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Equestrian Statue Of Bartolomeo Colleoni
The Equestrian statue of Bartolomeo Colleoni is a Renaissance sculpture in Campo Santi Giovanni e Paolo, Venice, Italy, by Andrea del Verrocchio in 1480–1488. Portraying the condottiero Bartolomeo Colleoni (who served for a long time under the Republic of Venice), it has a height of 395 cm excluding the pedestal. It is the second major equestrian statue of the Italian Renaissance, after Donatello's equestrian statue of Gattamelata (1453). History In 1475, the Condottiero Colleoni, a former Captain General of the Republic of Venice, died and by his will left a substantial part of his estate to the Republic on condition that a statue of himself should be commissioned and set up in the Piazza San Marco. In 1479 the Republic announced that it would accept the legacy, but that (as statues were not permitted in the Piazza) the statue would be placed in the open space in front of the ''Scuola'' of San Marco. A competition was arranged to enable a sculptor to be selected. Three sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Colleoni By Andrea Del Verrocchio
Bartolomeo or Bartolommeo is a masculine Italian given name, the Italian equivalent of Bartholomew. Its diminutive form is Baccio. Notable people with the name include: * Abramo Bartolommeo Massalongo (1824–1860), Italian paleobotanist and lichenologist * Bartolomeo Aimo (1889–1970), Italian professional bicycle road racer * Bartolomeo Altomonte, a.k.a. Bartholomäus Hohenberg (1694–1783), Austrian baroque painter * Bartolomeo Amico a.k.a. Bartholomeus Amicus (1562–1649), Jesuit priest, teacher and writer who spent his adult life in Naples * Bartolomeo Ammanati (1511–1592), Florentine architect and sculptor * Bartolomeo Avanzini (1608–1658), Italian architect of the Baroque period * Bartolomeo Bacilieri (1842–1923), Italian cardinal, Bishop of Verona 1900–1923 * Bartolommeo Bandinelli (1488–1560), Italian sculptor * Bartolomeo Barbarino (c. 1568–c. 1617 or later), Italian composer and singer of the early Baroque era * Bartolomeo Bassi (early 1600s-1640s), Geno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Di Credi
Lorenzo di Credi (1456/59 – January 12, 1537) was an Italian Renaissance painter and sculptor best known for his paintings of religious subjects. He is most famous for having worked in the studio of Andrea del Verrocchio at the same time as the young Leonardo da Vinci. Life Lorenzo was born in Florence in 1456 or 1459 to a goldsmith named Andrea d' Oderigo. He was apprenticed to Andrea del Verrocchio, probably in the mid-1470s. He eventually became Verrocchio's primary assistant and inherited his workshop on Verrocchio's death in 1488. On Verrocchio's behalf he completed the famous ''Madonna di Piazza'' for the cathedral of Pistoia, commissioned to Verrocchio in 1475 but executed by Lorenzo between 1485 and 1491. Lorenzo's earliest independent works include an ''Annunciation'' in the Uffizi, two panels of the ''Madonna and Child'' at the Galleria Sabauda in Turin, another at the National Gallery in London and ''Adoration of the Child'' at the Pinacoteca Querini Stampali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Museum, Szczecin
The National Museum in Szczecin ( pl, Muzeum Narodowe w Szczecinie) is a museum in Szczecin, Poland, established on 1 August 1945. The main part of an exhibition is placed in Old House of the Pomeranian Estates ( pl, Pałac Sejmu Stanów Pomorskich; german: Ständehaus or Altes Landeshaus), 1727-1729 by , Staromłyńska 27. Departments The six parts are: *The Main Building of the Muzeum Narodowe w Szczecinie, Wały Chrobrego 3 – Maritime Museum *The Szczecin's History Museum, Old City Town Hall in Szczecin, Księcia Mściwoja II 8 *The Old Art Gallery of the Muzeum Narodowe w Szczecinie, Staromłyńska 27 *The Museum of Contemporary Art, Staromłyńska 1 *The Dialogue Center "Breakthroughs" (Polish: Centrum Dialogu „Przełomy”), Solidarności 1 Square *The Narrow Gauge Railway Exhibition in Gryfice Old Art Gallery collection File:Kolumny z Kolbacza.jpg, ''Columns from the Kołbacz Abbey'' File:Oltarz gl z kosciola sw Jana w Stargardzie Szczec (1).jpg, ''St. John's Polyp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electrotyping
