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Emma Di Resburgo
''Emma di Resburgo'' (Emma of Roxburgh) is a melodramma ''eroico'' (a heroic, serious opera) in two acts by Giacomo Meyerbeer. It was the composer's sixth opera and the third that he wrote for an Italian theatre. The libretto in Italian by Gaetano Rossi is set in Scotland and has the same storyline as previous operas by Étienne Méhul ''( Héléna'', Paris, 1803, to a French text) and Simon Mayr (''Elena'', Naples, 1814, with an Italian text). Meyerbeer's opera had its premiere at the Teatro San Benedetto in Venice on 26 June 1819. Background Born in Berlin to a wealthy family, as a young man Giacomo Meyerbeer had musical ambitions and studied and traveled in Italy. Much impressed and influenced by the leading Italian composer of operas of the day, Rossini, Meyerbeer composed an opera in the style of that composer, ''Romilda e Costanza'', which was produced in Padua in 1817. Through the support of a star singer of the day, Carolina Bassi, Meyerbeer had the opportunity to compos ...
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Giacomo Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le diable'' and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the nineteenth century. Born to a rich Jewish family, Meyerbeer began his musical career as a pianist but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera '' Il crociato in Egitto'' was the first to bring him Europe-wide reputation, but ...
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Walter Scott
Sir Walter Scott, 1st Baronet (15 August 1771 – 21 September 1832), was a Scottish novelist, poet, playwright and historian. Many of his works remain classics of European and Scottish literature, notably the novels ''Ivanhoe'', ''Rob Roy (novel), Rob Roy'', ''Waverley (novel), Waverley'', ''Old Mortality'', ''The Heart of Mid-Lothian'' and ''The Bride of Lammermoor'', and the narrative poems ''The Lady of the Lake (poem), The Lady of the Lake'' and ''Marmion (poem), Marmion''. He had a major impact on European and American literature. As an advocate, judge and legal administrator by profession, he combined writing and editing with daily work as Clerk of Session and Sheriff court, Sheriff-Depute of Selkirkshire. He was prominent in Edinburgh's Tory (political faction), Tory establishment, active in the Royal Highland and Agricultural Society of Scotland, Highland Society, long a president of the Royal Society of Edinburgh (1820–1832), and a vice president of the Society o ...
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The Dinner And Ball In The Teatro San Benedetto Venice, In Honour Of The Conti Del Nord, 22nd January 1782
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ...
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Glasgow
Glasgow ( ; sco, Glesca or ; gd, Glaschu ) is the most populous city in Scotland and the fourth-most populous city in the United Kingdom, as well as being the 27th largest city by population in Europe. In 2020, it had an estimated population of 635,640. Straddling the border between historic Lanarkshire and Renfrewshire, the city now forms the Glasgow City Council area, one of the 32 council areas of Scotland, and is governed by Glasgow City Council. It is situated on the River Clyde in the country's West Central Lowlands. Glasgow has the largest economy in Scotland and the third-highest GDP per capita of any city in the UK. Glasgow's major cultural institutions – the Burrell Collection, Kelvingrove Art Gallery and Museum, the Royal Conservatoire of Scotland, the Royal Scottish National Orchestra, Scottish Ballet and Scottish Opera – enjoy international reputations. The city was the European Capital of Culture in 1990 and is notable for its architecture, cult ...
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Bard
In Celtic cultures, a bard is a professional story teller, verse-maker, music composer, oral historian and genealogist, employed by a patron (such as a monarch or chieftain) to commemorate one or more of the patron's ancestors and to praise the patron's own activities. With the decline of a living bardic tradition in the modern period, the term has loosened to mean a generic minstrel or author (especially a famous one). For example, William Shakespeare and Rabindranath Tagore are respectively known as "the Bard of Avon" (often simply "the Bard") and "the Bard of Bengal". Oxford Dictionary of English, s.v. ''bard'', n.1. In 16th-century Scotland, it turned into a derogatory term for an itinerant musician; nonetheless it was later romanticised by Sir Walter Scott (1771–1832). Etymology The English term ''bard'' is a loan word from the Celtic languages: Gaulish: ''bardo-'' ('bard, poet'), mga, bard and ('bard, poet'), wlm, bardd ('singer, poet'), Middle Breton: ''barz'' ('m ...
