Embrace (Roswell Rudd, Fay Victor, Lafayette Harris, And Ken Filiano Album)
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Embrace (Roswell Rudd, Fay Victor, Lafayette Harris, And Ken Filiano Album)
''Embrace'' is an album by trombonist Roswell Rudd, vocalist Fay Victor, pianist Lafayette Harris, and bassist Ken Filiano. It was recorded at Potterville International Sound in Kingston, New York, and was released by RareNoiseRecords in 2017. ''Embrace'', an album of jazz standards, was released several weeks before Rudd's death in December 2017, and marks his last recorded appearance. Reception In a review for ''DownBeat'', Fred Bouchard wrote: "At 82, Rudd has been playing these compositions for ages, and his accumulated affection is tangible as barnacles. They're eclectic as Rudd, who embodies a rich confluence of jazz cultures. There are no polished charts, rather rough-cut barroom jams by solid pros exuding gritty experience and slow-smoked passion... Roswell here reminisces on his savory, crunchy career, showing us, with a bearhug, that it's been one swell ride." Will Layman of ''PopMatters'' called the album "a tender, expressive, intimate date," and commented: "''Embrac ...
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Roswell Rudd
Roswell Hopkins Rudd Jr. (November 17, 1935 – December 21, 2017) was an American jazz trombonist and composer. Although skilled in a variety of genres of jazz (including Dixieland, which he performed while in college), and other genres of music, he was known primarily for his work in free and avant-garde jazz. Beginning in 1962 Rudd worked extensively with saxophonist Archie Shepp. Biography Rudd was born in Sharon, Connecticut, United States. He attended the Hotchkiss School and graduated from Yale University, where he played with Eli's Chosen Six, a dixieland band of students that Rudd joined in the mid-1950s. The sextet played the boisterous trad jazz style of the day, and recorded two albums, including one for Columbia Records. His collaborations with Shepp, Cecil Taylor, John Tchicai, and Steve Lacy grew out of the lessons learned while playing rags and stomps for drunken college kids in Connecticut. Rudd later taught ethnomusicology at Bard College and the University o ...
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Goodbye Pork Pie Hat
"Goodbye Pork Pie Hat" is a jazz instrumental composed by Charles Mingus, originally recorded by his sextet in 1959 and released on his album ''Mingus Ah Um''. It was subsequently released on his 1963 album, ''Mingus Mingus Mingus Mingus Mingus'' as "Theme for Lester Young" and 1977's ''Three or Four Shades of Blues''. Composed in E-flat minor, Mingus wrote it as an elegy for saxophonist Lester Young, who had died two months prior to the recording session and who was known for wearing unusually broad-brimmed pork pie hats. These were "busted down" by Young himself, from hats that might better be described as Homburgs, but which he only purchased in "Negro districts". This was since, according to an interview with Young in the November 1949 edition of Our World, "You can't get the right type in a 'gray' neighborhood". Other versions One of Mingus's best-known compositions, "Goodbye Pork Pie Hat" became a jazz standard, recorded by other jazz and jazz fusion artists. An early ...
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Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", "Blue Monk", " Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the cover of ...
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List Of Compositions By Thelonious Monk
This is a list of compositions by jazz musician Thelonious Monk. 0-9 52nd Street Theme A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. It quickly became popular as an opening and closing tune on the clubs on 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme". Leonard Feather claims he gave the latter title. A Ask Me Now A tonally ambiguous ballad in D first recorded on July 23, 1951, for the '' Genius of Modern Music'' sessions. It also appears on ''5 by Monk by 5'', and ''Solo Monk''. Jon Hendricks wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by Carmen McRae on ''Carmen Sings Monk''. Mark Murphy sings a versi ...
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The House Of The Rising Sun
"The House of the Rising Sun" is a traditional folk song, sometimes called "Rising Sun Blues". It tells of a person's life gone wrong in the city of New Orleans. Many versions also urge a sibling or parents and children to avoid the same fate. The most successful commercial version, recorded in 1964 by the British rock band The Animals, was a number one hit on the UK Singles Chart and in the US and Canada. As a traditional folk song recorded by an electric rock band, it has been described as the "first folk rock hit". The song was first collected in Appalachia in the 1930s, but probably has its roots in traditional English folk song. It is listed as number 6393 in the Roud Folk Song Index. Origin and early versions Origin Like many folk songs, "The House of the Rising Sun" is of uncertain authorship. Musicologists say that it is based on the tradition of broadside ballads, and thematically it has some resemblance to the 16th-century ballad "The Unfortunate Rake", yet there ...
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Burton Lane
Burton Lane ( Levy; February 2, 1912 – January 5, 1997) was an American composer and lyricist primarily known for his theatre and film scores. His most popular and successful works include '' Finian's Rainbow'' in 1947 and ''On a Clear Day You Can See Forever'' in 1965. Biography He was born Burton Levy, in New York City; his father was Lazarus Levy. At some later time he became known as Burton Lane. One source erroneously gives his birth name as "Morris Hyman Kushner". Burton Lane studied classical piano as a child. At age 14 the theatrical producers the Shuberts commissioned him to write songs for a revue, ''Greenwich Village Follies''. At the age of 18, he contributed the music for at least two songs for the revue, ''Three's A Crowd'': "Forget All Your Books" and "Out in the Open Air." He was known for his Broadway musicals, '' Finian's Rainbow'' (1947) and ''On a Clear Day You Can See Forever'' (1965). He also wrote the music for the less remembered Broadway shows, '' ...
