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Eudes De Sully
] Eudes de Sully (french: Odon de Sully, Odo de Sully; la, Odo de Soliaco) (died 1208) was Bishop of Paris, from 1197 to 1208. He is considered to be the first to have put emphasis on the Elevation liturgy during the Catholic Mass. He worked to address many social matters including regulating celebrations in his cathedral. He also tried to ban chess. He founded the abbey that became Port-Royal. Family Eudes de Sully was son of Eudes Archambaud of Sully and Matilda of Baugency. His brother Henry was archbishop of Bourges. Life On the political stage, Eudes came into conflict with Philip II of France, over Philip's intended repudiation of his wife. As a churchman, Eudes continued the building work on Notre Dame de Paris. Eudes is considered the first to have emphasized the elevation of the host during the Catholic Mass. In 1175, Eudes forbade communion for children. Eudes attempted to regulate celebrations in his cathedral, Christmas and the Feast of Fools. He also tried to ban c ...
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Tombeau D'Eudes De Sully
A tombeau (plural tombeaux) is a musical composition (earlier, in the early 16th century, a poem) commemorating the death of a notable individual. The term derives from the French word for "tomb" or "tombstone". The vast majority of tombeaux date from the 17th century and were composed for lute or other plucked string instruments. The genre gradually fell out of use during the 18th century, but reappeared in the early 20th. History "In instrumental music, ''tombeau'' signifies a musical 'tombstone' (French ''le tombeau'' = tomb). The musical genre of the tombeau is generally connected with music for the lute of the 17th and 18th centuries. Of some 60+ surviving pieces, most are intended for the lute or theorbo, 5 for the baroque guitar, 7 for the viola da gamba and 3 for harpsichord. The earliest example of this genre seems to be the ''Tombeau de Mezangeau'' (1638) by French lutenist Ennemond Gaultier." "Musical predecessors are memorial pavans like those by Anthony Holborne ...
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Chess
Chess is a board game for two players, called White and Black, each controlling an army of chess pieces in their color, with the objective to checkmate the opponent's king. It is sometimes called international chess or Western chess to distinguish it from related games, such as xiangqi (Chinese chess) and shogi (Japanese chess). The recorded history of chess goes back at least to the emergence of a similar game, chaturanga, in seventh-century India. The rules of chess as we know them today emerged in Europe at the end of the 15th century, with standardization and universal acceptance by the end of the 19th century. Today, chess is one of the world's most popular games, played by millions of people worldwide. Chess is an abstract strategy game that involves no hidden information and no use of dice or cards. It is played on a chessboard with 64 squares arranged in an eight-by-eight grid. At the start, each player controls sixteen pieces: one king, one queen, two rooks, t ...
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Bishops Of Paris
The Archdiocese of Paris (Latin: ''Archidioecesis Parisiensis''; French: ''Archidiocèse de Paris'') is a Latin Church ecclesiastical jurisdiction or archdiocese of the Catholic Church in France. It is one of twenty-three archdioceses in France. The original diocese is traditionally thought to have been created in the 3rd century by St. Denis and corresponded with the Civitas Parisiorum; it was elevated to an archdiocese on October 20, 1622. Before that date the bishops were suffragan to the archbishops of Sens. History Its suffragan dioceses, created in 1966 and encompassing the Île-de-France region, are Créteil, Evry-Corbeil-Essonnes, Meaux, Nanterre, Pontoise, Saint-Denis, and Versailles. Its liturgical centre is at Notre-Dame Cathedral in Paris. The archbishop resides on rue Barbet de Jouy in the 6th arrondissement, but there are diocesan offices in rue de la Ville-Eveque, rue St. Bernard and in other areas of the city. The archbishop is ordinary for Eastern Cathol ...
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House Of Sully
A house is a single-unit residential building. It may range in complexity from a rudimentary hut to a complex structure of wood, masonry, concrete or other material, outfitted with plumbing, electrical, and heating, ventilation, and air conditioning systems.Schoenauer, Norbert (2000). ''6,000 Years of Housing'' (rev. ed.) (New York: W.W. Norton & Company). Houses use a range of different roofing systems to keep precipitation such as rain from getting into the dwelling space. Houses may have doors or locks to secure the dwelling space and protect its inhabitants and contents from burglars or other trespassers. Most conventional modern houses in Western cultures will contain one or more bedrooms and bathrooms, a kitchen or cooking area, and a living room. A house may have a separate dining room, or the eating area may be integrated into another room. Some large houses in North America have a recreation room. In traditional agriculture-oriented societies, domestic animals such as ...
