Earl Hines Plays Duke Ellington
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Earl Hines Plays Duke Ellington
''Earl Hines Plays Duke Ellington'' is a compilation double album set featuring solo recordings by pianist Earl Hines performing compositions by Duke Ellington which were originally released as a series of four LPs that Hines recorded for the Master Jazz label in four separate sessions between 1971 and 1975 and rereleased on the New World label on LP in 1988 and on CD in 1992. It was followed by a second volume in 1997. Reception Allmusic's Scott Yanow noted "The music is satisfying". ''The Penguin Guide to Jazz'' selected this album as part of its suggested Core Collection.Penguin Guide to Jazz: Core Collection List
accessed May 25, 2016


Track listing

:''All compositions by Duke Ellington, except where noted.'' Disc one # "Love You Madly" - 5:16 # "

Earl Hines
Earl Kenneth Hines, also known as Earl "Fatha" Hines (December 28, 1903 – April 22, 1983), was an American jazz pianist and bandleader. He was one of the most influential figures in the development of jazz piano and, according to one source, "one of a small number of pianists whose playing shaped the history of jazz". The trumpeter Dizzy Gillespie (a member of Hines's big band, along with Charlie Parker) wrote, The piano is the basis of modern harmony. This little guy came out of Chicago, Earl Hines. He changed the style of the piano. You can find the roots of Bud Powell, Herbie Hancock, all the guys who came after that. If it hadn't been for Earl Hines blazing the path for the next generation to come, it's no telling where or how they would be playing now. There were individual variations but the style of … the modern piano came from Earl Hines. The pianist Lennie Tristano said, "Earl Hines is the ''only'' one of us capable of creating real jazz and real swing when play ...
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Bob Russell (songwriter)
Bob Russell (April 25, 1914 – February 18, 1970) was an American songwriter (mainly lyricist) born Sidney Keith Rosenthal in Passaic, New Jersey. Career Russell attended Washington University in St. Louis, Missouri. He worked as an advertising copywriter in New York; for a time, his roommate there was Sidney Sheldon, later a novelist. He turned to writing material for vaudeville acts, and then for film studios, ultimately writing complete scores for two movies: ''Jack and the Beanstalk (1952 film), Jack and the Beanstalk'' and ''Reach for Glory''. The latter film received the Locarno International Film Festival prize in 1962. A number of other movies featured compositions by Russell, including ''Affair in Trinidad'' (1952), ''The Blue Gardenia, Blue Gardenia'' (1953), ''The Girl Can't Help It'' (1956), ''The Girl Most Likely'' (1957), ''A Matter of WHO'' (1961), ''Abbott and Costello Meet Captain Kidd'' (1952), ''Sound Off (film), Sound Off'' (1952), ''That Midnight Kiss'' (1949 ...
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John La Touche (lyricist)
John Treville Latouche (La Touche) (November 13, 1914, Baltimore, Maryland – August 7, 1956, Calais, Vermont) was a lyricist and bookwriter in American musical theater. Biography John Treville Latouche was born in Baltimore, Maryland. His family moved to Richmond, Virginia, when he was four months old. There he attended school, before going north to Columbia University. He became involved in music and theater, writing for the Varsity Show and joining the Philolexian Society. He did not graduate. In 1937 Latouche contributed two songs in the revue '' Pins and Needles''. For the show ''Sing For Your Supper'' (1939), he wrote the lyrics for "Ballad for Uncle Sam", later retitled "Ballad for Americans", with music by Earl Robinson. It was featured at both the 1940 Republican Convention and the convention of the American Communist Party, and was extremely popular in 1940s America. This 13-minute cantata to American democracy was written for a soloist and as well a full orches ...
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Don't Get Around Much Anymore
"Don't Get Around Much Anymore" is a jazz standard written by composer Duke Ellington. The song was originally entitled "Never No Lament" and was first recorded by Duke Ellington and his orchestra on May 4, 1940. "Don't Get Around Much Anymore" quickly became a hit after Bob Russell wrote its lyrics in 1942. Two different recordings of "Don't Get Around Much Anymore", one by The Ink Spots and the 1940 instrumental by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart. Other versions * Mose Allison – '' Young Man Mose'', Prestige, 1958) * Mose Allison – ''Creek Bank'' (Prestige, 1975) * Louis Armstrong with his All-Stars and Duke Ellington – ''The Great Reunion'' (1961) and included on ''The Great Summit'' * Louis Armstrong – ''I've Got the World on a String'' (1960) * Tony Bennett and Miguel Bosé – '' Viva Duets'' (2010) * To ...
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Creole Love Call
"Creole Love Call" is a jazz standard, most associated with the Duke Ellington band and Adelaide Hall. It entered the '' Billboard'' USA song charts in 1928 at No. 29.USA song chart entry
for "Creole Love Call" (1928). In 1988, during a radio interview with the journalist and radio host Max Jones, Hall explained how she came up with the counter-melody in "Creole Love Call". An excerpt from the interview can be heard in the article (published 17 December 2020) on the
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Lee Gaines
Otho Lee Gaines (April 21, 1914 – July 15, 1987) was an American jazz singer and lyricist. Gaines wrote the lyrics for "Take the "A" Train" and "Just A-Sittin' and A-Rockin'", two jazz standards by Billy Strayhorn. Lee Gaines was from Buena Vista, in Mississippi, and began singing as a bass in high school, he formed a vocal quartet at Langston University in 1933, and returned to the United States in 1937 having toured South America. Gaines was a founding member of the Delta Rhythm Boys who achieved their peak popularity in the 1940s and 50's, having recorded with Ella Fitzgerald, Count Basie, Jimmy Lunceford, Charlie Barnet, Fred Astaire, Ruth Brown and Les Paul. The Delta Rhythm Boys moved to Europe in the 1950s. Gaines had lived in Finland for a year at the time of his death from cancer in 1987 and he is buried in Maunulan uurnalehto, an urn cemetery at Helsinki (section 39, lot 109). Gaines was married to Muriel Gaines, a calypso singer and former Cotton Club The Cot ...
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Just Squeeze Me (But Please Don't Tease Me)
"Just Squeeze Me (But Please Don't Tease Me)" is a 1941 popular song composed by Duke Ellington, with lyrics by Lee Gaines. The song has been recorded numerous times by a number of artists in the years since, having become a jazz standard. Hit recordings have been by Paul Weston & His Orchestra (vocal by Matt Dennis) (reached No. 21 in the '' Billboard'' charts in 1947) and by The Four Aces (No. 20 in 1952). Other notable recordings * Louis Armstrong – originally recorded with Duke Ellington in 1961 for an album called ''The Great Reunion'' and later included in the compilation CD ''The Great Summit'' (2001) * Dave Brubeck * Clark Terry – '' Duke with a Difference'' (1957) * Chris Connor – ''A Jazz Date With Chris Connor'' (1956) *Miles Davis – '' Miles: The New Miles Davis Quintet'' (1955) *Ella Fitzgerald – ''Ella Fitzgerald Sings the Duke Ellington Songbook'' (1957) * Marvin Gaye and Mary Wells – ''Together'' (Marvin Gaye and Mary Wells album) (1964) *Joni James â ...
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picture info

