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Everything's Coming Up Rosie
''Everything's Coming Up Rosie'' is a 1977 studio album by the American jazz singer Rosemary Clooney. It was the first solo album that Clooney released on Concord Records. The title is a reference to the 1959 song "Everything's Coming up Roses". On the album, Clooney is accompanied by a quintet of jazz musicians. The album marked the beginning of a fifteen year recording and performance partnership with tenor saxophonist Scott Hamilton. Background ''Everything's Coming Up Rosie'' followed two albums recorded in 1975-1976 for United Artists. The United Artist records featured country and contemporary popular songs, and were an attempt to revive Clooney's career after several years outside of the music industry. Neither of the United Artists records were financially successful, and Clooney was dropped from the label. Signing with Concord, an independent label that specialized in mainstream swing and jazz, Clooney began working in a small-group swing setting, singing mostly tradit ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Edward Eliscu
Edward Eliscu (April 2, 1902 – June 18, 1998) was an American lyricist, playwright, producer and actor, and a successful writer of songs for films. Life Eliscu was born in Manhattan, New York City. He attended DeWitt Clinton High School in Manhattan as a classmate of director George Cukor. He then attended City College of New York and graduated with a Bachelor of Science degree. He then began acting in Broadway plays. Eliscu's first film score was with Vincent Youmans and Billy Rose for the film '' Great Day''. Two well-known songs from that show include "More Than You Know," and "Without a Song." He married the dancer and journalist Stella Bloch in 1931. They both worked in the film industry until the House Committee on Un-American Activities named her husband in the 1950s. This ended his career in the film and later in the television industry.St ...
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As Time Goes By (song)
"As Time Goes By" is a jazz song written by Herman Hupfeld in 1931. It became famous when it was featured in the 1942 Warner Bros. film ''Casablanca'', performed by Dooley Wilson as Sam. The song was voted No. 2 on the AFI's 100 Years...100 Songs special, commemorating the best songs in film (only surpassed by " Over the Rainbow" by Judy Garland). The song has since become the signature tune of Warner Bros. and used as such in the production logos at the beginning of many Warner Bros. films since January 16, 1998 with ''Fallen'' as part of the 75th-anniversary opening montage before the feature presentation trailers for the movie theatre chains and the main on-screen logo since February 12, 1999 with ''Message in a Bottle'', as well as the closing logos to most Warner Bros. Television Studios shows since fall 2003 with ''Two and a Half Men'', and preexisting shows also switching over from a previous theme that had been used since 1994. The song was covered by Jimmy Durante, L ...
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Jerry Ross (composer)
Jerry Ross (born Jerold Rosenberg; March 9, 1926 – November 11, 1955) was an American lyricist and composer whose works with Richard Adler for the musical theater include ''The Pajama Game'' and ''Damn Yankees'', winners of Tony Awards in 1955 and 1956, respectively, in both the "Best Musical" and "Best Composer and Lyricist" categories. Biography Jerold Rosenberg was born in the Bronx to a Russian-Jewish household, to immigrant parents, Lena and Jacob Rosenberg, in the Bronx, New York City. Growing up, he was a professional singer and actor in the Yiddish theater. "Jerry Ross Biography"
AllMusic. Retrieved August 3, 2018
Following high school, he studied at under ...
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Richard Adler
Richard Adler (August 3, 1921 – June 21, 2012) was an American lyricist, writer, composer and producer of several Broadway shows. Life and career Adler was born in New York City, the son of Elsa Adrienne (née Richard) and Clarence Adler. His mother was a debutante from Mobile, Alabama. Adler had a musical upbringing, his father being a renowned Jewish concert pianist, as well as teacher of such composers as Aaron Copland. He graduated from the University of North Carolina at Chapel Hill in 1943 and served in the U.S. Naval Reserve during World War II. After his Navy service he began his career as a lyricist, teaming up with Jerry Ross in 1950. As a duo they worked in tandem, both taking credit for lyrics and music. Adler and Ross Years (1950–1955) After establishing their partnership, Adler and Ross quickly became protégés of composer, lyricist and publisher Frank Loesser. Their first notable composition was the song "Rags to Riches", which was recorded by Tony Bennet ...
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Hey There
"Hey There" is a show tune from the musical play ''The Pajama Game,'' written by Richard Adler and Jerry Ross. It was published in 1954. It was introduced by John Raitt in the original production. In the show, Sid sings it to a recording device, telling himself that he's foolish to continue his advances to Babe. He plays the tape back, and after responding to his own comments, sings a duet with himself. 1954 recordings It was subsequently recorded by a number of artists: *The recording by Rosemary Clooney reached No. 1 on ''Billboards chart in 1954. *Another version was also recorded at about the same time by Sammy Davis Jr., reaching No. 16 on ''Billboards retail chart. *Another 1954 version by Johnnie Ray peaked on the ''Billboard'' chart at No. 27. The song (counting all recorded versions) also reached No. 1 on the ''Cash Box'' chart in 1954. Popular culture *A popular edit of the single is in BBC One's ''Only Fools and Horses'', in the episode " Tea for Three", when Unc ...
