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EC Was Here
''E. C. Was Here'' is a 1975 album by Eric Clapton. It was recorded live in 1974 and 1975 at the Nassau Coliseum, Uniondale, New York, Long Beach Arena, the Hammersmith Odeon, and the Providence Civic Center by Record Plant Remote during Clapton's first tour since Derek and the Dominos in 1970. An expanded version was included as discs 3 and 4 of ''Give Me Strength: The 1974/1975 Recordings''. Track listing ;Side one #"Have You Ever Loved a Woman" (Billy Myles) (Long Beach Arena, Long Beach, California, 19 July 1974) – 7:52 #" Presence of the Lord" (Eric Clapton) (Long Beach Arena, Long Beach, California, 20 July 1974) – 6:40 #"Driftin' Blues" (Johnny Moore, Charles Brown, Eddie Williams) (Long Beach Arena, Long Beach, California, 20 July 1974) – 3:25 (LP)/11:43 (CD) ;Side two #"Can't Find My Way Home" (Steve Winwood) (Long Beach Arena, Long Beach, California, 19 July 1974) – 5:20 #" Ramblin' on My Mind" (Robert Johnson) (Hammersmith Odeon, London, 4 December 1974) – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Myles
William Myles Nobles (August 29, 1924 – October 9, 2005), known as Billy Myles, was an American R&B songwriter and singer active in the 1950s and 1960s. He is best known for writing "Tonight, Tonight" recorded by The Mello-Kings, "(You Were Made for) All My Love" recorded by Jackie Wilson (1960), and "Have You Ever Loved A Woman" recorded by Freddie King (1960), then Eric Clapton (1970). History Billy Myles specialised in love ballads (sometimes in the doo-wop style) and 'Uptown Blues' songs, occasionally co-writing with vocalists such as Jackie Wilson and Brook Benton. Artists who recorded his songs include Wilson, Benton, Little Willie John, Freddie King and Gladys Knight. He has over 1170 works registered with the collecting society BMI. Billy Myles recorded singles for labels Ember, Dot and King, though his only chart hit was " The Joker (That's What They Call Me)", which charted in the U.S. and Canada (US Pop #25, R&B #13) in 1957. He was working as a staff songwr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Shot The Sheriff
"I Shot the Sheriff" is a song written by Jamaican reggae musician Bob Marley and released in 1973 with his band Bob Marley and the Wailers. Bob Marley and the Wailers version The song was first released in 1973 on The Wailers' album '' Burnin'''. Marley explained his intention as follows: "I want to say 'I shot the police' but the government would have made a fuss so I said 'I shot the sheriff' instead… but it's the same idea: justice." In 1992, with the controversy surrounding the Ice-T song " Cop Killer", Marley's song was often cited by Ice-T's supporters as evidence of his detractors' hypocrisy, considering that the older song was never similarly criticised despite having much the same theme. In 2012, Marley's former girlfriend Esther Anderson claimed that the lyrics, "Sheriff John Brown always hated me / For what, I don't know / Every time I plant a seed / He said, 'Kill it before it grow'" are actually about Marley being very opposed to her use of birth control pil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross Road Blues
"Cross Road Blues" (also known as "Crossroads") is a blues song written and recorded by American blues artist Robert Johnson in 1936. Johnson performed it as a solo piece with his vocal and acoustic slide guitar in the Delta blues-style. The song has become part of the Robert Johnson mythology as referring to the place where he supposedly sold his soul to the Devil in exchange for his musical talents, although the lyrics do not contain any specific references. Bluesman Elmore James revived the song with recordings in 1954 and 1960–1961. English guitarist Eric Clapton with Cream popularized the song as "Crossroads" in the late 1960s. Their blues rock interpretation inspired many cover versions and the Rock and Roll Hall of Fame included it as one of the "500 Songs That Shaped Rock and Roll". ''Rolling Stone'' placed it at number three on the magazine's list of the "Greatest Guitar Songs of All Time" in recognition of Clapton's guitar work. Recording In October 1936, Johnson audi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Have You Ever Loved A Woman
"Have You Ever Loved a Woman" is a blues song written by Billy Myles and first recorded by American blues artist Freddie King in 1960. The song is performed as a slow 12-bar blues with King's vocal and guitar accompanied by a small combo of pianist Sonny Thompson, bassist Bill Willis, and drummer Phillip Paul. When the song was released as a single by Federal Records in 1961, only the B-side, "You've Got to Love Her with a Feeling", reached the ''Billboard'' Hot 100 chart. The song was included on King's first album, ''Freddy King Sings'', also issued by Federal in 1961. Eric Clapton renditions "Have You Ever Loved a Woman" later became a part of English guitarist-singer Eric Clapton's repertoire, with several recorded versions. The first was a live rendition in 1965 while he was a member of John Mayall & the Bluesbreakers (''Primal Solos'', released 1977); then a studio version with Derek and the Dominos (''Layla and Other Assorted Love Songs'', 1970); and later live recording ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Robey