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Ray Noble
Raymond Stanley Noble (17 December 1903 – 2 April 1978) was an English jazz and big band musician, who was a bandleader, composer and arranger, as well as a radio host, television and film comedian and actor; he also performed in the United States. Noble wrote both lyrics and music for many popular songs during the British dance band era, known as the "Golden Age of British music", notably for his longtime friend and associate Al Bowlly, including "Love Is the Sweetest Thing", "Cherokee", "The Touch of Your Lips", "I Hadn't Anyone Till You", and his signature tune, "The Very Thought of You". Noble played a radio comedian opposite American ventriloquist Edgar Bergen's stage act of Mortimer Snerd and Charlie McCarthy, and American comedy duo Burns and Allen, later transferring these roles from radio to TV and popular films. Early life and career Noble was born at 1 Montpelier Terrace in the Montpelier area of Brighton, England. A blue plaque on the house commemorates him. He ...
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I Hadn't Anyone Till You
I Hadn't Anyone Till You" is a popular song written by Ray Noble in 1938. It has been recorded by many artists and is regarded as a standard. Tony Martin sang it with the Ray Noble band in 1938, reaching number four in the charts over a period of twelve weeks. A Tommy Dorsey version (with a vocal by Jack Leonard) the same year reached number ten. Alec Wilder wrote of the song, It is a smooth, direct, slightly rhythmic ballad of no great range and unmistakably a song of its time, the late thirties. It makes a move in the second half of the B section (the design is A-B-A-C/A) into the key of A major from the parent key of F major, which adds that dash of color needed in a song of so direct and unpushy a nature. It is a song with both sophistication and a flavor of the past. Other recordings * Billie Holiday - for the album ''Velvet Mood'' (1956) * Bobby Darin - included in his album '' It's You or No One'' (1963) * Brenda Lee - for her album ''All Alone Am I'' (1963) * Carla Bl ...
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Kay Swift
Katharine Faulkner "Kay" Swift (April 19, 1897 – January 28, 1993) was an American composer of popular and classical music, the first woman to score a hit musical completely. Written in 1930, the Broadway musical '' Fine and Dandy'' includes some of her best known songs; the song “ Fine and Dandy” has become a jazz standard. " Can't We Be Friends?" (1929) was her biggest hit song. Swift also arranged some of the music of George Gershwin posthumously, such as the prelude "Sleepless Night" (1946). Biography Katharine Faulkner Swift was born to English American Samuel Shippen Swift, a music critic, and Ellen Faulkner of England in New York City. Her father died when she was 17. Swift was educated at the Veltin School for Girls and then trained as a classical musician and composer at the Institute of Musical Art (today the Juilliard School), where she studied piano with Bertha Tapper. Her teacher of composition was Charles Martin Loeffler, while harmony and composition were ...
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James Warburg
James Paul Warburg (August 18, 1896 – June 3, 1969) was a German-born American banker. He was well known for being the financial adviser to Franklin D. Roosevelt. His father was banker Paul Warburg, member of the Warburg family and "father" of the Federal Reserve system. After World War II, Warburg helped organize the Society for the Prevention of World War III in support of the Morgenthau Plan. Biography Born in Hamburg, Germany, he was educated at Middlesex School and Harvard University. He served in the Navy Flying Corps during World War I before entering a career in business. He was at the First National Bank of Boston between 1919 and 1921. Between 1921 and 1929 he was Vice President at the International Acceptance Bank. He was president at the International Manhattan Company from 1929 to 1931, then president of the International Acceptance Bank from 1931 to 1932. He was Vice Chairman of the Board at Bank of the Manhattan Company between 1932 and 1935. While at the B ...
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Can't We Be Friends?
"Can't We Be Friends?" is a 1929 song with lyrics by Paul James and music by Kay Swift, introduced on Broadway in ''The Little Show'' by Libby Holman. It was later recorded by many artists including Bing Crosby, Ella Fitzgerald, and Frank Sinatra. Recordings * Red Nichols & his Five Pennies (recorded 9/6/1929 and released on Brunswick 4510). * Ray Ventura & his Collegians (recorded 10/19/1929) *Smith Ballew (recorded 11/11/1929, and released on Okeh 41304). * The Georgians (recorded 11/22/1929) *Bing Crosby (recorded 9/27/1929, and released on Columbia 2001-D) *Libby Holman (recorded September, 1929 and released on Brunswick 4506). * Sam Wooding & his Chocolate Kiddies (recorded 12/1929) *The Imperial Dance Orchestra (1929) *Al Bowlly with Ray Noble & his Orchestra (recorded 1/16/1931 and released on Decca F2220) ( Al Bowlly Discography) *Frank Sinatra (''In the Wee Small Hours'' album, 1955) (recorded February 8, 1955, with orchestra conducted by Nelson Riddle) *Illinois Jacquet ...
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Rahsaan Roland Kirk
Rahsaan Roland Kirk (born Ronald Theodore Kirk; August 7, 1935Kernfeld, Barry.Kirk, Roland" ''The New Grove Dictionary of Jazz'', 2nd ed. Ed. Barry Kernfeld. ''Grove Music Online''. ''Oxford Music Online''. Retrieved February 1, 2009-. "The year of his birth has been widely given as 1936, but his birth certificate gives 1935 and confirms Ronald, not Roland." – December 5, 1977), known earlier in his career simply as Roland Kirk, was an American jazz multi-instrumentalist who played tenor saxophone, flute, and many other instruments. He was renowned for his onstage vitality, during which virtuoso improvisation was accompanied by comic banter, political ranting, and the ability to play several instruments simultaneously. Life Ronald Theodore Kirk was born in Columbus, Ohio, where he lived in a neighborhood known as Flytown. He became blind at two years old, which he said was a result of improper medical treatment. As a teenager, Kirk studied at the Ohio State School for the Bli ...
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