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Emilia Di Liverpool
''Emilia di Liverpool'' (''Emilia of Liverpool''; also given as ''L'eremitaggio di Liverpool'') is a ''dramma semiserio'', ("half-serious") dramatic opera, in two acts with music by Gaetano Donizetti. wrote the Italian libretto after the anonymous libretto for Vittorio Trento's ''Emilia di Laverpaut'', itself based on Stefano Scatizzi's play of the same name. It premiered on 28 July 1824 at the Teatro Nuovo in Naples. Composition history The libretto had a complex history. The original story by Scatizzi formed the basis of the first, anonymous libretto of 1824, which had the title of ''Emilia di Liverpool''. This first libretto included the introduction of the Count, a Neapolitan character, as comic relief per the theatrical tradition of the Teatro Nuovo. The changes to the cast of characters caused confusion among the relationships of the characters and ran contrary to the structure of the original play. The libretto revisions by Checcherini, circa 1828, removed much o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yvonne Kenny
Yvonne Kenny AM (born 25 November 1950) is an Australian soprano, particularly associated with Handel, Mozart and bel canto roles. Biography Born in Sydney, she first studied at the University of Sydney in science, hoping to become a biochemist, but decided to pursue a career in music instead. She studied first with Myra Lambert at the Sydney Conservatorium of Music, and later won a scholarship to study at the opera school at La Scala in Milan. After a year of studying there, she went to England, where after a few recitals and TV appearances, her breakthrough came on 11 October 1975, when she replaced, with only four days' notice, the soprano scheduled to sing in an Opera Rara concert performance of Donizetti's '' Rosmonda d'Inghilterra'' at the Queen Elizabeth Hall. It was a triumph and the virtually unknown Kenny became an overnight star. She made her debut at the Royal Opera House the following year, in the premiere of Hans Werner Henze's '' We Come to the River'', later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Semiseria
Opera semiseria ('semi-serious opera') is an Italian genre of opera, popular in the early and middle 19th century. Related to the opera buffa, opera semiseria contains elements of comedy but also of pathos, sometimes with a pastoral setting. It can usually be distinguished from tragic operas or melodramas by the presence of a basso buffo. One of the better-known examples is Gaetano Donizetti's ''Linda di Chamounix''. Another example is Gioacchino Rossini's ''La gazza ladra''. Vincenzo Bellini's ''La sonnambula'' has all the characteristics of the genre except the presence of the required basso buffo A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E b ... and is regarded as both opera seria and opera semiseria. References See also * :Opera semiseria {{Opera genres Opera genres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1824 Operas
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper commonly r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Osborne (music Writer)
Charles Thomas Osborne (24 November 1927 – 23 September 2017) was an Australian journalist, theatre and opera critic, poet and novelist.Campbell, Ian. Obituary - Charles Osborne. Opera, November 2017, Vol.68 No.11, p4133. He was the assistant editor of ''The London Magazine'' from 1958 until 1966, literature director of the Arts Council of Great Britain from 1971 until 1986, and chief theatre critic of ''Daily Telegraph'' (London) from 1986 to 1991. He is the only author the Agatha Christie Estate has ever allowed to produce adapted works in her name. Life and career Osborne was born in Brisbane, Australia. He taught himself to play the piano and at aged 18 he began singing lessons. Osborne's father hailed originally from Devon and his mother was from Vienna, a fact to which he attributes his lifelong love of opera. He went to school locally, then studied at the University of Queensland. Osborne then worked in literary and musical journalism and in repertory theatre in Aust ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amanda Holden (writer)
Amanda Juliet Holden (; 19 January 1948 – 7 September 2021) was a British pianist, librettist, translator, editor and academic teacher. She is known for translating opera librettos to more contemporary English for the English National Opera, and for writing new librettos, especially in collaboration with Brett Dean. She contributed to encyclopedias such as the ''New Penguin Opera Guide''. Life and career Amanda Juliet Warren was born in London, the daughter of Sir Brian Warren and Dame Josephine Barnes. She was educated at Benenden School, and studied at Lady Margaret Hall, Oxford, with Egon Wellesz where she gained a Master of Arts (MA), at Guildhall School of Music and Drama and a MA at the American University, Washington, DC. She also had degrees from the Royal Academy of Music (ARCM and LRAM).Holden /Amanda, ''Who's Who'' (UK), 2012 She first worked as a freelance pianist and accompanist, teacher at the Guildhall School, and therapist from 1973 to 1986. Libret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Ashbrook
William Ashbrook (January 28, 1922 – March 31, 2009) was an American musicologist, writer, journalist, and academic. He was perhaps best noted as a historian, researcher and popularizer of the works of Italian opera composer Gaetano Donizetti. Biography Ashbrook was born in Philadelphia, Pennsylvania. He received a Bachelor of Arts degree in English literature from the University of Pennsylvania in 1946, and a Master's degree in musicology from Harvard University in 1947.Gossett, Philip, "In Memory of William Ashbrook", ''Opera Quarterly'', November 18, 2009 Ashbrook began an academic career by teaching humanities and then, for nearly twenty years, was a member of the English Department at Indiana State University at Terre Haute. He retired in 1974 as Distinguished Professor Emeritus. From 1974 to 1984 he was professor of opera at the Philadelphia College of the Performing Arts (now the University of the Arts). Ashbrook died in Denver, Colorado at the age of 87. Ashbrook as o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
