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Ella And Duke At The Cote D'Azur
''Ella and Duke at the Cote D'Azur'' is a 1967 live album by Ella Fitzgerald, accompanied by the big band of Duke Ellington. It was recorded live at the Jazz à Juan festival at Juan-les-Pins, on the French Riviera, between June 26 and July 29, 1966. Earlier in the year, Fitzgerald and Ellington had recorded their only other live album together, '' The Stockholm Concert, 1966'', in Stockholm. The album was released as a double-LP in 1967. In 1998, Verve Records released the concert on compact disc, in both a two-CD version and a complete eight-CD version. Track listing For the original 1967 Verve double LP release (Verve V6-4072-2), and the 1997 reissue on 2-CD set (Verve 539 030-2). All tracks with Duke Ellington and His Orchestra, except tracks 3, 5 and 6 on disc one and tracks 3, 4 and 6, disc two. All tracks with Ella Fitzgerald are indicated. CD 1 ;LP, Side One #"Mack the Knife" (Marc Blitzstein, Bertolt Brecht, Kurt Weill) – 4:52 – Ella Fitzgerald with Duk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ella Fitzgerald
Ella Jane Fitzgerald (April 25, 1917June 15, 1996) was an American jazz singer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing. After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country but most often associated with the Savoy Ballroom in Harlem. Her rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career. Her manager was Moe Gale, co-founder of the Savoy, until she turned the rest of her career over to Norman Granz, who founded Verve Records to produce new records by Fitzgerald. With Verve she recorded some of her more widely noted works, particularly he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Band
A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands. Big bands started as accompaniment for dancing. In contrast to the typical jazz emphasis on improvisation, big bands relied on written compositions and arrangements. They gave a greater role to bandleaders, arrangers, and sections of instruments rather than soloists. Instruments Big bands generally have four sections: trumpets, trombones, saxophones, and a rhythm section of guitar, piano, double bass, and drums. The division in early big bands, from the 1920s to 1930s, was typically two or three trumpets, one or two trombones, three or four saxo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cat Anderson
William Alonzo "Cat" Anderson (September 12, 1916 – April 29, 1981) was an American jazz trumpeter known for his long period as a member of Duke Ellington's orchestra and for his wide range, especially his ability to play in the altissimo register. Biography Born in Greenville, South Carolina, Anderson lost both parents when he was four years old, and was sent to live at the Jenkins Orphanage in Charleston, where he learned to play trumpet. Classmates gave him the nickname "Cat" (which he used all his life) based on his fighting style. He toured and made his first recording with the Carolina Cotton Pickers, a small group based at the orphanage. After leaving the Cotton Pickers, Anderson played with guitarist Hartley Toots, Claude Hopkins' big band, Doc Wheeler's Sunset Orchestra (1938–1942), with whom he also recorded, Lucky Millinder, the Erskine Hawkins Orchestra, Sabby Lewis's Orchestra, and Lionel Hampton, with whom he recorded the classic "Flying Home No. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Jones (pianist)
James Henry Jones (December 30, 1918, Memphis, Tennessee – April 29, 1982, Burbank, California) was an American jazz pianist and arranger. Biography As a child, Jones learned guitar and piano. He worked in Chicago orchestras from 1936 and played in a trio with Stuff Smith from 1943 to 1945. Following this, he played with Don Byas, Dizzy Gillespie (1945), J.C. Heard (1945–47), Buck Clayton (1946) and Etta Jones. He accompanied Sarah Vaughan from 1947 to 1952, and then again from 1954 to 1958 after a long illness. In 1954, he played on an album with Clifford Brown and accompanied him on his European tour. Around this time, he also played with Helen Merrill and Gil Evans. In 1959, he accompanied Anita O'Day in her appearance at the Newport Jazz Festival and worked with Dakota Staton, Pat Suzuki, and Morgana King. As a pianist and arranger in New York City, he worked in the 1960s with Harry Belafonte, Johnny Hodges, Budd Johnson, Nat Gonella, and Clark Terry. He accompani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George David Weiss
George David Weiss (April 9, 1921 – August 23, 2010) was an American songwriter and arranger, who was a president of the Songwriters Guild of America. He is an inductee in the Songwriters Hall of Fame. Biography Weiss was born in a Jewish family, and originally planned a career as a lawyer or accountant, but out of a love for music he was led to attend the Juilliard School of Music, developing his skills in writing and arranging. After leaving school, he became an arranger for such big bands as those of Stan Kenton, Vincent Lopez, and Johnny Richards. He was a prolific songwriter during the 1940s, 1950s, and 1960s, with many of his songs attaining high rankings on the charts. Although he worked with many collaborators, the largest proportion of his well-known songs were written with Bennie Benjamin. Weiss contributed to a number of film scores: ''Murder, Inc.'' (1960), ''Gidget Goes to Rome'' (1963), ''Mediterranean Holiday'' (1964), and '' Mademoiselle'' (1966). Collabora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Shearing
