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Elisabeth Dons
Elisabeth Caroline Cathrine Dons (1864–1942) was a Danish operatic mezzo-soprano who performed at the Royal Danish Theatre from 1885. Thanks to training in Paris, she was later able to take on soprano roles, becoming Denmark's operatic prima donna by the 1890s. Biography Born on 19 April 1864 in Bjergsted in the north east of Zealand, Elisabeth Dons was the daughter of the landowner Captain Julius Dons (1830–1908) and Augusta Mariane Sievers (1833–1908). On the recommendation of a family friend, her parents enrolled her in the Royal Danish Academy of Music, Royal Music Conservatory where she studied under two of the best singers of the times, Leocadie Gerlach and Sophie Keller. After hearing her sing one evening, Johan Svendsen, who headed the Royal Danish Orchestra, invited her to complete her studies at the Royal Theatre where she was taught by Emil Poulsen (1842–1911). When only 21, she made her début in the demanding role of Azucena in ''Il trovatore'', immediately ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisabeth Caroline Cathrine Dons
Elizabeth or Elisabeth may refer to: People * Elizabeth (given name), a female given name (including people with that name) * Elizabeth (biblical figure), mother of John the Baptist Ships * HMS Elizabeth, HMS ''Elizabeth'', several ships * Elisabeth (schooner), ''Elisabeth'' (schooner), several ships * Elizabeth (freighter), ''Elizabeth'' (freighter), an American freighter that was wrecked off New York harbor in 1850; see Places Australia * City of Elizabeth ** Elizabeth, South Australia * Elizabeth Reef, a coral reef in the Tasman Sea United States * Elizabeth, Arkansas * Elizabeth, Colorado * Elizabeth, Georgia * Elizabeth, Illinois * Elizabeth, Indiana * Hopkinsville, Kentucky, originally known as Elizabeth * Elizabeth, Louisiana * Elizabeth Islands, Massachusetts * Elizabeth, Minnesota * Elizabeth, New Jersey, largest city with the name in the U.S. * Elizabeth City, North Carolina * Elizabeth (Charlotte neighborhood), North Carolina * Elizabeth, Pennsylvania * Elizabeth Tow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kongelige Kammersangere
Kongelige Kammersangere or The Royal Chamber Singer is a prestigious award given to Danish Opera singers by the monarch. Only about 50 people have received the award since it was started in 1700. The first non-native Danish person who was appointed as a royal chamber singer was the Italian Giuseppe Siboni, who in 1819 received Danish citizenship and became director of the Royal Theatre. List of Honorees Presented by Frederik VI * ca. 1819 – Giuseppe Siboni (1780–1839) * ca. 1821 – Josephine Fröhlich (1803–1878) Presented by Christian VIII * 1841 – Ida Henriette da Fonseca (1802–1858) * 1843 – Catharine Simonsen (née Rysslander, 1816–1849) Presented by Frederik VII * 1854 – Jørgen Christian Hansen (1812–1880) * 1858 – Leocadie Gerlach (1827–1919, née Bergnehr) Presented by Christian IX * 1864 – Charlotte Bournonville (1832–1911) * 1866 – Peter Schram (1819–1895) * 1874 – Niels Juel Simonsen (1846–1906) * 1879 – Anna Henr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ingeborg Steffensen
Ingeborg Steffensen (4 June 1888 – 7 January 1964) was a Danish mezzo-soprano opera singer who made her début at the Royal Danish Theatre in 1915 as Annchen in Carl Maria von Weber's '' Jægerbruden''. She was particularly successful in the title role of '' Carmen'', as Dalila in ''Samson and Delilah'' and Azuncena in ''Il trovatore''. She also sang the soprano Fru Ingeborg in Peter Heise's Danish opera ''Drot og marsk''. After her retirement from the stage in 1956, she continued to give concerts and sang oratorios. Biography Born on 4 June 1888 in Copenhagen. Ingeborg Steffensen was the daughter of the chief foreman William Georg Valdemar Steffensen (1846–1924) and Emma Julie née Weitemeyer (1847–1901). She was married three times: from 1914 to 1921 with the civil engineer Knud Aage Haldvig, from 1925 to 1932 with the review writer Alfred Frederik Oxholm Holck, and from 1934 to 1938 with the concert master Peder Albert Lynged. She had two children: Fritze (1919) and St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orfeo Ed Euridice
' (; French: '; English: ''Orpheus and Eurydice'') is an opera composed by Christoph Willibald Gluck, based on Orpheus, the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the ''azione teatrale'', meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. ''Orfeo ed Euridice'' is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of ''opera seria'' with a "noble simplicity" in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent Opera in German, German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Wolfgang Amadeus Mozart, Mozart's ''The Magic Flute'', Ludwig van Beethoven, Beetho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them '' Orfeo ed Euridice'' and '' Alceste'', he broke the stranglehold that Metastasian '' opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saul Og David
