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Everytime We Touch (Cascada Song)
"Everytime We Touch" is a song by German techno and Eurodance trio Cascada, taken from their 2007 debut album of the same name. It was written, composed, and produced by the band's DJs, Manian and Yanou; however, the only writing/composing credits were given to Maggie Reilly, Stuart Mackilliop, and Peter Risavy, as the song borrows the chorus from Reilly's single of the same name. "Everytime We Touch" was first released in the United States on 16 August 2005 by Robbins Entertainment. It was later released internationally in association with other dance music labels including Zooland Records and All Around the World and Universal Music Group following its success in the United States. Musically, the song was composed as a Eurodance track with a pulsating synthesizer, jackhammer beat, and Europop lyrics. The song was met with generally positive reviews from critics, with the majority of them praising its dance-pop sound and its potential appeal to the American market. "Everytime ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cascada
Cascada (, Spanish for "Waterfall", stylized as CASCADA, CASC''A''DA and cascada) is a German dance music act founded in 2004 by singer Natalie Horler and DJs/producers DJ Manian and DJ Yanou. They are best known for their hit singles " Everytime We Touch", "What Hurts the Most", " Evacuate the Dancefloor", and "Miracle". Cascada represented Germany at the Eurovision Song Contest 2013 in Malmö, Sweden with " Glorious". While being one of the most successful acts of the dance music genre itself, Cascada was named as the 3rd most successful German act of the 21st century. In 2010, Cascada's music was the second most downloaded of all time in the dance category after David Guetta. In 2018, Cascada had more than a billion views on YouTube including over 100 million views for their hit " Everytime We Touch". Music career 2004–2005: Early career When Natalie Horler was 17 in 1998, she was doing studio work for various DJs. Eventually, she met Yanou and DJ Manian. At that time Ya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance-pop
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B♭ (musical Note)
B (B-flat) is the eleventh step of the Western chromatic scale (starting from C). It lies a diatonic semitone above A and a chromatic semitone below B, thus being enharmonic to A, even though in some musical tunings, B will have a different sounding pitch than A. B-flat is also enharmonic to C (C-double flat). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of the B above middle C is approximately 466.164 Hz. See pitch (music) for a discussion of historical variations in frequency. While orchestras tune to an A provided by the oboist, wind ensembles usually tune to a B-flat provided by a tuba, horn, or clarinet. In Germany, Russia, Poland and Scandinavia, this pitch is designated B, with 'H' used to designate the B-natural. Since the 1990s, B-flat is often denoted Bb or "Bess" instead of B in Swedish music textbooks. Natural B is called B by Swedish jazz and pop musicians, but still denoted H in classical music. See B (mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A♭ (musical Note)
A (A-flat; also called la bémol) is the ninth semitone of the solfège. It lies a diatonic semitone above G and a chromatic semitone below A, thus being enharmonic to G, even though in some musical tunings, A will have a different sounding pitch than G. When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of the A above middle C (or A4) is approximately 415.305 Hz. See pitch (music) for a discussion of historical variations in frequency. The notes A and G are the only notes to have only one enharmonic, since they cannot be reached in any other way by a single or double sharp or a single or double flat from any of the seven white notes. Designation by octave Scales Common scales beginning on A * A major: A B C D E F G A * A natural minor: A B C D E F G A * A harmonic minor: A B C D E F G A * A melodic minor ascending: A B C D E F G A * A melodic minor descending: A G F E D C B A Diatonic scales * A Ionian: A B C D E F G A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peer International (music Publishing)
Ralph Sylvester Peer (May 22, 1892 – January 19, 1960) was an American talent scout, recording engineer, record producer and music publisher in the 1920s and 1930s. Peer pioneered field recording of music when in June 1923 he took remote recording equipment south to Atlanta, Georgia, to record regional music outside the recording studio in such places as hotel rooms, ballrooms, or empty warehouses. Career Peer, born in Independence, Missouri, spent some years working for Columbia Records, in Kansas City, Missouri, until 1920, when he was hired as recording director of General Phonograph's OKeh Records label in New York. In the same year, he supervised the recording of Mamie Smith's " Crazy Blues", the first blues recording specifically aimed at the African-American market. In 1924, he supervised the first commercial recording session in New Orleans, Louisiana, recording jazz, blues, and gospel music groups there. He is also credited with what is often called the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F Minor
F minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp minor, has eight sharps, including the double sharp F, which makes it impractical to use. The F natural minor scale is : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F harmonic minor and melodic minor scales are : : Music in F minor Famous pieces in the key of F minor include Beethoven's ''Appassionata Sonata'', Chopin's Piano Concerto No. 2, Ballade No. 4, Haydn's Symphony No. 49, ''La Passione'' and Tchaikovsky’s Symphony No. 4. Glenn Gould once said if he could be any key, he would be F minor, because "it's rather dour, halfway between complex and stable, between upright and lascivious, between gray and highly tinted... There is a certain obliquen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music. The group features a '' tonic note'' and its corresponding ''chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same group, their corresponding chords, and pitches and chords outside the group. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified, e.g., "This piece is in C" implies that the key of the song is C major. Popular songs are usually in a key, and so is classical music during the common practice period, around 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sony/ATV Music Publishing
Sony Music Publishing (formerly Sony/ATV Music Publishing) is the largest music publisher in the world, with over five million songs owned or administered as of end March 2021. US-based, it is part of the Sony Music Group, which is itself owned by Sony Entertainment. The company was formed as Sony/ATV in 1995 by the merger of the original incarnation of Sony Music Publishing and ATV Music, which was owned by entertainer Michael Jackson. Jackson had purchased ATV Music, which included the Lennon–McCartney song catalog, in 1985. In 2012, an investor consortium led by Sony/ATV Music Publishing acquired EMI Music Publishing to become the largest music publishing administrator in the world, with a library of over three million songs. In April 2019, Jon Platt became CEO/Chairman of Sony/ATV Music Publishing after the contract of longtime CEO/Chairman Martin Bandier expired. In August 2019, management of Sony/ATV Music Publishing and Sony Music Entertainment were merged under the ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizers
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 1964 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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