Eustache Du Caurroy
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Eustache Du Caurroy
François-Eustache du Caurroy (baptised February 4, 1549 – August 7, 1609) was a French composer of the late Renaissance. He was a prominent composer of both secular and sacred music at the end of the Renaissance, including '' musique mesurée'', and he was also influential on the foundation of the French school of organ music as exemplified in the work of Jean Titelouze. Life According to Jean-Benjamin de La Borde, writing in 1780, Du Caurroy was born in Gerberoy and was baptised in Beauvais. He probably entered royal service around 1569, and in 1575 is first mentioned in documents from the royal court, when he won a song competition: he was to win two more, in 1576 and 1583, for a motet and a chanson respectively. He became ''sous-maître de la chapelle royale'', a post which he held until 1595, at which time he was appointed to be official composer of the royal chamber; in 1599 he also acquired the post of composer at the royal chapel. Du Caurroy accumulated wealth and hon ...
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Music Of France
In France, music reflects a diverse array of styles. In the field of classical music, France has produced several prominent romantic composers, while folk and popular music have seen the rise of the chanson and cabaret style. The earliest known sound recording device in the world, the phonautograph, was patented in France by Édouard-Léon Scott de Martinville in 1857. France is also the 5th largest market by value in the world, and its music industry has produced many internationally renowned artists, especially in the nouvelle chanson and electronic music. Classical music Medieval French music history dates back to organum in the 10th century, followed by the Notre Dame School, an organum composition style. Troubadour songs of chivalry and courtly love were composed in the Occitan language between the 10th and 13th centuries, and the Trouvère poet-composers flourished in Northern France during this period. The fiddle was their instrument of choice. By the end of the 12th c ...
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Jean-Antoine De Baïf
Jean Antoine de Baïf (; 19 February 1532 – 19 September 1589) was a French poet and member of the '' Pléiade''. Life Jean Antoine de Baïf was born in Venice, the natural son of the scholar Lazare de Baïf, who was at that time French ambassador at Venice. Thanks, perhaps, to the surroundings of his childhood, he grew up an enthusiast for the fine arts, and surpassed in zeal all the leaders of the Renaissance in France. His father spared no pains to secure the best possible education for his son. The boy was taught Latin by Charles Estienne, and Greek by Ange Vergèce, the Cretan scholar and calligraphist who designed Greek types for Francis I. When he was eleven years old he was put under the care of the famous Jean Daurat. Ronsard, who was eight years his senior, now began to share his studies. Claude Binet tells how young Baïf, bred on Latin and Greek, smoothed out the tiresome beginnings of the Greek language for Ronsard, who in return initiated his companion into th ...
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French Classical Composers
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * Frenc ...
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Gustave Reese
Gustave Reese ( ; 29 November 1899 – 7 September 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) and ''Music in the Renaissance'' (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source. Early life and education Reese was born in New York City on 29 November 1899. He was an avid scholar and had interests in many areas outside music, including art, architecture, and literature. He studied law at New York University, graduating in 1921. Though he was admitted to the New York State Bar, he opted to re-enroll and pursue a Bachelor of Music from NYU, which he received in 1930. Career In 1927, however, he was already teaching classes at the university in medieval and Renaiss ...
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French Organ School
The French organ school formed in the first half of the 17th century. It progressed from the strict polyphonic music of Jean Titelouze (c. 1563–1633) to a unique, richly ornamented style with its own characteristic forms that made full use of the French classical organ. Instrumental in establishing this style were Louis Couperin (c. 1626–1661), who experimented with structure, registration and melodic lines, expanding the traditional polyphonic forms, and Guillaume-Gabriel Nivers (1632–1714), who established the distinct forms and styles of what was to become the French organ tradition. Characteristic forms and nomenclature French organ composers cultivated four major genres: masses, hymns, suites and noëls. Noëls are variations on Christmas carols, whereas the first three genres were all realized as collections of brief pieces in various characteristic forms. Such forms included the following: * Récit: a piece in which a single voice emerges soloistically above ...
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Fantasia (music)
A fantasia (; also English language, English: ''fantasy'', ''fancy'', ''fantazy'', ''phantasy'', german: Fantasie, ''Phantasie'', french: fantaisie) is a musical composition with roots in improvisation. The fantasia, like the impromptu, seldom follows the textbook rules of any strict musical form. History The term was first applied to music during the 16th century, at first to refer to the imaginative musical "idea" rather than to a particular compositional genre. Its earliest use as a title was in German keyboard manuscripts from before 1520, and by 1536 is found in printed tablatures from Spain, Italy, Germany, and France. From the outset, the fantasia had the sense of "the play of imaginative invention", particularly in lute or vihuela composers such as Francesco Canova da Milano and Luis de Milán. Its form and style consequently ranges from the freely improvisatory to the strictly contrapuntal, and also encompasses more or less standard sectional forms. One of the most impo ...
