Earth In Culture
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Earth In Culture
The cultural perspective on Earth, or the world, varies by society and time period. Religious beliefs often include a creation belief as well as personification in the form of a deity. The exploration of the world has modified many of the perceptions of the planet, resulting in a viewpoint of a globally integrated ecosystem. Unlike the remainder of the planets in the Solar System, mankind didn't perceive the Earth as a planet until the sixteenth century. Etymology Unlike the other planets in the Solar System, in English, Earth does not directly share a name with an ancient Roman deity. The name ''Earth'' derives from the eighth century Anglo-Saxon word ''erda'', which means ground or soil, and ultimately descends from Proto-Indo European *''erþō''. From this it has cognates throughout the Germanic languages, including with Jörð, the name of the giantess of Norse myth. Earth was first used as the name of the sphere of the Earth in the early fifteenth century. The planet ...
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The Earth Seen From Apollo 17
''The'' () is a grammatical Article (grammar), article in English language, English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the Most common words in English, most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant s ...
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Proto-Indo-European Language
Proto-Indo-European (PIE) is the reconstructed common ancestor of the Indo-European language family. Its proposed features have been derived by linguistic reconstruction from documented Indo-European languages. No direct record of Proto-Indo-European exists. Far more work has gone into reconstructing PIE than any other proto-language, and it is the best understood of all proto-languages of its age. The majority of linguistic work during the 19th century was devoted to the reconstruction of PIE or its daughter languages, and many of the modern techniques of linguistic reconstruction (such as the comparative method) were developed as a result. PIE is hypothesized to have been spoken as a single language from 4500 BC to 2500 BC during the Late Neolithic to Early Bronze Age, though estimates vary by more than a thousand years. According to the prevailing Kurgan hypothesis, the original homeland of the Proto-Indo-Europeans may have been in the Pontic–Caspian steppe of ...
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Goddess
A goddess is a female deity. In many known cultures, goddesses are often linked with literal or metaphorical pregnancy or imagined feminine roles associated with how women and girls are perceived or expected to behave. This includes themes of spinning (textiles), spinning, weaving, beauty, love, sexuality, motherhood, domesticity, creativity, and List of fertility deities, fertility (exemplified by the ancient mother goddess cult). Many major goddesses are also associated with magic (supernatural), magic, war, strategy, hunting, farming, wisdom, fate, earth, sky, power (social and political), power, laws, justice, and more. Some themes, such as Discordianism, discord or disease, which are considered negative within their cultural contexts also are found associated with some goddesses. There are as many differently described and understood goddesses as there are male, shapeshifting, or neuter gods. In some faiths, a sacred female figure holds a central place in religious prayer a ...
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Bhudevi
Bhumi ( sa, भूमि, Bhūmi), also known as Bhudevi and Vasundhara, is a Hindu goddess who is the personification of the Earth. She is a consort of the god Vishnu. According to Vaishnava tradition, she is the second aspect of Vishnu's consort, Lakshmi, along with the aspects of Sridevi and Niladevi. Varaha, the third avatar of Vishnu, saved her from the demon Hiranyaksha and later married her, making her one of his consorts. She is regarded as the mother of Narakasura, Mangala, and Sita. Etymology and iconography The name "Bhūmi" is Sanskrit word for "earth". The version "Puhumi" is the equivalent in Old Awadhi. She is known by various names such as Bhuvati, Bhuvani, Bhuvaneshwari, Avni, Prithvi, Varahi, Dharti, Dhaatri, Dharani, Vasudha, Vasundhara, Vaishnavi, Kashyapi, Urvi, Ira, Mahi, Ela, Vasumati, Dhanshika, Vasumati, Hema, and Hiranmaya. Bhudevi is depicted as seated on a platform that rests on the back of four elephants, representing the four cardinal directions. S ...
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Globus Cruciger
The ''globus cruciger'' ( for, , Latin, cross-bearing orb), also known as "the orb and cross", is an orb surmounted by a cross. It has been a Christian symbol of authority since the Middle Ages, used on coins, in iconography, and with a sceptre as royal regalia. The cross represents Christ's dominion over the orb of the world, literally held in the hand of an earthly ruler. In the iconography of Western art, when Christ himself holds the globe, he is called ''Salvator Mundi'' (Latin for 'Saviour of the World'). For instance, the 16th-century Infant Jesus of Prague statue holds a ''globus cruciger'' in this manner. History Holding the world in one's hand, or, more ominously, under one's foot, has been a symbol since antiquity. To citizens of the Roman Empire, the plain spherical globe held by the god Jupiter represented the world or the universe, as the dominion held by the Emperor. A 2nd-century coin from the reign of Emperor Hadrian shows the Roman goddess Salus with her ...
