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Enlightenment (McCoy Tyner Album)
''Enlightenment'' is a live album by jazz pianist McCoy Tyner released on the Milestone label. It was recorded at the Montreux Jazz Festival in Switzerland on July 7, 1973 and features Tyner in performance with Azar Lawrence, Joony Booth and Alphonse Mouzon. Reception Scott Yanow, writing for Allmusic, notes that "this is one of the great McCoy Tyner recordings. The powerful, percussive, and highly influential pianist sounds quite inspired throughout his appearance at the 1973 Montreux Jazz Festival". Richard Cook and Brian Morton, authors of ''The Penguin Guide to Jazz'', opine that ''Enlightenment'' and the 1974 live album ''Atlantis'' are "two huge, sprawling concert recordings which will drain most listeners: Tyner's piano outpourings seem unstoppable, and Lawrence comes on as an even fierier spirit than onnyFortune, even if both are in thrall to Coltrane. The ''Enlightenment'' set, cut at Montreux, is marginally superior, if only for the pile-driving 'Walk Spirit, ...
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Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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The Definitive Guide To Jazz
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Percussion
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cy ...
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Disc Jockey
A disc jockey, more commonly abbreviated as DJ, is a person who plays recorded music for an audience. Types of DJs include Radio personality, radio DJs (who host programs on music radio stations), club DJs (who work at a nightclub or music festival), mobile DJs (who are hired to work at public and private events such as weddings, parties, or festivals), and turntablism, turntablists (who use record players, usually turntables, to manipulate sounds on phonograph records). Originally, the "disc" in "disc jockey" referred to shellac and later vinyl records, but nowadays DJ is used as an all-encompassing term to also describe persons who DJ mix, mix music from other recording media such as compact cassette, cassettes, CDs or digital audio files on a CDJ, controller, or even a laptop. DJs may adopt the title "DJ" in front of their real names, adopted pseudonyms, or stage names. DJs commonly use audio equipment that can play at least two sources of recorded music simultaneously. Th ...
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Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to " ...
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Sideman
A sideman is a professional musician who is hired to perform live with a solo artist, or with a group in which they are not a regular band member. The term is usually used to describe musicians that play with jazz or rock artists, whether solo or a group. Sidemen and sidewomen are generally required to be adaptable to many different styles of music, and so able to fit smoothly into the group in which they are currently playing. Sidemen and sidewomen are typically led by the group's bandleader, or, if there is no bandleader, by the lead singer. While many artists can work as sidemen or session musicians, others will only fill one role. The generally accepted difference is that a sideman performs live while a session musician is hired to perform in a recording studio. Career progression Often aspiring musicians start out as sidemen, playing rhythm guitar, comping on keyboards, or playing drum kit in the rhythm section or singing backing vocals for a well-known bandleader or s ...
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Down Beat
' (styled in all caps) is an American music magazine devoted to "jazz, blues and beyond", the last word indicating its expansion beyond the jazz realm which it covered exclusively in previous years. The publication was established in 1934 in Chicago, Illinois. It is named after the "downbeat" in music, also called "beat one", or the first beat of a musical measure. ''DownBeat'' publishes results of annual surveys of both its readers and critics in a variety of categories. The ''DownBeat'' Jazz Hall of Fame includes winners from both the readers' and critics' poll. The results of the readers' poll are published in the December issue, those of the critics' poll in the August issue. Popular features of ''DownBeat'' magazine include its "Reviews" section where jazz critics, using a '1-Star to 5-Star' maximum rating system, rate the latest musical recordings, vintage recordings, and books; articles on individual musicians and music forms; and its famous "Blindfold Test" column, in a ...
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John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pro ..., bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music t ...
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Sonny Fortune
Cornelius "Sonny" Fortune (May 19, 1939 – October 25, 2018) was an American jazz saxophonist. Fortune played soprano, alto, tenor, and baritone saxophones, clarinet, and flute. Biography He was born in Philadelphia, Pennsylvania, United States. After moving to New York City in 1967, Fortune recorded and appeared live with drummer Elvin Jones's group. In 1968, he was a member of Mongo Santamaría's band. He performed with singer Leon Thomas, and with pianist McCoy Tyner (1971–73). In 1974, Fortune replaced Dave Liebman in Miles Davis's ensemble, remaining until spring 1975, when he was succeeded by Sam Morrison. Fortune can be heard on the albums '' Big Fun'', ''Get Up With It'', '' Agharta'', and ''Pangaea'', the last two recorded live in Japan. Fortune joined Nat Adderley after his brief tenure with Davis, then formed his own group in June 1975, recording two albums for the Horizon Records. During the 1990s, he recorded several albums for Blue Note. He has also performed ...
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Atlantis (McCoy Tyner Album)
''Atlantis'' is a live album by jazz pianist McCoy Tyner released on the Milestone label. It was recorded at the Keystone Korner in San Francisco on August 31 and September 1, 1974, and features Tyner in performance with saxophonist Azar Lawrence, bassist Juini Booth, drummer Wilby Fletcher and percussionist Guilherme Franco. Reception Scott Yanow, writing for Allmusic, notes that "Tyner creates some very powerful and highly original solos, really tearing into some of the more extended pieces... Essential music that still sounds fresh and adventurous". Richard Cook and Brian Morton, authors of ''The Penguin Guide to Jazz'', opine that the both '' Enlightenment'' and ''Atlantis'' are "two huge, sprawling concert recordings which will drain most listeners: Tyner's piano outpourings seem unstoppable, and Lawrence comes on as an even fierier spirit than Fortune, even if both are in thrall to Coltrane." Track listing ''Recorded on August 31 (tracks 3, 5) and September 1, 1974 ...
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Brian Morton (Scottish Writer)
Brian Morton (born 1954) is a Scottish writer, journalist and former broadcaster, specialising in jazz and modern literature. Early life and education Born in Paisley, near Glasgow and raised in Dunoon, Morton was educated at the University of Edinburgh and taught in the late 1970s at the University of East Anglia (under Malcolm Bradbury) and the University of Tromsø in Norway. Writing and broadcasting From 1992 to 1997, Morton was the main presenter of ''Impressions''Brian Morton
, Penguin author page
for Radio 3, a fortnightly jazz and improvised music programme. For more than a decade Morton was a familiar voice on music programmes and features on other arts related subjects on the London-based BBC networks. For some year ...
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