Don Deadric Robey (November 1, 1903 – June 16, 1975) was an American record label executive, songwriter, and record producer. As the founder of Peacock Records and the eventual owner of Duke Records, he was responsible for developing the careers of many rhythm and blues artists in the 1950s and 1960s. He was the first African American record mogul, 10 years prior to Berry Gordy's Motown label (though the first Black-owned label, Black Swan Records, belonged to Harry Pace in the 1920s). Robey was notorious for his controversial business practices; he reputedly used criminal means, including violence and intimidation, as part of his business model, though he was held in high regard by some of the musicians who worked for him. He was credited with writing or co-writing many of the songs recorded by Duke/Peacock artists, either under his real name, or under the pseudonym of Deadric Malone. However in many cases, he was merely a publisher and was not involved in the writing. Many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Medwick (blues Musician)
Joe Medwick (June 21, 1931Roger Wood, "Veasey, Medwick N. (Joe Medwick)," Handbook of Texas Online, Texas State Historical Association Retrieved 30 June 2014Bob Eagle and Eric LeBlanc, "Blues: A Regional Experience." Praeger: Santa Barbara, CA, 2013: p400. – April 12, 1992), probably born Medwick N. Veasey though some sources suggest Joe Medwick MastersJohn Ridley, "Joe Medwick", ''SirShambling.com'' Retrieved 30 June 2014 or Joe Medwick Veasey, was an American |
Farther Up The Road
"Farther Up the Road" or "Further On Up the Road" is a blues song first recorded in 1957 by Bobby "Blue" Bland. It is an early influential Texas shuffle and features guitar playing that represents the transition from the 1940s blues style to the 1960s blues-rock style. The song became Bland's first record chart success and one of his best-known tunes. As a blues standard, "Farther Up the Road" has been performed and recorded by numerous blues and other artists, including Eric Clapton who has made it part of his repertoire. In 2022, Bland's recording was inducted into the Blues Hall of Fame in the 'Classics of Blues Recording – Singles' category. Background The songwriting for "Farther Up the Road" is credited to Joe Medwick Veasey, a Houston-area independent songwriter/broker, and Duke Records owner Don Robey. In an interview, blues singer Johnny Copeland claimed he and Medwick wrote the song in one night; Medwick then sold it the next day to Robey, with Robey taking Cope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Johnson (musician)
Robert Leroy Johnson (May 8, 1911August 16, 1938) was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Although his recording career spanned only seven months, he is now recognized as a master of the blues, particularly the Delta blues style, and is also one of the most influential musicians of the 20th century. The Rock and Roll Hall of Fame describes him as being "the first ever rock star". As a traveling performer who played mostly on street corners, in juke joints, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. He participated in only two recording sessions, one in San Antonio in 1936, and one in Dallas in 1937, that produced 29 distinct songs (with 13 surviving alternate takes) recorded by famed Country Music Hall of Fame producer Don Law. These songs, reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Winwood
Stephen Lawrence Winwood (born 12 May 1948) is an English musician, singer, and songwriter whose genres include blue-eyed soul, rhythm and blues, blues rock, and pop rock. Though primarily a keyboard player and vocalist prominent for his distinctive, soulful high tenor voice, Winwood plays other instruments proficiently, including drums, mandolin, guitar, bass, and saxophone. Winwood was an integral member of three seminal musical ensembles of the 1960s and 1970s: the Spencer Davis Group, Traffic, and Blind Faith. Beginning in the 1980s, his solo career flourished and he had a number of hit singles, including "While You See a Chance" (1980) from the album ''Arc of a Diver'' and "Valerie" (1982) from ''Talking Back to the Night'' ("Valerie" became a hit when it was re-released with a remix from Winwood's 1987 compilation album ''Chronicles''). His 1986 album ''Back in the High Life'' marked his career zenith, with hit singles including "Back in the High Life Again", "The Finer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Can't Find My Way Home
"Can't Find My Way Home" is a song written by Steve Winwood that was first released by Blind Faith on their 1969 album ''Blind Faith''. ''Rolling Stone'', in a review of the album, noted that the song featured "Ginger Baker's highly innovative percussion" and judged the lyric "And I'm wasted and I can't find my way home" to be "delightful". Cover versions The song has been covered by many musicians. Brazilian singer and tropicalist composer Gilberto Gil recorded it on his 1971 studio album "Gilberto Gil" (a live version appeared as bonus track on CD as well). American blues guitarist Bonnie Raitt sang the song during her 1972 concert series. A bootleg recording with Raitt, Lowell George, John P. Hammond and Freebo has more than five million views on YouTube. Eric Clapton tapped Yvonne Elliman to sing the song during his 1976–77 concert tours, giving her the stage while he took a break. American glam metal band House of Lords covered the song on their 1990 album '' Sahara'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
