However, East Asian cinema shares a common cultural background. The region's cinema is particularly famous internationally for the following: * Martial arts films — including Hong Kong martial arts films (such as period kung fu films, chopsocky, Bruceploitation and Wuxia) and Japanese martial arts films (including ninja films) * Hong Kong action cinema —including martial arts, stunt action, action co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photography, photographing actual scenes with a movie camera, motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of computer-generated imagery, CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still imag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Styles
Film style refers to recognizable cinematic techniques used by filmmakers to create specific value in their work. These techniques can include all aspects of film language, including: sound design, mise-en-scène, dialogue, cinematography, editing, or direction. Style and the director A film director may have a distinctive filmmaking style that differs from other directors, similar to an author's own distinctive writing style. Through the analysis of film techniques, differences between filmmakers' styles become apparent. Bordwell, David; Kristin Thompson (2003). ''Film Art: An Introduction'' (Seventh edition ed.). New York: McGraw-Hill. There are many technical possibilities available to filmmakers. As a result, no single film will be made using every single technique. Historical circumstances, for example, limit the choices for the director. During the silent film era, filmmakers were not able to use synchronized dialogue until sound became possible in the late 1920s. Films before ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stunt
A stunt is an unusual and difficult physical feat or an act requiring a special skill, performed for artistic purposes usually on television, theaters, or cinema. Stunts are a feature of many action films. Before computer generated imagery special effects, these effects were limited to the use of models, false perspective and other in-camera effects, unless the creator could find someone willing to jump from car to car or hang from the edge of a skyscraper: the stunt performer or stunt double. Types of stunt effects Practical effects One of the most-frequently used practical stunts is stage combat. Although contact is normally avoided, many elements of stage combat, such as sword fighting, martial arts, and acrobatics required contact between performers in order to facilitate the creation of a particular effect, such as noise or physical interaction. Stunt performances are highly choreographed and may be rigorously rehearsed for hours, days and sometimes weeks before a performan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martial Arts
Martial arts are codified systems and traditions of combat practiced for a number of reasons such as self-defense; military and law enforcement applications; combat sport, competition; physical, mental, and spiritual development; entertainment; and the preservation of a nation's intangible cultural heritage. Etymology According to Paul Bowman, the term ''martial arts'' was popularized by mainstream popular culture during the 1960s to 1970s, notably by Hong Kong martial arts films (most famously those of Bruce Lee) during the so-called "chopsocky" wave of the early 1970s. According to John Clements, the term '':wikt:martial art, martial arts'' itself is derived from an older Latin (language), Latin term meaning "arts of Mars (mythology), Mars", the Roman mythology, Roman god of war, and was used to refer to the combat systems of Europe (European martial arts) as early as the 1550s. The term martial science, or martial sciences, was commonly used to refer to the fighting arts of E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hong Kong Action Cinema
Hong Kong action cinema is the principal source of the Hong Kong film industry's global fame. Action films from Hong Kong have roots in Chinese and Hong Kong cultures including Chinese opera, storytelling and aesthetic traditions, which Hong Kong filmmakers combined with elements from Hollywood and Japanese cinema along with new action choreography and filmmaking techniques, to create a culturally distinctive form that went on to have wide transcultural appeal. In turn, Hollywood action films have been heavily influenced by Hong Kong genre conventions, from the 1970s onwards. The first Hong Kong action films favoured the ''wuxia'' style, emphasizing mysticism and swordplay, but this trend was politically suppressed in the 1930s and replaced by kung fu films that depicted more down-to-earth unarmed martial arts, often featuring folk heroes such as Wong Fei Hung. Post-war cultural upheavals led to a second wave of wuxia films with highly acrobatic violence, followed by the emerg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ninja Films
The following is a list of films where at least one ninja character appears as a significant plot element. Japanese cinema Jidai-geki films Ninpo-cho films Silent films Gendai-geki films Tokusatsu films Anime films Erotic films American cinema Action films Speculative fiction films Parody films Asian cinema Chinese films Wuxia films Wushu films Korean films Filipino films International cinema Other films Independent and short films Cut-and-paste films Minor roles Miscellaneous See also *List of ninja television programs *List of ninja video games *List of Japanese films *Ninja in popular culture *Samurai cinema References External links Iga Ninja Film Festival Vintage Ninja: Film and TV {{DEFAULTSORT:List Of Ninja Films Ninja A or was a covert agent or mercenary in feudal Japan. The functions of a ninja included reconnaissance In military operations, reconnaissance or scouting is the exploration of an ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Martial Arts