Saul (; he, , ; , ; ) was, according to the Hebrew Bible, the first monarch of the United Kingdom of Israel. His reign, traditionally placed in the late 11th century BCE, supposedly marked the transition of Israel and Judah from a scattered tribal society to organized statehood. The historicity of Saul and the United Kingdom of Israel is not universally accepted, as what is known of both comes from the Hebrew Bible. According to the text, he was anointed as king of the Israelites by Samuel, and reigned from Gibeah. Saul is said to have died by suicide when he "fell on his sword" during a battle with the Philistines at Mount Gilboa, in which three of his sons were also killed. The succession to his throne was contested between Ish-bosheth, his only surviving son, and David, his son-in-law; David ultimately prevailed and assumed kingship over Israel and Judah. Biblical account The biblical accounts of Saul's life are found in the Books of Samuel: House of King Saul According to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Nielsen
Carl August Nielsen (; 9 June 1865 – 3 October 1931) was a Danish composer, conductor and violinist, widely recognized as his country's most prominent composer. Brought up by poor yet musically talented parents on the island of Funen, he demonstrated his musical abilities at an early age. He initially played in a military band before attending the Royal Danish Academy of Music in Copenhagen from 1884 until December 1886. He premiered his Op. 1, '' Suite for Strings'', in 1888, at the age of 23. The following year, Nielsen began a 16-year stint as a second violinist in the Royal Danish Orchestra under the conductor Johan Svendsen, during which he played in Giuseppe Verdi's ''Falstaff'' and '' Otello'' at their Danish premieres. In 1916, he took a post teaching at the Royal Danish Academy and continued to work there until his death. Although his symphonies, concertos and choral music are now internationally acclaimed, Nielsen's career and personal life were marked by man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical Western canon, canon; the "Habanera (aria), Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Désirée Artôt
Désirée Artôt (; 21 July 1835 – 3 April 1907) was a Belgian soprano (initially a mezzo-soprano), who was famed in German and Italian opera and sang mainly in Germany. In 1868 she was engaged, briefly, to Pyotr Ilyich Tchaikovsky, who may have coded her name into works such as his First Piano Concerto and the ''Romeo and Juliet'' Fantasy-Overture. After her 1869 marriage to the Spanish baritone Mariano Padilla y Ramos, she was known as Désirée Artôt de Padilla or Désirée Artôt-Padilla. Biography Family background Marguerite-Joséphine-Désirée Montagney Artôt was the daughter of Jean Désiré Montagney Artôt, a horn player at La Monnaie in Brussels and professor at the Brussels Conservatory. Her uncle was the violinist Alexandre Artôt (1815–1845). He had been born Alexandre Joseph (or Joseph-Alexandre) Montagney, but adopted the surname Artôt professionally, and the rest of his family followed suit. Another uncle was the Belgian portrait painter Char ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mathilde Marchesi
Mathilde Marchesi (née Graumann; 24 March 1821 – 17 November 1913) was a German mezzo-soprano, a singing teacher, and a proponent of the bel canto vocal method. Biography Marchesi was born in Frankfurt. Her father's last name was Graumann; her aunt was the pianist and friend of Beethoven, Dorothea von Ertmann (née Graumann). In her adolescence her family fortunes failed, so she travelled at the age of 22 to Vienna to study voice. Thereafter she went to Paris and studied with Manuel García II, who was to have the foremost influence on her. She made her debut as a singer in 1844, and had a short career in opera and recital. Her voice, however, was only adequate, so she moved to teaching in 1849. In 1852, she married Italian baritone Salvatore Marchesi (pseudonym of Salvatore de Castrone della Rajata) (d. 1908). It was in this field that she would become famous. She taught at the conservatory in Cologne and, in the 1870s at the Vienna Conservatory, where she tutored Marie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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