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Eto! Baš Hoću!
''Eto! Baš hoću!'' (trans. ''There! I Will!'') is the third studio album by Yugoslav rock band Bijelo Dugme, released in 1976. ''Eto! Baš hoću!'' was the band's first album which was not recorded by the band's default lineup. It did not feature the bass guitarist Zoran Redžić, the drummer Ipe Ivandić and the keyboardist Vlado Pravdić, as at the time all three were serving their mandatory stints in the Yugoslav army. It was the band's first album to feature keyboardist Laza Ristovski, and the band's only album to feature Milić Vukašinović on drums. In 1998, the album was polled as the 31st on the list of 100 Greatest Yugoslav Rock and Pop Albums in the book '' YU 100: najbolji albumi jugoslovenske rok i pop muzike'' (''YU 100: The Best Albums of Yugoslav Pop and Rock Music''). In 2015, the album was pronounced the 36th on the list of 100 Greatest Yugoslav Albums published by Croatian edition of ''Rolling Stone''. Background During 1976, Bijelo Dugme's bass guitarist Z ...
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Bijelo Dugme
Bijelo Dugme (trans. ''White Button'') was a Socialist Federal Republic of Yugoslavia, Yugoslav rock music, rock band, formed in Sarajevo, Socialist Republic of Bosnia and Herzegovina, SR Bosnia and Herzegovina in 1974. Bijelo Dugme is widely considered to have been the most popular band ever to exist in the former Socialist Federal Republic of Yugoslavia and one of the most important acts of the Yugoslav rock scene. Bijelo Dugme was officially formed in 1974, although the members of the default lineup, guitarist Goran Bregović, vocalist Željko Bebek, drummer Ipe Ivandić, keyboardist Vlado Pravdić and bass guitarist Zoran Redžić, were previously active under the name Jutro (Sarajevo band), Jutro. The band's debut album ''Kad bi bio bijelo dugme'', released in 1974, brought them nationwide popularity with its The Balkans, Balkan Folk music, folk-influenced hard rock sound. The band's future several releases, featuring similar sound, maintained their huge popularity, describe ...
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Symphonic Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed " progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of " art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressi ...
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Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ...
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Blues Rock
Blues rock is a fusion music genre that combines elements of blues and rock music. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock (electric guitar, electric bass guitar, and drums, sometimes with keyboards and harmonica). From its beginnings in the early to mid-1960s, blues rock has gone through several stylistic shifts and along the way it inspired and influenced hard rock, Southern rock, and early heavy metal music, heavy metal. Blues rock started with rock musicians in the United Kingdom and the United States performing American blues songs. They typically recreated electric Chicago blues songs, such as those by Willie Dixon, Muddy Waters, and Jimmy Reed, at faster tempos and with a more aggressive sound common to rock. In the UK, the style was popularized by groups such as the Rolling Stones, the Yardbirds, and the Animals, who put several blues songs into the pop charts. In the US, Lonnie Mack, the Paul Butterfield Blues B ...
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Hard Rock
Hard rock or heavy rock is a loosely defined subgenre of rock music typified by aggressive vocals and distorted electric guitars. Hard rock began in the mid-1960s with the garage, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, The Beatles, the Rolling Stones, Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Golden Earring, Steppenwolf and Deep Purple also produced hard rock. The genre developed into a major form of popular music in the 1970s, with the Who, Led Zeppelin and Deep Purple being joined by Queen, AC/DC, Aerosmith, Kiss, and Van Halen. During the 1980s, some hard rock bands moved away from their hard rock roots and more towards pop rock.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul'' (Milwaukee, WI: Backbeat Books, 3rd edn., 2002), ...
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Jadranka Stojaković
Jadranka Stojaković ( sr-cyr, Јадранка Стојаковић, 24 July 1950 – 3 May 2016) was a Bosnian singer-songwriter popular in the former Yugoslavia, known for her unique voice. Her best known hits are "Sve smo mogli mi", "Što te nema", and "Bistre vode Bosnom teku". Biography Stojaković was born in Sarajevo to a family of school teachers. Her infancy was spent in a small village near Bosanski Novi where her parents got assigned to teach. Her parents soon divorced and she moved with her mother back to Sarajevo. Over the subsequent few years, the two were continually on the move — throughout Yugoslav towns and communities experiencing shortages of primary school teachers where her mother would get work — Dubrovnik, Gradac na Moru, Vareš, etc. Mother and daughter eventually settled in various villages around Sarajevo, which is where young Jadranka spent a notable part of her childhood. At the age of 16, Stojaković joined her uncle Vukašin Radulović's jazz gr ...