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Astronomical Symbol
Astronomical symbols are abstract pictorial symbols used to represent astronomical objects, theoretical constructs and observational events in European astronomy. The earliest forms of these symbols appear in Greek papyrus texts of late antiquity. The Byzantine codices in which many Greek papyrus texts were preserved continued and extended the inventory of astronomical symbols. New symbols have been invented to represent many planets and minor planets discovered in the 18th to the 21st centuries. These symbols were once commonly used by professional astronomers, amateur astronomers, alchemists, and astrologers. While they are still commonly used in almanacs and astrological publications, their occurrence in published research and texts on astronomy is relatively infrequent, with some exceptions such as the Sun and Earth symbols appearing in astronomical constants, and certain zodiacal signs used to represent the solstices and equinoxes. Unicode has encoded many of these ...
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Globus Cruciger (fixed Width)
The ''globus cruciger'' ( for, , Latin, cross-bearing orb), also known as "the orb and cross", is an orb surmounted by a cross. It has been a Christian symbol of authority since the Middle Ages, used on coins, in iconography, and with a sceptre as royal regalia. The cross represents Christ's dominion over the orb of the world, literally held in the hand of an earthly ruler. In the iconography of Western art, when Christ himself holds the globe, he is called ''Salvator Mundi'' (Latin for 'Saviour of the World'). For instance, the 16th-century Infant Jesus of Prague statue holds a ''globus cruciger'' in this manner. History Holding the world in one's hand, or, more ominously, under one's foot, has been a symbol since antiquity. To citizens of the Roman Empire, the plain spherical globe held by the god Jupiter represented the world or the universe, as the dominion held by the Emperor. A 2nd-century coin from the reign of Emperor Hadrian shows the Roman goddess Salus with her f ...
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Earth Symbol (fixed Width)
A variety of symbols or iconographic conventions are used to represent Earth, whether in the sense of planet Earth, or the inhabited world, or as a classical element. A circle representing the round world, with the rivers of Garden of Eden separating the four corners of the world, or rotated 45° to suggest the four continents, remains a common pictographic convention to express the notion of "worldwide". The current astronomical symbol for the planet is a circle with an intersecting cross, 20px, 🜨, alt=An equilateral cross enclosed in a circle. Although the International Astronomical Union (IAU) now discourages the use of planetary symbols, this is an exception, being used in abbreviations such as ''M''🜨 for Earth mass. History The earliest type of symbols are allegories, personifications or deifications, mostly in the form of an Earth goddess (in the case of Egyptian mythology a god, Geb). Before the recognition of the spherical shape of the Earth in the Hellenistic p ...
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Terra (mythology)
In ancient Roman religion and mythology, Tellus Mater or Terra Mater ("Mother Earth") is the personification of the Earth. Although Tellus and Terra are hardly distinguishable during the Imperial era, ''Tellus'' was the name of the original earth goddess in the religious practices of the Republic or earlier. The scholar Varro (1st century BC) lists Tellus as one of the ''di selecti'', the twenty principal gods of Rome, and one of the twelve agricultural deities. She is regularly associated with Ceres in rituals pertaining to the earth and agricultural fertility. The attributes of Tellus were the cornucopia, bunches of flowers, or fruit. She was typically depicted reclining, or rising, waist high, from a hole in the ground. Her male complement was a sky god such as Caelus (Uranus) or a form of Jupiter. Her Greek counterpart is Gaia, and among the Etruscans her name was Cel. Michael Lipka has argued that the ''Terra Mater'' who appears during the reign of Augustus is a ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Jötunn
A (also jotun; in the normalised scholarly spelling of Old Norse, ; ; plural / ) or, in Old English, (plural ) is a type of supernatural being in Germanic mythology. In Norse mythology, they are often contrasted with gods (Æsir and Vanir) and other non-human figures, such as dwarfs and elves, although the groupings are not always mutually exclusive. The entities themselves are referred to by several other terms, including , (or ) and if male and or if female. The typically dwell across boundaries from the gods and humans in lands such as . The are frequently attested throughout the Old Norse record, with also featuring in the Old English epic poem ''Beowulf''. The usage of the terms is dynamic, with an overall trend that the beings become portrayed as less impressive and more negative as Christianity becomes more influential. Although the term "giant" is sometimes used to gloss the word "" and its apparent synonyms in some translations and academic texts, are not ...
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