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Giovanni Domenico Mansi
Gian (Giovanni) Domenico Mansi (16 February 1692 – 27 September 1769) was an Italian prelate, theologian, scholar and historian, known for his massive works on the Church councils. Biography He was born at Lucca, of a patrician family, and died archbishop of that city. At the age of sixteen he entered the Congregation of Clerics Regular of the Mother of God and made his profession in 1710. Except for some journeys made for purposes of study, his whole life, until his appointment as Archbishop of Lucca (1765), was spent in his religious home. In 1758, after a sojourn at Rome, where he had been received by Cardinal Passionei, there was question of elevating him to the Sacred College, but his collaboration in an annotated edition of the famous ''Encyclopédie'' displeased Clement XIII. It should be remarked that the notes in this edition were intended to correct the text. Three years after his elevation to the episcopate he was smitten with an attack of apoplexy which left him s ...
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Apse
In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an ''exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of saints. Hi ...
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François Roger De Gaignières
François Roger de Gaignières (30 December 1642, Entrains-sur-Nohain – 1715, Paris), was a French genealogist, antiquary and collector. Life He was the grandson of a merchant at Lyon and the son of Aimé de Gaignières, secretary to the Count of Harcourt, a member of the Elbeuf branch of the House of Guise. In the late 1660s, he was named ''écuyer'' (equerry) to Louis Joseph, duke of Guise. Residing in a fine new apartment just over the stables of the magnificently renovated Hôtel de Guise, François Roger supervised the duke's riding and oversaw his stables, carriages, and footmen. His immediate neighbors in the stable wing were the respected neo-Latinist and translator Philippe Goibaut, who directed the Guise musical ensemble, and composer Marc-Antoine Charpentier, who wrote for the Guise chapel and salon. After the young duke's death in 1671, François Roger served as ''écuyer'' to Louis Joseph's aunt, Marie de Lorraine, who in 1679 appointed him governor of her princ ...
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Robert De Cotte
Robert de Cotte (1656 – 15 July 1735) was a French architect-administrator, under whose design control of the royal buildings of France from 1699, the earliest notes presaging the Rococo style were introduced. First a pupil of Jules Hardouin-Mansart, he later became his brother-in-law and his collaborator. After Hardouin-Mansart's death, de Cotte completed his unfinished projects, notably the royal chapel at Versailles and the Grand Trianon. Biography Born in Paris, Robert de Cotte began his career as a contractor for masonry, working on important royal projects between 1682 and 1685, when he was made a member of the ''Académie royale d'architecture'' and architect of the Court, ranking third in importance after Mansart's seldom-credited assistant François Dorbay. On his return to France after a six-month sojourn in Italy (1689–1690), in the company of Jacques Gabriel, he became the director of the Manufacture des Gobelins, where not only the famous tapestries, but ...
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Pérotin
Pérotin () was a composer associated with the Notre Dame school of polyphony in Paris and the broader musical style of high medieval music. He is credited with developing the polyphonic practices of his predecessor Léonin, with the introduction of three and four-part harmonies. Other than a brief mention by music theorist Johannes de Garlandia in his ''De Mensurabili Musica'', virtually all information on Pérotin's life comes from Anonymous IV, a pseudonymous English student who probably studied in Paris. Anonymous IV names seven titles from a ''Magnus Liber''—including '' Viderunt omnes'', ''Sederunt principes'' and ''Alleluia Nativitas''—that have been identified with surviving works and gives him the title ''Magister Perotinus'' (Pérotinus the Master) meaning he was licensed to teach. It is assumed that Perotinus was French and named Pérotin, a diminutive of Peter, but attempts to match him with persons in contemporary documents remain speculative. Identity an ...
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Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to " ...
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Feast Of Fools
Feast of Fools The Feast of Fools or Festival of Fools (Latin: ''festum fatuorum, festum stultorum'') was a feast day on January 1 celebrated by the clergy in Europe during the Middle Ages, initially in Southern France, but later more widely. During the Feast, participants would elect either a false Bishop, false Archbishop, or false Pope. Ecclesiastical ritual would also be parodied, and higher and lower-level clergy would change places. The lack of surviving documents or accounts, as well as changing cultural and religious norms, has considerably obscured the modern understanding of the Feast, which originated in proper liturgical observance, and has more to do with other examples of medieval liturgical drama. Though there is some connection with the earlier pagan (Roman) feasts of Saturnalia and Kalends or the later bourgeois in Sotie. Over the course of a week, the ceremonies would be led by different people in positions of power within the church. On December 26, St. Stephen ...
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