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Bothwell Castle 20080505 - South-east Tower
Bothwell is a conservation village in the South Lanarkshire council area of Scotland. It lies on the north bank of the River Clyde, adjacent to Uddingston and Hamilton, east-south-east of Glasgow city centre. Description and history An ancient settlement which was once primarily a mining village, and earlier the site of the Battle of Bothwell Bridge in 1679, Bothwell is an affluent commuter town that has attracted a number of local celebrities including several professional footballers. Owing to a steady rise in property prices, Bothwell is one of Glasgow's most prosperous satellites. In 2019, "Earls Gate" which overlooks Bothwell Castle was named Greater Glasgow's most expensive street, with an average price tag of £1,125,000. In 2021 Earls Gate was again named the City's most expensive street; according to the report this extends to the entire West of Scotland. The houses surrounding the Main Street are of older sandstone Victorian style whereas the newer part of the Bothw ...
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River Clyde
The River Clyde ( gd, Abhainn Chluaidh, , sco, Clyde Watter, or ) is a river that flows into the Firth of Clyde in Scotland. It is the ninth-longest river in the United Kingdom, and the third-longest in Scotland. It runs through the major city of Glasgow. Historically, it was important to the British Empire because of its role in shipbuilding and trade. To the Romans, it was , and in the early medieval Cumbric language, it was known as or . It was central to the Kingdom of Strathclyde (). Etymology The exact etymology of the river's name is unclear, though it is known that the name is ancient: It was called or by the Britons and by the Romans. It is therefore likely that the name comes from a Celtic language—most likely Old British. But there is more than one old Celtic word that the river's name could plausibly derive from. One possible root is the Common Brittonic , meaning 'loud' or 'loudly'. More likely, the river was named after a local Celtic goddess, '' Clōta ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Eliodoro Bianchi
Eliodoro Bianchi (6 May 1773 – 10 May 1848) was an Italian operatic tenor and later a prominent singing teacher. Born in Cividate al Piano and trained in Naples under Giacomo Tritto, he made his stage debut in 1793. Amongst the many roles he created during the course of his 40-year career were Baldassare in ''Ciro in Babilonia'' and the King of Sweden in ''Eduardo e Cristina'', both of which were composed by Rossini expressly for Bianchi's voice. He retired from the stage in 1835 and spent his later years in Palazzolo sull'Oglio, where he died at the age of 75. Life and career Bianchi was born in Cividate al Piano, a town in the Province of Bergamo, to Claudia ''née'' Balestra and Massimo Bianchi. He was the youngest of their nine children. The family moved to Palazzolo sull'Oglio near Brescia in 1775 when Massimo Bianchi was appointed the organist for the town's newly completed cathedral. Bianchi received his early musical training from his father and sang as a boy soprano ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Rosa Morandi
Rosa Morandi (born in Senigallia, 15 July 1782; died in Milan 4 May 1824), was an Italian operatic mezzo-soprano. She is especially notable for having created leading roles in operas by Meyerbeer and Rossini. Training and career Morandi studied with Giovanni Morandi, whom she married in 1804. She sang at La Scala in 1807 in '' Così fan tutte'' and other operas and appeared in the world premiere of Rossini's ''La cambiale di matrimonio'' in Venice in 1810. She sang in operas by Mozart, Domenico Cimarosa, Rossini and others at the Théâtre Italien in Paris from 1813 until 1817 and created leading roles in the world premieres of Rossini's ''Eduardo e Cristina'' and Meyerbeer's '' Emma di Resburgo'' in Venice in 1819. Morandi also appeared in the world premiere of Donizetti Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading com ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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