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Early In The Morning (Lorez Alexandria Album)
''Early in the Morning'' is an album by American jazz vocalist Lorez Alexandria featuring performances recorded in 1960 and released on the Argo label.Jazzlists: Argo/Cadet discography (LP 601 to LP 699) discography accessed June 25, 2019 accessed June 25, 2019 Critical reception reviewer Thom Jurek stated "Ultimately, ''Early in the Morning'' is the most sophisticated kind of blues recording. The musical arrangements are both groove-laden and wonderfully impressionistic, allowing Alexandria's unusual delivery line pl ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorez Alexandria
Lorez Alexandria (born Dolorez Alexandria Turner; August 14, 1929 – May 22, 2001). was an American jazz singer, described as "one of the most gifted and underrated jazz singers of the twentieth century". She became established in the midwest before moving to Los Angeles in the mid-1960s. Jazz critics have compared her to Dinah Washington, Sarah Vaughan, Carmen McRae, and Ella Fitzgerald. Early life Dolorez Alexandria Turner was born on August 14, 1929, in Chicago, Illinois. Growing up she began singing gospel music in church choirs and traveled throughout the Midwest with a traveling Baptist '' a cappella'' group. Later, when she entered the Chicago club circuit, she became a regular performer at venues like the Brass Rail and the Cloister Inn.Carr, Ian, Digby Fairweather, Brian Priestly, and Charles Alexander. ''The Rough Guide to Jazz''. Penguin Books, 2004, p. 10. In Chicago, Alexandria became a local favorite and recorded for the first time for several independent loca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irene Higginbotham
Irene Higginbotham (June 11, 1918 – August 27, 1988) was an American songwriter and concert pianist. She is best known for co-writing the Billie Holiday song "Good Morning Heartache" (1946). Biography Higginbotham was born on June 11, 1918, in Worcester, Massachusetts. While her closest connection in the popular music of the 1930s and 1940s was Billie Holiday, the prolific songwriter was niece of the classic African-American jazz trombonist J. C. Higginbotham. She was a music student of choral conductor Kemper Harreld, of Morehouse College fame, and Frederic Hall. She was also a concert pianist at the age of 15 and joined the American Society of Composers, Authors and Publishers (ASCAP) in 1944 when she was about 26. She was a composer of nearly 50 ''published'' songs. However, because she was an African-American woman who worked as a composer on Tin Pan Alley during a period when composers there were overwhelmingly white and male, some scholars and musicologists have speculated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eldee Young
Eldee Young (January 7, 1936 – February 12, 2007) was a jazz double-bass and cello player who performed in the cool jazz, post bop and rhythm and blues mediums. Born in 1936 in Chicago, Illinois, Young started playing upright bass at the age of 13. He was helped by his eldest brother who played guitar. He joined the Ramsey Lewis Trio in 1955. After a decade together he split along with bandmate, Isaac "Red" Holt to form the Young-Holt Trio. They changed their name to Young-Holt Unlimited in 1968. After they split in 1974, Young continued playing, mainly with small groups in Chicago. He also played with pianist Jeremy Monteiro for more than 20 years. Young also appeared on the albums of James Moody and Eden Atwood, among others. Young died in Bangkok, Thailand, from a heart attack at age 71. Discography With Ramsey Lewis *''Ramsey Lewis and his Gentle-men of Swing'' (Argo, 1956) *'' Ramsey Lewis and his Gentle-men of Jazz'' (Argo, 1956) *'' Lem Winchester and the Ramsey Lewi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivory Joe Hunter
Ivory Joe Hunter (October 10, 1914 – November 8, 1974) was an American rhythm-and-blues singer, songwriter, and pianist. After a series of hits on the US R&B chart starting in the mid-1940s, he became more widely known for his hit recording " Since I Met You Baby" (1956). He was billed as The Baron of the Boogie, and also known as The Happiest Man Alive. His musical output ranged from R&B to blues, boogie-woogie, and country music, and Hunter made a name in all of those genres. Uniquely, he was honored at both the Monterey Jazz Festival and the Grand Ole Opry. Early years Hunter was born in Kirbyville, Texas. Ivory Joe was his given name, not a nickname nor a stage name. According to Hunter, when he was born his parents thought he "looked just like the baby on the outside of the Castoria Ivory bottle, so they called imIvory." As a youngster in a large family of musicians, he developed an early interest in music. His father, Dave Hunter, played guitar, and his mother sang g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Almost Lost My Mind
