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Eager To Tear Apart The Stars
''Eager to Tear Apart the Stars'' is the second studio album by English electronic musician Leyland Kirby, released on 3 October 2011. Following his own name debut album '' Sadly, the Future Is No Longer What It Was'', Kirby continued exploring a more personal side of his music, though one that differs from his work as the Caretaker. Kirby produced the songs without using any samples, mostly creating piano tracks from synthesisers. This style of sound drew comparisons to the work of composers Harold Budd and Roedelius, though the record's press release claimed Kirby has his own ''oeuvre''. Characterised by a melancholic tone and piano-reliant tracks, ''Eager to Tear Apart the Stars'' departs from the longer and more inaccessible ''Sadly'', but is still similar to that album in its emotions. The length of the songs, which present a concept related to time, range from one to 10 minutes; although not related to the Caretaker's exploration of memory loss, some critics interpre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leyland Kirby
The Caretaker was a long-running project by English ambient musician Leyland James Kirby (born 9 May 1974). His work as the Caretaker is characterized as exploring memory and its gradual deterioration, nostalgia, and melancholia. The project was inspired by the haunted ballroom scene in the 1980 film ''The Shining (film), The Shining''. His first several releases comprised treated and manipulated samples of 1930s ballroom pop recordings. The Caretaker's works have received critical acclaim in publications such as ''The Wire (magazine), The Wire,'' ''The New York Times'', and BBC Music. History 1999–2003: Haunted Ballroom trilogy Simon Reynolds refers to the Caretaker's first three releases as "the haunted ballroom trilogy", spanning 1999-2003: ''Selected Memories from the Haunted Ballroom'', ''A Stairway to the Stars'', ''We'll All Go Riding on a Rainbow''. Jon Fletcher described the sound as "instantly recognisable musical identity of British tea-room pop (dance-ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concept Album
A concept album is an album whose tracks hold a larger purpose or meaning collectively than they do individually. This is typically achieved through a single central narrative or theme, which can be instrumental, compositional, or lyrical. Sometimes the term is applied to albums considered to be of "uniform excellence" rather than an LP with an explicit musical or lyrical motif. There is no consensus among music critics as to the specific criteria for what a "concept album" is. The format originates with folk singer Woody Guthrie's ''Dust Bowl Ballads'' (1940) and was subsequently popularized by traditional pop/jazz singer Frank Sinatra's 1940s–50s string of albums, although the term is more often associated with rock music. In the 1960s several well-regarded concept albums were released by various rock bands, which eventually led to the invention of progressive rock and rock opera. Since then, many concept albums have been released across numerous musical genres. Definiti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitchfork (website)
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously review ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fennesz
Christian Fennesz (born 25 December 1962) is an Austrian producer and guitarist active in electronic music since the 1990s, often credited simply by his last name. His work utilizes guitar and laptop computers to blend melody with treated samples and glitch production. He lives and works in Vienna, and currently records on the UK label Touch. Fennesz first received widespread recognition for his 2001 album '' Endless Summer'', released on the Austrian label Mego. He has collaborated with a number of artists, including Ryuichi Sakamoto, Jim O'Rourke, Ulver, David Sylvian, and King Midas Sound. Biography Fennesz was born and raised in Austria and studied music formally in art school. He started playing guitar around the age of 8 or 9. He initially performed as a member of the Austrian experimental rock band Maische before signing to electronic music label Mego as a solo artist. The influence of techno led him to begin composing with a laptop. In 1995 he released his first EP ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synth
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 1964, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Collage
In music, montage (literally "putting together") or sound collage ("gluing together") is a technique where newly branded sound objects or compositions, including songs, are created from collage, also known as montage. This is often done through the use of sampling, while some playable sound collages were produced by gluing together sectors of different vinyl records. In any case, it may be achieved through the use of previous sound recordings or musical scores. Like its visual cousin, the collage work may have a completely different effect than that of the component parts, even if the original parts are completely recognizable or from only one source. History The origin of sound collage can be traced back to the works of Biber's programmatic sonata ''Battalia'' (1673) and Mozart's ''Don Giovanni'' (1789), and some critics have described certain passages in Mahler symphonies as collage, but the first fully developed collages occur in a few works by Charles Ives, whose piece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambient Music
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It may lack net composition, beat, or structured melody.The Ambient Century by Mark Prendergast, Bloomsbury, London, 2003. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual",Prendergast, M. ''The Ambient Century''. 2001. Bloomsbury, USA or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer. The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as the synthesizer. It was presaged by Erik Satie's furniture music and styles such as musique concrète, minimal music, and German electronic music, but was prominently named and popularized by British mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Quietus
''The Quietus'' is a British online music and pop culture magazine founded by John Doran and Luke Turner. The site is an editorially independent publication led by Doran with a group of freelance journalists and critics. Content ''The Quietus'' primarily features writings on music and film, as well as interviews with a wide range of notable artists and musicians. The magazine also occasionally includes pieces on literature, graphic novels, architecture, and TV series. The website is edited by John Doran, who claims that it caters for "the intelligent music fan between the age of 21 and, well, 73". Its staff list includes former writers for publications such as '' Melody Maker'', '' Select'', ''NME'' and '' Q'', including journalist David Stubbs, BBC Radio 1 DJ Steve Lamacq, Professor Simon Frith and Simon Price among others. Among its best known columns is its "Baker's Dozen," in which artists select 13 personal favourite albums. Content from the site's interviews have been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tim Hecker
Tim Hecker is a Canadian electronic musician, producer, composer, and sound artist. His work, spanning atmospheric ambient albums such as ''Harmony in Ultraviolet'' (2006), ''Ravedeath, 1972'' (2011) and ''Virgins'' (2013), has been widely critically acclaimed. He has released nine albums and a number of EPs in addition to a number of film scores and collaborations with artists such as Arca, Ben Frost, Jóhann Jóhannsson, Daniel Lopatin, and Aidan Baker. Biography Born in Vancouver, British Columbia, Hecker is the son of two art teachers. During his high school years, he played in rock bands with friends, before acquiring a sampler and working on solo material. He moved to Montreal, Quebec in 1998 to study at Concordia University and explore his artistic interests further."Spin Interview 2013" [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Basinski
William Basinski (born June 25, 1958) is an American avant-garde composer Avant-garde music is music that is considered to be at the forefront of innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elemen ... based in Los Angeles, California. He is also a clarinetist, saxophonist, sound artist, and video artist. Basinski is best known for his four-volume album ''The Disintegration Loops'' (2002–2003), constructed from rapidly decaying twenty-year-old tapes of his earlier music. Biography Early life William James Basinski was born in 1958 in Houston, Texas. He was raised in a Catholic family, and states that he had his first "really mystical, wonderful, magical" musical experiences as an infant at Houston's St. Anne Church. His father was a scientist contracted to NASA, which caused the family to move often. Basinski says he knew that he was gay from an ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Journalism
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
