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Eagle-Lion
Eagle-Lion Films was a British-American film production company owned by J. Arthur Rank intended to distribute British productions in the United States. In 1947, it acquired Robert R. Young's PRC Pictures, a small American production company, to produce low-budget features to accompany its British releases. The studio, which was located at 7324 Santa Monica Boulevard (one block away from the Samuel Goldwyn Studios), became a producer of B-movies. Eagle-Lion was also a film distribution company under the name of Eagle-Lion Distributors Limited in the United Kingdom and Eagle-Lion Films Inc. in the United States. In 1954, the film lot was purchased by the Ziv Company for production of its syndicated television programs. It has long since been demolished. History The company was founded in September 1946. From 1946 to 1949, Eagle-Lion was under the control of Arthur B. Krim who, in addition to releasing films by Rank and reissues of David O. Selznick, films produced his own B-mo ...
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B-picture
A B movie or B film is a low-budget commercial motion picture. In its original usage, during the Golden Age of Hollywood, the term more precisely identified films intended for distribution as the less-publicized bottom half of a double feature (akin to B-sides for recorded music). However, the U.S. production of films intended as second features largely ceased by the end of the 1950s. With the emergence of commercial television at that time, film studio B movie production departments changed into television film production divisions. They created much of the same type of content in low budget films and series. The term ''B movie'' continues to be used in its broader sense to this day. In its post-Golden Age usage, B movies can range from lurid exploitation films to independent arthouse films. In either usage, most B movies represent a particular genre—the Western was a Golden Age B movie staple, while low-budget science-fiction and horror films became more popular in the 19 ...
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B-movies
A B movie or B film is a low-budget commercial motion picture. In its original usage, during the Golden Age of Hollywood, the term more precisely identified films intended for distribution as the less-publicized bottom half of a double feature (akin to B-sides for recorded music). However, the U.S. production of films intended as second features largely ceased by the end of the 1950s. With the emergence of commercial television at that time, film studio B movie production departments changed into television film production divisions. They created much of the same type of content in low budget films and series. The term ''B movie'' continues to be used in its broader sense to this day. In its post-Golden Age usage, B movies can range from lurid exploitation films to independent arthouse films. In either usage, most B movies represent a particular genre—the Western was a Golden Age B movie staple, while low-budget science-fiction and horror films became more popular in the ...
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Anthony Mann
Anthony Mann (born Emil Anton Bundsmann; June 30, 1906 – April 29, 1967) was an American film director and stage actor. Mann initially started as a theatre actor appearing in numerous stage productions. In 1937, he moved to Hollywood where he worked as a talent scout and casting director. He then became an assistant director, most notably working for Preston Sturges. His directorial debut was ''Dr. Broadway'' (1942). He directed several feature films for numerous production companies, including RKO Pictures, Eagle-Lion Films, Universal Pictures, and Metro-Goldwyn-Mayer. His first major success was ''T-Men'' (1947), garnering notable recognition for producing several films in the ''film noir'' genre through modest budgets and short shooting schedules. As a director, he often collaborated with cinematographer John Alton. During the 1950s, Mann shifted to directing Western films starring several major stars of the era, including James Stewart. He directed Stewart in eight film ...
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Producers Releasing Corporation
Producers Releasing Corporation was the smallest and least prestigious of the Hollywood film studios of the 1940s. It was considered a prime example of what was called "Poverty Row": a low-rent stretch of Gower Street in Hollywood where shoestring film producers based their operations. However, PRC was more substantial than the usual independent company that made only a few low-budget movies and then disappeared. PRC was an actual Hollywood studio -- albeit the smallest -- with its own production facilities and distribution network, and it even accepted imports from the UK. PRC lasted from 1939 to 1947, churning out low-budget B movies for the lower half of a double bill or the upper half of a neighborhood theater showing second-run films. The studio was originally located at 1440 N. Gower St. (on the lot that eventually became part of Columbia Pictures) from 1936 to 1943. PRC then occupied the former Grand National Pictures physical plant at 7324 Santa Monica Blvd., from 194 ...