Sir George Albert Shearing, (13 August 1919 14 February 2011) was a British jazz pianist who for many years led a popular jazz group that recorded for Discovery Records, MGM Records and Capitol Records. Shearing was the composer of over 300 titles, including the jazz standards "Lullaby of Birdland" and " Conception", and had multiple albums on the '' Billboard'' charts during the 1950s, 1960s, 1980s and 1990s. He died of heart failure in New York City, at the age of 91. Biography Early life Born in Battersea, London, Shearing was the youngest of nine children. He was born blind to working-class parents: his father delivered coal and his mother cleaned trains in the evening. He started to learn piano at the age of three and began formal training at Linden Lodge School for the Blind, where he spent four years. Though he was offered several scholarships, Shearing opted to perform at a local pub, the Mason's Arms in Lambeth, for "25 bob a week" playing piano and accordion. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lullaby Of Birdland
"Lullaby of Birdland" is a jazz standard and popular song composed by George Shearing with lyrics by George David Weiss (under the pseudonym "B. Y. Forster"). Background George Shearing wrote "Lullaby of Birdland" in 1952 for Morris Levy, the owner of the New York jazz club Birdland. Levy had gotten in touch with Shearing and explained that he'd started a regular Birdland-sponsored disk jockey show, and he wanted Shearing to record a theme which was "to be played every hour on the hour." Levy originally wanted his own music to be recorded, but Shearing insisted he couldn't relate very well with it and wanted to compose his own music. They compromised by sharing the rights of the song; the composer's rights went to Shearing, and the publishing rights went to Levy. Shearing stated in his autobiography that he had composed "the whole thing ..within ten minutes." The chord changes were from Walter Donaldson's "Love me or Leave Me." Jean Constantin composed the lyrics to a French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Weill
Kurt Julian Weill (March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, ''The Threepenny Opera'', which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose,Kurt Weill Cjschuler.net. Retrieved on August 22, 2011. ''''. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen on August 27, 1943.
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Bertolt Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote ''The Threepenny Opera'' with Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, he wrote didactic ''Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . During the Nazi Germany period, Brecht fled his home country, first to Scandinavia, and during World War II to the United States, where he was surveilled by the FBI. After the war he was subpoenaed by the House Un-American Activities Committee. Returning to East Berlin after the war, he established the theatre company Berliner Ensemble with his wife and long-time collaborator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc Blitzstein
Marcus Samuel Blitzstein (March 2, 1905January 22, 1964), was an American composer, lyricist, and librettist. He won national attention in 1937 when his pro-union musical ''The Cradle Will Rock'', directed by Orson Welles, was shut down by the Works Progress Administration. He is known for ''The Cradle Will Rock'' and for his off-Broadway translation/adaptation of ''The Threepenny Opera'' by Bertolt Brecht and Kurt Weill. His works also include the opera '' Regina'', an adaptation of Lillian Hellman's play ''The Little Foxes''; the Broadway musical ''Juno'', based on Seán O'Casey's play '' Juno and the Paycock''; and ''No for an Answer''. He completed translation/adaptations of Brecht's and Weill's musical play ''Rise and Fall of the City of Mahagonny'' and of Brecht's play ''Mother Courage and Her Children'' with music by Paul Dessau. Blitzstein also composed music for films, such as ''Surf and Seaweed'' (1931) and '' The Spanish Earth'' (1937), and he contributed two songs to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mack The Knife
"Mack the Knife" or "The Ballad of Mack the Knife" (german: "Die Moritat von Mackie Messer", italic=no, link=no) is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their 1928 music drama ''The Threepenny Opera'' (german: Die Dreigroschenoper, link=no). The song sings about a knife-wielding criminal of the London underworld from the musical named Macheath, the "Mack the Knife" of the title. The song has become a popular standard recorded by many artists after it was recorded by Louis Armstrong in 1955. The most popular version of the song was by Bobby Darin in 1959, whose recording became a number one hit in the US and UK and earned him two Grammys. Ella Fitzgerald also received a Grammy for her performance of the song in 1961. ''The Threepenny Opera'' A '' Moritat'' is a medieval version of the murder ballad performed by strolling minstrels. In ''The Threepenny Opera'', the singer with his street organ introduces and closes the drama with the tale of the dea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Stockholm Concert, 1966
''The Stockholm Concert, 1966'' is a 1966 (see 1966 in music) live album by the American jazz singer Ella Fitzgerald, accompanied in part by the Duke Ellington Orchestra. The recording remained unreleased until 1984. It is notable as the last release of Ella's four recorded collaborations with Duke Ellington. Later in 1966 Ella and Duke went on to record their final album together; ''Ella and Duke at the Cote D'Azur.'' Track listing Originally released in 1984 on LP and CD (Pablo 2308-242). Remastered reissue on CD in 1987 (Pablo PACD-2308-242-2 in US; Pablo 025218024228 in France/Benelux). # "Imagine My Frustration" (Duke Ellington, Billy Strayhorn, Gerald Wilson) – 5:13 # "Duke's Place" (Ellington, Bob Katz, Bob Thiele) – 4:43 # "Satin Doll" (Ellington, Johnny Mercer, Strayhorn) – 3:08 # "Something to Live For (song)" (Ellington, Strayhorn) – 4:04 # "Wives and Lovers" (Burt Bacharach, Hal David) – 2:11 # " Só Danço Samba" ("Jazz 'n' Samba") (Antonio Carlos Jobim, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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