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I've Got A Crush On You
"I've Got a Crush on You" is a song composed by George Gershwin, with lyrics by Ira Gershwin. It is unique among Gershwin compositions in that it was used for two different Broadway productions: ''Treasure Girl'' (1928), when it was introduced by Clifton Webb and Mary Hay, and '' Strike Up the Band'' (1930), when it was sung by Doris Carson and Gordon Smith. It was later included in the tribute musical '' Nice Work If You Can Get It'' (2012), in which it was sung by Jennifer Laura Thompson. When covered by Frank Sinatra he was a part of Columbia records. It is considered a jazz standard, primarily of the vocal repertoire, thanks to recordings by singers such as Frank Sinatra, Sarah Vaughan and Ella Fitzgerald. Instrumental versions have also been recorded by Nat Adderley, Ike Quebec and others. Notable recordings *Lee Wiley, recorded on November 15, 1939 for Liberty Music Shop Records. She recorded it again in 1950 and it was included in her album ''Night in Manhattan''. *Joe ...
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George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera ''Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inq ...
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A Foggy Day
"A Foggy Day" is a popular song composed by George Gershwin, with lyrics by Ira Gershwin. The song was introduced by Fred Astaire in the 1937 film '' A Damsel in Distress''. It was originally titled "A Foggy Day (In London Town)" in reference to the pollution-induced pea soup fogs that were common in London during that period, and is often still referred to by the full title. The commercial recording by Astaire for Brunswick was very popular in 1937. Other recordings * Frank Sinatra – ''Songs for Young Lovers'' (1953) *Ella Fitzgerald on her Ella Fitzgerald Sings the George and Ira Gershwin Song Book from Verve Records, 1959. * Charles Mingus – '' Pithecanthropus Erectus'' (1956) * Louis Armstrong with Ella Fitzgerald – ''Ella and Louis'' (1956) * Billie Holiday – ''Songs for Distingué Lovers'' (1957) * Red Garland – ''Red Garland at the Prelude'' (1959) * Frank Sinatra — ''Ring-a-Ding-Ding!'' (1961) * Judy Garland — ''Judy at Carnegie Hall'' (1961) * George Ben ...
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Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as "I Got Rhythm", "Embraceable You", " The Man I Love" and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is an important source for studying t ...
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Vernon Duke
Vernon Duke ( 16 January 1969) was a Russian-born American composer/songwriter who also wrote under his birth name, Vladimir Dukelsky. He is best known for "Taking a Chance on Love," with lyrics by Ted Fetter and John Latouche (1940), "I Can't Get Started," with lyrics by Ira Gershwin (1936), " April in Paris," with lyrics by E. Y. ("Yip") Harburg (1932), and "What Is There To Say," for the ''Ziegfeld Follies'' of 1934, also with Harburg. He wrote the words and music for " Autumn in New York" (1934) for the revue '' Thumbs Up!'' In his book, ''American Popular Song, The Great Innovators 1900-1950'', composer Alec Wilder praises this song, writing, “The verse may be the most ambitious I’ve ever seen." Duke also collaborated with lyricists Johnny Mercer, Ogden Nash, and Sammy Cahn. Early life Vladimir Aleksandrovich Dukelsky (Russian: Владимир Александрович Дукельский) was born in 1903 into a Belarusian noble family in the village of Parfyan ...
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I Can't Get Started
"I Can't Get Started", also known as "I Can't Get Started with You" or "I Can't Get Started (with You)", is a popular song. It was written in 1936 by Vernon Duke (music) and Ira Gershwin (lyrics) and introduced that year in the film ''Ziegfeld Follies of 1936'', where it was performed by Bob Hope and Eve Arden. Hal Kemp and his Orchestra recorded it and it had a bit of popularity, rising briefly to 14th place on the recording charts. Bunny Berigan's 1937 version was inducted into the Grammy Hall of Fame. Recordings Ira Gershwin noted in 1959 that "The sheet-music sale of the song never amounted to much... but an early recording by Bunny Berigan—considered by jazz devotees a sort of classic in its field—may have been a challenge (or incentive) for the great number of recordings that have followed. Not a year has gone by, in the past fifteen or so, that up to a dozen or more new recordings haven't been issued." Bunny Berigan Bunny Berigan, a trumpeter with Benny Goodman and Tom ...
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