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Harmonie Universelle
''Harmonie universelle'' ("Universal Harmony"; complete title: ''Harmonie universelle, contenant la théorie et la pratique de la musique'') is a work by Marin Mersenne, published in Paris in 1636. It represented the sum of musical knowledge during his lifetime. This was a major work since it represented the most complete description of music theory near the middle of the 17th century in France. It covers all aspects including theoretical, practical, stylistic, organological, mathematical, acoustical, and theological. Content The title page specifies the scope of the topics covered by the book including the nature of sounds, movements, consonance, dissonance, genres, modes of composition, voice, singing, and all kinds of harmonic instruments. This monumental treatise is abundant in illustrations (including musical engravings), and in systematic tables. It also remains the only source of certain musical works from Jacques Mauduit, Eustache Du Caurroy, Antoine de Sewn, or Pierre de ...
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Marin Mersenne
Marin Mersenne, OM (also known as Marinus Mersennus or ''le Père'' Mersenne; ; 8 September 1588 – 1 September 1648) was a French polymath whose works touched a wide variety of fields. He is perhaps best known today among mathematicians for Mersenne prime numbers, those which can be written in the form for some integer . He also developed Mersenne's laws, which describe the harmonics of a vibrating string (such as may be found on guitars and pianos), and his seminal work on music theory, ''Harmonie universelle'', for which he is referred to as the "father of acoustics". Mersenne, an ordained Catholic priest, had many contacts in the scientific world and has been called "the center of the world of science and mathematics during the first half of the 1600s" and, because of his ability to make connections between people and ideas, "the post-box of Europe". He was also a member of the Minim religious order and wrote and lectured on theology and philosophy. Life Mersenne was ...
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Saint Denis Basilica
The Basilica of Saint-Denis (french: Basilique royale de Saint-Denis, links=no, now formally known as the ) is a large former medieval abbey church and present cathedral in the commune of Saint-Denis, a northern suburb of Paris. The building is of singular importance historically and architecturally as its choir, completed in 1144, is widely considered the first structure to employ all of the elements of Gothic architecture. The basilica became a place of pilgrimage and a necropolis containing the tombs of the Kings of France, including nearly every king from the 10th century to Louis XVIII in the 19th century. Henry IV of France came to Saint-Denis to formally renounce his Protestant faith and become a Catholic. The Queens of France were crowned at Saint-Denis, and the royal regalia, including the sword used for crowning the kings and the royal sceptre, were kept at Saint-Denis between coronations. The site originated as a Gallo-Roman cemetery in late Roman times. The archa ...
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Requiem
A Requiem or Requiem Mass, also known as Mass for the dead ( la, Missa pro defunctis) or Mass of the dead ( la, Missa defunctorum), is a Mass of the Catholic Church offered for the repose of the soul or souls of one or more deceased persons, using a particular form of the Roman Missal. It is usually celebrated in the context of a funeral (where in some countries it is often called a Funeral Mass). Musical settings of the propers of the Requiem Mass are also called Requiems, and the term has subsequently been applied to other musical compositions associated with death, dying, and mourning, even when they lack religious or liturgical relevance. The term is also used for similar ceremonies outside the Roman Catholic Church, especially in Western Rite Orthodox Christianity, the Anglo-Catholic tradition of Anglicanism, and in certain Lutheran churches. A comparable service, with a wholly different ritual form and texts, exists in the Eastern Orthodox and Eastern Catholic church ...
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Henry IV Of France
Henry IV (french: Henri IV; 13 December 1553 – 14 May 1610), also known by the epithets Good King Henry or Henry the Great, was King of Navarre (as Henry III) from 1572 and King of France from 1589 to 1610. He was the first monarch of France from the House of Bourbon, a cadet branch of the Capetian dynasty. He was assassinated in 1610 by François Ravaillac, a Catholic zealot, and was succeeded by his son Louis XIII. Henry was the son of Jeanne III of Navarre and Antoine de Bourbon, Duke of Vendôme. He was baptised as a Catholic but raised in the Protestant faith by his mother. He inherited the throne of Navarre in 1572 on his mother's death. As a Huguenot, Henry was involved in the French Wars of Religion, barely escaping assassination in the St. Bartholomew's Day massacre. He later led Protestant forces against the French royal army. Henry became king of France in 1589 upon the death of Henry III, his brother-in-law and distant cousin. He was the first Fre ...
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