"I Almost Lost My Mind" is a popular song written by Ivory Joe Hunter and published in 1950. Hunter's recording of the song was a number one hit on the US ''Billboard'' R&B singles chart in that year. Hunter recorded the 12-bar blues style song on October 1, 1949, and became a rhythm and blues hit and a pop standard. The best selling version of the song was a cover version by Pat Boone, which reached number one on the ''Billboard'' charts in 1956. It has since been recorded by a variety of pop artists, big bands, country and western stars, rock and rollers, and Latin, jazz and blues Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the Afr ... performers. See also * List of number-one R&B singles of 1950 (U.S.) * List of number-one singles of 1956 (U.S.) References {{authority cont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mack David
Mack David (July 5, 1912 – December 30, 1993) was an American lyricist and songwriter, best known for his work in film and television, with a career spanning the period between the early 1940s and the early 1970s. David was credited with writing lyrics or music or both for over one thousand songs. , ''The New York Times'', Saturday, January 1, 1994. He was particularly well known for his work on the films '''' and '' |
I'm Just A Lucky So-and-So
"I'm Just a Lucky So-and-So" is a 1945 song composed by Duke Ellington, with lyrics written by Mack David. Notable recordings *Al Hibbler & Duke Ellington - recorded for RCA Victor (catalog No. 20-1799) on November 26, 1945 (Ellington, Hodges, Lawrence brown, soloists) *Eddie "Lockjaw" Davis & Shirley Scott - '' The Eddie "Lockjaw" Davis Cookbook Volume 3'' (Prestige, 1958). *Billy Eckstine & Quincy Jones on the album '' At Basin Street East'' (EmArcy, 1961) as part of a Duke Ellington medley. *Annie Ross - included in her album ''A Gasser!'' (World Pacific, 1960). *Louis Armstrong & Duke Ellington - '' Together for the First Time'' (Roulette Records, 1961) *Ella Fitzgerald - she first recorded it for Decca Records (catalog No. 18814) in New York on Feb 21, 1946. She sang it at Carnegie Hall in 1949 and it was included in ''Jazz at the Philharmonic, The Ella Fitzgerald Set'' (Verve/Polygram)" (1949). A later recording was included in ''Ella Fitzgerald Sings the Duke Ellington Song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rocks In My Bed
"Rocks in My Bed" is a 1941 song written by Duke Ellington. Harvey G. Cohen in his 2010 book ''Duke Ellington's America'' writes that "Rocks in My Bed" "presents a more honest and adult impression of sexual loneliness than most Swing Era lyrics". The lyrics arose from a conversation between two women that Ellington overheard. The academic Walter van de Leur theorized in his analysis of several Ellington pieces of the early 1940s that "Rocks in My Bed" may have been partially written by Billy Strayhorn yet solely copyrighted to Ellington without additional attribution. Van de Leur analysed Strayhorn's reharmonisation of the piece for Ivie Anderson's 1941 vocal recording and felt that it marks the moment that Strayhorn "changed from arranger to co-composer". It was introduced by Big Joe Turner in the 1941 musical revue '' Jump for Joy''. Turner said in an interview that he assisted Ellington with the arrangement and composition of "Rocks in My Bed" whilst in preparation for ''Jump fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Johnson
Woodrow Wilson "Buddy" Johnson (January 10, 1915 – February 9, 1977) was an American jump blues pianist and bandleader active from the 1930s through the 1960s. His songs were often performed by his sister Ella Johnson, most notably "Since I Fell for You", which became a jazz standard. Life and career Born in Darlington, South Carolina, United States, Johnson took piano lessons as a child, and classical music remained one of his passions. In 1938, he moved to New York City, and the following year toured Europe with the Cotton Club Revue, being expelled from Nazi Germany. Later in 1939, he first recorded for Decca Records with his band, soon afterwards being joined by his sister Ella as vocalist. By 1941, he had assembled a nine-piece orchestra, and soon began a series of R&B and pop chart hits. These included "Let's Beat Out Some Love" (No. 2 R&B, 1943, with Johnson on vocals), "Baby Don't You Cry" (No. 3 R&B, 1943, with Warren Evans on vocals), his biggest hit "When My Man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don George
Don R. George (August 27, 1909 – 1987) was an American lyricist of popular music. His songs include " The Yellow Rose of Texas" " I Ain't Got Nothin' But the Blues" (1937), "I'm Beginning to See the Light" (1944) and " Everything but You" (1945). George has also written lyrics for film songs. He was a personal friend and occasional lyricist of jazz composer Duke Ellington Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based ..., whom he followed closely from 1943 until Ellington's death in 1974. It was with Ellington that he wrote many of hist best-known songs. George wrote a 1981 biography of Ellington titled ''Sweet Man: The Real Duke Ellington''. Notes External links * {{DEFAULTSORT:George, Don American lyricists 1909 births 1987 deaths ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