Electrotyping (also galvanoplasty) is a chemical method for forming metal parts that exactly reproduce a model. The method was invented by Moritz von Jacobi Moritz Hermann or Boris Semyonovich (von) Jacobi (russian: Борис Семёнович Якоби; 21 September 1801, Potsdam – 10 March 1874, Saint Petersburg) was a Prussian and Russian Imperial engineer and physicist of Jewish descent. Jac ... in Russia in 1838, and was immediately adopted for applications in printing and several other fields. As described in an 1890 treatise, electrotyping produces "an exact facsimile of any object having an irregular surface, whether it be an engraved steel- or copper-plate, a wood-cut, or a form of set-up type, to be used for printing; or a medal, medallion, statue, bust, or even a natural object, for art purposes." In art, several important "Bronze sculpture, bronze" sculptures created in the 19th century are actually electrotyped copper, and not bronze at all; sculptures were ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
0907 Colleoni Monument In Szczecin SZN 2
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gattamelata (Donatello)
''The Equestrian Statue of Gattamelata'' is an Italian Renaissance sculpture by Donatello, dating from 1453, today in the Piazza del Santo in Padua, Italy. It portrays the condottiero Erasmo da Narni, known as "Gattamelata", who served mostly under the Republic of Venice, which ruled Padua at the time. It is the first full-size equestrian statue of the Italian Renaissance. Description After Erasmo of Narni's death in 1443, according to John Julius Norwich, the Republic of Venice, as a sign of gratitude and respect, paid for a sculpture in his honor. (This payment has been disputed. ''See below''.) Measuring 340 x 390 cm (the base measuring 780 x 410 cm), it is the earliest surviving Renaissance equestrian statue and the first to reintroduce the grandeur of Classical equestrian portraiture. After its conception, the statue served as a precedent for later sculptures honoring military heroes for their continued effort in the wars. The statue, as were all bronze statues ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Del Castagno
Andrea del Castagno () or Andrea di Bartolo di Bargilla (; – 19 August 1457) was an Italian painter from Florence, influenced chiefly by Masaccio and Giotto di Bondone. His works include frescoes in Sant'Apollonia in Florence and the painted equestrian monument of Niccolò da Tolentino (1456) in the Cathedral in Florence. He in turn influenced the Ferrarese school of Cosmè Tura, Francesco del Cossa and Ercole de' Roberti. Life Early years Frescoes in the San Tarasio Chapel, San Zaccaria. Andrea del Castagno was born at Castagno, a village near Monte Falterona, not far from Florence. During the war between Florence and Milan, he lived in Corella, returning to his home after its end. In 1440 he moved to Florence under the protection of Bernadetto de' Medici. Here he painted the portraits of the citizens hanged after the Battle of Anghiari on the facade of the Palazzo del Podestà, gaining the nickname of ''Andrea degli Impiccati''. Little is known about his formation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Equestrian Monument Of Niccolò Da Tolentino
The ''Equestrian Monument of Niccolò da Tolentino'' (1456) is a fresco painting by the early-Italian Renaissance master Andrea del Castagno, in Florence Cathedral, Italy. On the left internal wall of the church, it is next to the earlier fresco ''Equestrian Statue of John Hawkwood'' by Paolo Uccello (1436). Description The work is a fresco painted in monochrome to emulate a marble equestrian statue. The condottiero, the Italian Niccolò da Tolentino is depicted riding his horse, standing on a classical pedestal painted in geometrical perspective, and flanked by two nude men with coat of arms. The horse and the rider are painted in a different perspective than the pedestal. The horse (differently from the species' walking pattern) is portrayed while raising both left legs. It is a large and massive animal, inspired by the head of the ancient ''Riccardi Horse'' and to Donatello's ''Equestrian statue of Gattamelata'', a prototype of Renaissance equestrian statues. Andrea del Castagno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Uccello