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Duško Trifunović
Duško Trifunović ( sr, Душко Трифуновић, 13 September 1933 – 28 January 2006) was a Yugoslav writer, poet and television author. Life Born in the small village of Sijekovac near Bosanski Brod (then part of the Vrbas Banovina, Kingdom of Yugoslavia), to father Vaso and illiterate mother Petra. His father died from tuberculosis in 1945. Trifunović did not have much formal schooling since he started working in a factory during his early teens. Working as a locksmith affixing train wagon doors, he eventually moved to Sarajevo in 1957 at the age of 24 to continue the same line of work. Parallel to his factory work, he also secretly wrote poetry and once in Sarajevo finally got a chance to pursue it in earnest. He published his first book in 1958, and over the next 48 years wrote 84 poetry books, four novels, and several dramas. He also wrote over 300 song lyrics, most notably for Bijelo dugme (nation-wide hits " Ne gledaj me tako i ne ljubi me više" " Šta bi ...
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Bosnia (region)
Bosnia ( sh-Latn-Cyrl, separator=" / ", Bosna, Босна, ) is the northern region of Bosnia and Herzegovina, encompassing roughly 81% of the country; the other region, the southern part, is Herzegovina. The two regions have formed a geopolitical entity since medieval times, and the name "Bosnia" commonly occurs in historical and geopolitical senses as generally referring to both regions (Bosnia and Herzegovina). The official use of the combined name started only in the late period of Ottoman rule. Geography Bosnia lies mainly in the Dinaric Alps, ranging to the southern borders of the Pannonian plain, with the rivers Sava and Drina marking its northern and eastern borders. The area of Bosnia comprises approximately 39,021 km2, and makes up about 80% of the territory of the present-day state of Bosnia and Herzegovina. There are no true borders between the region of Bosnia and the region of Herzegovina. Unofficially, Herzegovina is south of the mountain Ivan planina. Acco ...
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Borike
Borika ( sr-cyrl, Борика) is a village in the Republika Srpska, Bosnia and Herzegovina. According to the 1991 census, the village is located in the municipality of Rogatica Rogatica ( sr-cyrl, Рогатица) is a town and municipality located in eastern Republika Srpska, an entity of Bosnia and Herzegovina. As of 2013, it has a population of 10,723 inhabitants, while the town of Rogatica has a population of 6, ....Official results from the book: Ethnic composition of Bosnia-Herzegovina population, by municipalities and settlements, 1991. census, Zavod za statistiku Bosne i Hercegovine - Bilten no.234, Sarajevo 1991. References Populated places in Rogatica {{Rogatica-geo-stub ...
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Smak
Smak ( sr-Cyrl, Смак; trans. ''The end time'') was a Serbian and Yugoslav band from Kragujevac. The group reached the peak of popularity in the 1970s when it was one of the most notable acts of the former Yugoslav rock scene. The band's leader, guitarist Radomir Mihailović, nicknamed Točak ("The Wheel"), is considered one of the most influential guitarists on the former Yugoslav rock scene. Formed in 1971 by the guitarist Radomir "Točak" Mihajlović and drummer Slobodan "Kepa" Stojanović, the band did not get a stable lineup until 1975 by which time bassist Zoran Milanović, vocalist Boris Aranđelović and keyboard player Laza Ristovski became the band's official members. However, after recording their eponymous debut album, Ristovski left and the remaining quartet recorded their subsequent albums with various keyboardists before disbanding in 1981. After brief reunions between 1986 and 1992, the two founding members, Mihajlović and Stojanović, reestablished the ba ...
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Kodeksi
Kodeksi was a cover band from Sarajevo, SR Bosnia-Herzegovina, SFR Yugoslavia that existed from 1965 until 1971. It is most notable as one of the predecessors to Bijelo dugme, the most commercially successful band ever to come out of SFR Yugoslavia. Key future members of Bijelo dugme — Goran Bregović, Željko Bebek, Zoran Redžić, and Milić Vukašinović — came up through Kodeksi. The band effectively ended during fall 1970 via splitting off into two groups — Mića, Goran i Zoran and Novi Kodeksi — with both offshoots also folding quickly within a year. Activity 1960s Kodeksi were formed in 1965 as a hobby cover band by Eduard "Edo" Bogeljić. The group also featured on backing vocals and Luciano Paganotto on drums. Not too long after formation, Bogeljić invited Željko Bebek to join as a singer and rhythm guitarist. Simultaneously to their high school studies, Kodeksi members spent the rest of the decade playing local dance parties with a repertoire of covered tunes ...
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