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Edward Small
Edward Small (born Edward Schmalheiser, February 1, 1891, Brooklyn, New York – January 25, 1977, Los Angeles) was a film producer from the late 1920s through 1970, who was enormously prolific over a 50-year career. He is best known for the movies ''The Count of Monte Cristo'' (1934), '' The Man in the Iron Mask'' (1939), ''The Corsican Brothers'' (1941), '' Brewster's Millions'' (1945), '' Raw Deal'' (1948), ''Black Magic (1949)'', ''Witness for the Prosecution'' (1957) and ''Solomon and Sheba'' (1959). Early life and career Small was born on February 1, 1891 to a Jewish family in Brooklyn, the son of Rose (née Lewin) and Philip Schmalheiser. His mother was born in Prussia and his father was born in Austria; he had three sisters and two brothers. He began his career as a talent agent in New York City. In 1917, he moved his agency to Los Angeles where his acting clients included a young Hedda Hopper. His first production appears to have been the wartime propaganda film, '' Who's ...
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The Noose Hangs High
''The Noose Hangs High'' is a 1948 film starring the comedy team of Abbott and Costello. The film is a remake of the Universal Pictures film ''For Love or Money'' (1939). Plot Ted Higgins and Tommy Hinchcliffe work for the Speedy Service Window Washing Company. They run into a bookie named Nick Craig, who, after mistaking them for employees of the Speedy Messenger Service, sends them to Mr. Stewart's office to collect $50,000 owed to him. But Stewart has plans of his own: he hires two thugs to rob Ted and Tommy of the money he has just paid. Tommy flees from the robbers and takes refuge in a room with a gaggle of women who are mailing face powder samples. He hides the money in an envelope and addresses it to Craig, but it is accidentally switched with an envelope containing a powder sample. Ted and Tommy return to Craig's office and explain what happened; they assure him that the cash will arrive in the mail the next day. When face powder (instead of cash) arrives in the mail ...
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He Walked By Night
''He Walked by Night'' is a 1948 American police procedural film noir directed by Alfred L. Werker and an uncredited Anthony Mann. The film, shot in semidocumentary tone, was loosely based on newspaper accounts of the real-life actions of Erwin "Machine-Gun" Walker, a former Glendale, California police department employee and World War II veteran who unleashed a crime spree of burglaries, robberies, and shootouts in the Los Angeles area in 1945 and 1946. During the film's production, one of the actors, Jack Webb, struck up a friendship with the police technical advisor, Detective Sergeant Marty Wynn, and was inspired by a conversation with Wynn to create the radio and later television program '' Dragnet''. ''He Walked by Night'' was released by Eagle-Lion Films and is notable for the camera work by renowned ''noir'' cinematographer John Alton. Today the film is in the public domain. It is aired frequently on the over-the-air channel, Movies! network. Plot On a Los Angeles str ...
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Raw Deal (1948 Film)
''Raw Deal'' is a 1948 American film noir crime film directed by Anthony Mann and starring Dennis O'Keefe, Claire Trevor and Marsha Hunt (actress, born 1917), Marsha Hunt. It was shot by cinematography, cinematographer John Alton with sets designed by the art director Edward L. Ilou.. An independent film, independent production by Edward Small, it was distributed by Eagle-Lion Films. Plot Prison convict Joe Sullivan (Dennis O'Keefe) has "taken the fall" for an unspecified crime. His share for committing the crime was to be $50,000. Joe breaks out of jail with the help of his girl Pat (Claire Trevor). The escape has been facilitated by their former accomplice Rick Coyle (Raymond Burr), a sadistic mobster, who expects Joe to be killed during his escape and so avoid having to pay Joe his $50,000. When against all expectations the break-out succeeds, Rick decides that he must have Joe killed. Pat and Joe's getaway car is damaged and Joe decides that they will hide out at his legal c ...