Japanese martial arts refers to the variety of martial arts native to the country of Japan. At least three Japanese terms (''budō'', ''bujutsu'', and ''bugei'') are used interchangeably with the English phrase Japanese martial arts. The usage of the term ''budō'' (武道) to mean martial arts is a modern one: historically the term meant a way of life encompassing physical, spiritual and moral dimensions with a focus on self-improvement, fulfillment or personal growth. The terms ''bujutsu'' (武術) and ''bugei'' (武芸) have different meanings from ''budō'', at least historically speaking. ''Bujutsu'' refers specifically to the practical application of martial tactics and techniques in actual combat. ''Bugei'' refers to the adaptation or refinement of those tactics and techniques to facilitate systematic instruction and dissemination within a formal learning environment. History The historical origin of Japanese martial arts can be found in the warrior traditio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wuxia
( ), which literally means "martial heroes", is a genre of Chinese fiction concerning the adventures of martial artists in ancient China. Although is traditionally a form of historical fiction, its popularity has caused it to be adapted for such diverse art forms as Chinese opera, manhua, television dramas, films, and video games. It forms part of popular culture in many Chinese-speaking communities around the world. The word "" is a compound composed of the elements (, literally "martial", "military", or "armed") and (, literally "chivalrous", "vigilante" or "hero"). A martial artist who follows the code of is often referred to as a (, literally "follower of ") or (, literally "wandering "). In some translations, the martial artist is referred to as a "swordsman" or "swordswoman" even though they may not necessarily wield a sword. The heroes in wuxia fiction typically do not serve a lord, wield military power, or belong to the aristocratic class. They often originat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruceploitation
Bruceploitation (a portmanteau of "Bruce Lee" and "exploitation") is an exploitation film subgenre that emerged after the death of martial arts film star Bruce Lee in 1973, where filmmakers from Hong Kong, Taiwan and South Korea cast Bruce Lee look-alike actors ("Lee-alikes") to star in imitation martial arts films, in order to exploit Lee's sudden international popularity. Bruce Lee look-alike characters also commonly appear in other media, including anime, comic books, manga, and video games. History When martial arts film star Bruce Lee died on July 20, 1973, he was Hong Kong's most famous martial arts actor. When ''Enter the Dragon'' became a box office success worldwide, many Hong Kong studios feared that a movie without their most famous star in it would not be financially successful and decided to play on Lee's sudden international fame by making movies that sounded like Bruce Lee starring vehicles. They cast actors who looked like Lee and changed their screen names to var ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chopsocky
Chopsocky (or chop-socky) is a colloquial term for martial arts films and kung fu films made primarily by Hong Kong action cinema between the late 1960s and early 1980s. The term was coined by the American motion picture trade magazine ''Variety'' following the explosion of films in the genre released in 1973 in the U.S. after the success of ''Five Fingers of Death''. The word is a play on chop suey, combining "chop" (as in karate chop referring to a strike with the edge of the hand) and "sock" (as in a punch). Chopsocky movies are usually characterized by overblown storylines, over-the-top special effects (particularly exaggerated and sometimes bizarre sound effects during the actual fight scenes), and excessive violence. The genre is also known for its clumsy dubbing. Although the term "chopsocky" is commonly used as a name of martial arts cinema by the general media, the word can be disparaging as well. Another common meaning is a generalization for martial arts movies from Asia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kung Fu Films
Kung fu film () is a subgenre of martial arts films and Hong Kong action cinema set in the contemporary period and featuring realistic martial arts. It lacks the fantasy elements seen in ''wuxia'', a related martial arts genre that uses historical settings based on ancient China. Swordplay is also less common in kung-fu films than in ''wuxia'' and fighting is done through unarmed combat. Kung fu films are an important product of Hong Kong cinema and the West, where it was exported. Studios in Hong Kong produce both wuxia and kung fu films. History The kung fu genre was born in Hong Kong as a backlash against the supernatural tropes of wuxia. The wuxia of the period, called ''shenguai wuxia'', combined '' shenguai'' fantasy with the martial arts of wuxia. Producers of wuxia depended on special effects to draw in larger audiences like the use of animation in fight scenes. The popularity of shenguai wuxia waned because of its cheap effects and fantasy cliches, paving way for the ris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hong Kong Martial Arts Films
Hong Kong action cinema is the principal source of the Hong Kong film industry's global fame. Action films from Hong Kong have roots in Chinese and Hong Kong cultures including Chinese opera, storytelling and aesthetic traditions, which Hong Kong filmmakers combined with elements from Hollywood and Japanese cinema along with new action choreography and filmmaking techniques, to create a culturally distinctive form that went on to have wide transcultural appeal. In turn, Hollywood action films have been heavily influenced by Hong Kong genre conventions, from the 1970s onwards. The first Hong Kong action films favoured the ''wuxia'' style, emphasizing mysticism and swordplay, but this trend was politically suppressed in the 1930s and replaced by kung fu films that depicted more down-to-earth unarmed martial arts, often featuring folk heroes such as Wong Fei Hung. Post-war cultural upheavals led to a second wave of wuxia films with highly acrobatic violence, followed by the emer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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