Barney Bigard
Albany Leon "Barney" Bigard (March 3, 1906 – June 27, 1980) was an American jazz clarinetist known for his 15-year tenure with Duke Ellington. He also played tenor saxophone. Biography Bigard was born in New Orleans to Creole parents, Alexander and Emanuella Bigard. He had two brothers, Alexander Jr. and Sidney. His uncle, Emile Bigard, was a jazz violinist. He attended local schools and studied music and clarinet with Lorenzo Tio. In the early 1920s, he moved to Chicago, where he worked with King Oliver and others. During this period, much of his recording, including with clarinetist Johnny Dodds, was on tenor saxophone, which he played often with great lyricism, as on Oliver's "Someday Sweetheart". In December 1927, Bigard joined Duke Ellington's orchestra in New York. He played with Ellington until 1942. They played primarily at the Cotton Club until 1931, then toured almost nonstop for over a decade. With Ellington, he was the featured clarinet soloist, while also d ...
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Mood Indigo
"Mood Indigo" is a jazz song with music by Duke Ellington and Barney Bigard and lyrics by Irving Mills. Composition Although Irving Mills—Jack Mills's brother and publishing partner—took credit for the lyrics, Mitchell Parish claimed in a 1987 interview that he had written the lyrics. The tune was composed for a radio broadcast in October 1930 and was originally titled "Dreamy Blues". It was "the first tune I ever wrote specially for microphone transmission", Ellington recalled. "The next day wads of mail came in raving about the new tune, so Irving Mills put a lyric to it." Renamed "Mood Indigo", it became a jazz standard." The main theme was provided by Bigard, who learned it in New Orleans, Louisiana from his clarinet teacher Lorenzo Tio, who called it a "Mexican Blues". Ellington's arrangement was first recorded by his band for Brunswick on October 17, 1930. It was recorded twice more in 1930. These recordings included Arthur Whetsel (trumpet), Tricky Sam Nanton (tr ...
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Everything But You (Don George Song)
Everything but You may refer to: * "Everything but You" (Clean Bandit song), 2022 * "Everything but You" (Brian McFadden song), 2008 * "Everything but You", song by Megan McKenna from ''Story of Me'', 2018 * "Everything but You", song by Don George Don R. George (August 27, 1909 – 1987) was an American lyricist of popular music. His songs include " The Yellow Rose of Texas" " I Ain't Got Nothin' But the Blues" (1937), "I'm Beginning to See the Light" (1944) and " Everything but You" (1945 ...
, 1945 {{Disambiguation ...
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Juan Tizol
Juan Tizol Martínez (22 January 1900 – 23 April 1984) was a Puerto Rican jazz trombonist and composer. He is best known as a member of Duke Ellington's big band, and as the writer of the jazz standards " Caravan", "Pyramid", and " Perdido". Biography Tizol was born in Vega Baja, Puerto Rico. Music was a large part of his life from an early age. His first instrument was the violin, but he soon switched to valve trombone, the instrument he played throughout his career. His musical training came mostly from his uncle Manuel Tizol, who was the director of the municipal band and the symphony in San Juan. Throughout his youth, Tizol played in his uncle's band and also gained experience by playing in local operas, ballets and dance bands. In 1920, Tizol joined a band that was traveling to the United States to work in Washington, D.C. The group eventually made it to Washington (traveling as stowaways) and established residence at the Howard Theater, where they played for tour ...
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