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T-Men
''T-Men'' is a 1947 semidocumentary and police procedural style film noir about United States Treasury agents. The film was directed by Anthony Mann and shot by noted noir cameraman John Alton. The production features Dennis O'Keefe, Mary Meade, Alfred Ryder, Wallace Ford, June Lockhart and Charles McGraw. A year later, director Mann used the film's male lead, Dennis O'Keefe, in '' Raw Deal.'' The film was endorsed by the US Treasury Department: the opening credits are displayed over an image of the department's seal, then former Chief Coordinator of the department's six agencies Elmer Lincoln Irey delivers a monologue describing the objectives of those agencies and lauding their accomplishments. He describes the movie as a composite case from its files entitled "The Shanghai Paper Case". Plot In order to convict a counterfeiting ring, two United States Treasury agents are chosen to go undercover and infiltrate the Vantucci gang in Detroit. Dennis O'Brien and Anthony Genero ar ...
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The Red Shoes (1948 Film)
''The Red Shoes'' is a 1948 British drama film written, directed, and produced by Michael Powell and Emeric Pressburger. It follows Victoria Page (Moira Shearer), a ballerina who joins the world renowned Ballet Lermontov, owned and operated by Boris Lermontov (Anton Walbrook), who tests her dedication to the ballet by making her choose between her career and her romance with composer Julian Craster (Marius Goring). It marked the feature film debut of Shearer, an established ballerina, and also features Robert Helpmann, Léonide Massine, and Ludmilla Tchérina, other renowned dancers from the ballet world. The plot is based on the 1845 eponymous fairytale by Hans Christian Andersen, and features a ballet within it by the same title, also adapted from the Andersen work. ''The Red Shoes'' was filmmaking team Powell and Pressburger's tenth collaboration and follow-up to 1947's ''Black Narcissus''. It had originally been conceived by Powell and producer Alexander Korda in the 1930 ...
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Canon City (film)
''Canon City'' is a 1948 American film noir crime film written and directed by Crane Wilbur. The drama features Scott Brady, Jeff Corey, and Whit Bissell, along with prison warden Roy Best playing himself. The film takes its name from Canon City, Colorado. Plot This account of a violent prison break is a semi-documentary that opens with a newsreel-type tour of the prison. Led by Carl Schwartzmiller (Jeff Corey), 12 convicts plan their escape but prisoner Jim Sherbondy (Scott Brady) is reluctant to go along with the group. Cast * Scott Brady as Sherbondy * Jeff Corey as Schwartzmiller * Whit Bissell as Heilman * Stanley Clements as New * Charles Russell as Tolley * DeForest Kelley as Smalley * Ralph Byrd as Officer Gray * Mabel Paige as Mrs. Oliver * Roy Best as Himself (as Warden Roy Best) Background The film is based on a prison break that occurred at the Colorado Territorial Correctional Facility at Canon City, Colorado, on 30 December 1947. Within a week, all escapees were ...
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Aubrey Schenck
Aubrey Schenck (August 26, 1908, New York City – April 14, 1999, Murrieta, California) was an American film producer from the 1940s through the 1970s. Biography The son of George Schenck, a Russian immigrant theatrical manager, and Mary Schenck, Schenck was a nephew of Joseph and Nicholas Schenck. Father to George Schenck and grandfather to Kirk Schenck. He graduated from Boys High School and Cornell University, and was a practicing attorney in New York City. Among Schenck's clients was 20th Century Fox that led him to be a personal assistant to Spyros Skouras. When Schenck submitted a script for a film, Schenck told Skouras he'd prefer to produce the film himself rather than be paid a fee. The film, '' Shock!'' (1946) starring Vincent Price, was a moderate success and launched Schenck's career as a movie producer.Weaver, Tom ''Aubrey Schennck Interview'' pp. 270-276 ''It Came from Horrorwood: Interviews with Moviemakers in the SF and Horror Tradition'' McFarland, 26 Oct. 20 ...
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