|
Eyes Of The Mind
''Eyes of the Mind'' is the fifth album and the fourth studio album by Casiopea, released in 1981. The album was recorded in Los Angeles. Track listing All Arranged by Casiopea and Harvey Mason except "Space Road" arranged by Kenny Mason. Personnel CASIOPEA are :Issei Noro - Electric Guitar (YAMAHA SG-2000 & SG-1000 Fretless) :Minoru Mukaiya - keyboards ( Fender Rhodes 73, Roland VP-330, Prophet-5, Yamaha GS-1, Mini Moog, Polymoog, ARP 2600, Korg 800 DV, Korg Trident) :Tetsuo Sakurai - Bass (YAMAHA BB-2000) :Akira Jimbo - drums (YAMAHA YD-9000R) Guest Players: * Harvey Mason - Percussion * Paulinho Da Costa - Percussion Synthesizer arrangements for "Magic Ray", "Black Joke" and "Take Me" by Bob James. Synthesizer programming for "Magic Ray", "Black Joke" and "Take Me" by Michael Boddicker. Production * Producer - Harvey Mason *Associate Producer - Kenny Mason *Engineers - Peter Chaikin *Assistant Engineers - Terry Moore *Project Coordinators - Shunsuke Miyazumi, Hide kat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland VP-330
The Roland VP-330 is a paraphonic ten band vocoder and string machine manufactured by Roland Corporation from 1979 to 1980. While there are several string machines and vocoders, a single device combining the two is rare, despite the advantage of paraphonic vocoding, and the VP-330's synthetic choir sounds are unique. Despite the VP-330's electronic string and choir sounds being less realistic than those of the tape-based Mellotron, touring musicians used it as a lighter and more robust alternative. The Roland SVC-350 is a similar vocoder in rack-mount form designed to accept external inputs. Architecture In addition to vocoding and generating string sounds, the VP-330 can also play four different choir sounds, each of which uses four bandpass filters, shared from the same pool of seven total. Like Roland's other string machines of the era, such as the RS-202, it features a BBD-based ensemble effect that thickens the strings, and optionally the choirs and vocoder. Notable ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liner Notes
Liner notes (also sleeve notes or album notes) are the writings found on the sleeves of LP record albums and in booklets that come inserted into the compact disc jewel case or the equivalent packaging for cassettes. Origin Liner notes are descended from the program notes for musical concerts, and developed into notes that were printed on the inner sleeve used to protect a traditional 12-inch vinyl record, i.e., long playing or gramophone record album. The term descends from the name "record liner" or "album liner". Album liner notes survived format changes from vinyl LP to cassette to CD. These notes can be sources of information about the contents of the recording as well as broader cultural topics. Contents Common material Such notes often contained a mix of factual and anecdotal material, and occasionally a discography for the artist or the issuing record label. Liner notes were also an occasion for thoughtful signed essays on the artist by another party, often a sympathetic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Boddicker
Michael Lehmann Boddicker (born January 19, 1953) is an American film composer and session musician, specializing in electronic music. He is a three times National Academy of Recording Arts and Sciences (N.A.R.A.S.) Most Valuable Player "Synthesizer" and MVP Emeritus, he was awarded a Grammy as a songwriter for "Imagination" from ''Flashdance'' in 1984. He is the president of The Lehmann Boddicker Group. Early life and education Boddicker grew up in Cedar Rapids, Iowa. His parents, Arlene Estelle (née Reyman) and Gerald "Jerry" Valentine Boddicker operated a music school and store in Cedar Rapids, which served students in all of Eastern Iowa. His mother was a nationally recognized accordionist. While still attending Jefferson High School in Cedar Rapids in 1971, Boddicker enrolled full-time at the local Coe College, studying electronic music. By 1972, he continued studies at Coe College, focused on music composition and he started taking jazz studies at the University of Wis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akira Jimbo
, is a Japanese jazz fusion drummer who combines electronic drum technology and acoustic drums. Aside from his solo work, he was the drummer for the Japanese jazz fusion band Casiopea and had participated in side projects with Keiko Matsui, Shambara, and Brian Bromberg. Background Akira Jimbo began drumming at the age of 18 when he joined the Keio University Light Music Society Big Band. He became a member of Casiopea in 1980. During his solo career, he formed Jimsaku-duo with Casiopea's bassist Tetsuo Sakurai in 1989. He has also worked with Hiroyuki Noritake from T-Square in the drum-duo Synchronized DNA. Jimbo has a drumming style which is best demonstrated in his drum videos and at his drum clinics. By using the DTX drum triggering system, he is able to play a full band sound without a backing track. Jimbo has assisted in the design of K Custom Hybrid Series of cymbals by Zildjian. His drum hero is Steve Gadd. In 1999, he won second place in the British drum magazine ''RHY ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetsuo Sakurai
is a Japanese bassist. To date, he has released a total of 37 albums as a member of Casiopea and Jimsaku and solo artist, and has also made 3 bass instructional videos. History Tetsuo Sakurai started playing bass when he was 13 years old. In 1976, Sakurai, with Issei Noro, founded jazz fusion band Casiopea. He released 19 albums while in Casiopea but later left the band with Akira Jimbo in 1989 over musical differences. Both of them then went on to form a new jazz fusion supergroup, Jimsaku. Jimsaku was active for nine years, until 1998, when it was disbanded and both Sakurai and Jimbo went on to pursue individual solo careers. Solo Sakurai's third solo album ''TLM20'', released in 2000, was recorded live in a concert with Casiopea members Issei Noro and Minoru Mukaiya, Akira Jimbo, and Kazuki Katsuta of Dimension. The fourth solo album ''Gentle Hearts'', released in 2001, was recorded with Greg Howe & Dennis Chambers. The fifth solo album ''Cartas do Brasil'' was released in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korg
, founded as Keio Electronic Laboratories, is a Japanese multinational corporation that manufactures electronic musical instruments, audio processors and guitar pedals, recording equipment, and electronic tuners. Under the Vox brand name, they also manufacture guitar amplifiers and electric guitars. History Korg was founded in 1962 in Tokyo by Tsutomu Kato and Tadashi Osanai as ''Keio Gijutsu Kenkyujo Ltd.''. It later became because its offices were located near the Keio train line in Tokyo and Keio can be formed by combining the first letters of Kato and Osanai. Before founding the company, Kato ran a nightclub. Osanai, a Tokyo University graduate and noted accordionist, regularly performed at Kato's club accompanied by a Wurlitzer Sideman rhythm machine. Dissatisfied with the rhythm machine, Osanai convinced Kato to finance his efforts to build a better one.Julian Colbeck, Keyfax Omnibus Edition, MixBooks, 1996, p. 52. The company's first product was an electro-mech ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ARP 2600
The ARP 2600 is a semi-modular analog subtractive audio synthesizer produced by ARP Instruments, Inc. History Developed by a design team headed by ARP namesake Allen R. Pearlman and engineer Dennis Colin, the ARP 2600 was introduced in 1971 as the successor to ARP's first instrument, the ARP 2500, at a retail price of US$2600. Unlike other modular systems of the time, which required modules to be purchased individually and wired by the user, the 2600 was semi-modular with a fixed selection of basic synthesizer components internally pre-wired, with clear text labels and front panel screen printed graphics indicating the function of different sections of controls, and the signal flow between them. The 2600 was thus ideal for musicians new to synthesis, due to its ability to be operated either with or without patch cords. On its initial release it was heavily marketed to high schools and universities. Features and architecture The ARP 2600 features three VCOs, a 4-pole (24 dB ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Korg")