Paolo Uccello ( , ; 1397 – 10 December 1475), born Paolo di Dono, was an Italians, Italian (Florentine) Florentine painting, painter and mathematician who was notable for his pioneering work on visual Perspective (graphical), perspective in art. In his book ''Lives of the Most Excellent Painters, Sculptors, and Architects'', Giorgio Vasari wrote that Uccello was obsessed by his interest in perspective and would stay up all night in his study trying to grasp the exact vanishing point. While his contemporaries used perspective to narrate different or succeeding stories, Uccello used perspective to create a feeling of depth in his paintings. His best known works are the The Battle of San Romano, three paintings representing the battle of San Romano, which were wrongly entitled the ''Battle of Sant'Egidio of 1416'' for a long period of time. Paolo worked in the International Gothic, Late Gothic tradition, emphasizing colour and pageantry rather than the classical realism that other a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funerary Monument To Sir John Hawkwood
The ''Funerary Monument'' (or ''Equestrian Monument'') ''to Sir'' ''John Hawkwood'' is a fresco by Paolo Uccello, commemorating English '' condottiero'' John Hawkwood, commissioned in 1436 for Florence Cathedral. The fresco is an important example of art commemorating a soldier-for-hire who fought in the Italian peninsula and is a seminal work in the development of perspective. The politics of the commissioning and recommissioning of the fresco have been analyzed and debated by historians. The fresco is often cited as a form of " Florentine propaganda" for its appropriation of a foreign soldier of fortune as a Florentine hero and for its implied promise to other ''condottieri'' of the potential rewards of serving Florence.Caferro, 2006, p. 9. The fresco has also been interpreted as a product of internal political competition between the Albizzi and Medici factions in Renaissance Florence, due to the latter's modification of the work's symbolism and iconography during its recomm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavia
Pavia (, , , ; la, Ticinum; Medieval Latin: ) is a town and comune of south-western Lombardy in northern Italy, south of Milan on the lower Ticino river near its confluence with the Po. It has a population of c. 73,086. The city was the capital of the Ostrogothic Kingdom from 540 to 553, of the Kingdom of the Lombards from 572 to 774, of the Kingdom of Italy from 774 to 1024 and seat of the Visconti court from 1365 to 1413. Pavia is the capital of the fertile province of Pavia, which is known for a variety of agricultural products, including wine, rice, cereals, and dairy products. Although there are a number of industries located in the suburbs, these tend not to disturb the peaceful atmosphere of the town. It is home to the ancient University of Pavia (founded in 1361 and recognized in 2022 by the Times Higher Education among the top 10 in Italy and among the 300 best in the world), which together with the IUSS (Institute for Advanced Studies of Pavia), Ghislieri College, B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regisole
The ''Regisole'' ("Sun King") was a bronze classical or Late Antique equestrian monument, highly influential during the Italian Renaissance but destroyed in 1796. It was originally erected at Ravenna, in what is now Italy, but was moved to Pavia in the Middle Ages, where it stood on a column before the cathedral, as an emblem of communal pride and Pavia's deep connection with imperial Rome. History According to different modern scholars the subject was either Theodoric the Great, King of the Ostrogoths (reigned 471–526),Walter A. Liedtke, ''The Royal Horse and Rider: painting, sculpture, and horsemanship'', 1989:65 "a Roman work of the third century AD", or "possibly Septimius Severus, with several later modifications" (he was emperor 193–211). Ravenna was the capital city of the Western Roman Empire from 402 until 476. It was later the capital of the Kingdom of the Ostrogoths and the Exarchate of Ravenna, the remaining Byzantine territory in northern Italy. The Colossus of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
