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Elias De Barjols
Elias de Barjols (floruit, fl. 1191–1230Gaunt and Kay, 283.) was a bourgeois Aquitainian troubadour who established himself in Provence and retired a monk. Eleven of his Lyric poetry, lyrics survive, but none of his music. According to his ''Vida (Occitan literary form), vida'' Elias was the son of a merchant and came from Agenais. The name of his birthplace is in the manuscripts, but such a name can not be found in Agenais nor elsewhere: the most recent edition suggests that is a scribal error for , ancient name of Pujols, Lot-et-Garonne, Pujols, castle placed in Agenais, about 25 km from Agen. The identification of as Pérols-sur-Vézère, as Stronski proposed in 1906, is untenable, because this place was not a castle and was not in Agenais, but in Limousin. According to his he was the greatest singer of his age (but such a statement is very frequent in the ') and he travelled widely from court to court as a jongleur with a fellow jongleur named Oliver.Egan, 30. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beatrice Of Savoy
Beatrice of Savoy (c. 1198 – c. 1267) was Countess consort of Provence by her marriage to Ramon Berenguer IV, Count of Provence. She served as regent of her birth country Savoy during the absence of her brother in 1264. Early life She was the daughter of Thomas I of Savoy and Margaret of Geneva. Beatrice was the tenth of fourteen children born to her parents. Countess of Provence Beatrice married Ramon Berenguer IV, Count of Provence in December 1220. She was a shrewd and politically astute woman, whose beauty was likened to that of a second Niobe by Matthew Paris. Ramon and Beatrice of Savoy had four daughters, who all lived to adulthood, and married kings. Their only son, Raymond died in early infancy. In 1242, Beatrice's brother Peter was sent to Provence by Henry III to negotiate the marriage of Sanchia to Richard. Another brother, Philip, escorted Beatrice and Sanchia to the English court in Gascony, arriving in May 1243. There they joined Henry, Eleanor, and their i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dalfi D'Alvernha
Dalfi d'Alvernha (french: Dauphin d'Auvergne) was the Count of Clermont and Montferrand, a troubadour and a patron of troubadours. He was born around 1150 and died in 1234 or 1235. He is sometimes called Robert IV, but there is no solid evidence for the name Robert, and the name can cause confusion, since his first cousin once removed was Robert IV, Count of Auvergne, who died in 1194. Dalfi d'Alvernha was the son of William VII the Young of Auvergne, Count of Clermont, and of Jeanne de . He married Guillemette de Comborn, Countess of Montferrand, daughter of Archambaud, Viscount of Comborn, and Jourdaine of Périgord. Their children were Aélis, Guillaume (William, later Count of Clermont), Blanche, and Alix. Troubadours who worked with Dalfi or sang at his court include Peirol, Perdigon, Peire de Maensac, Gaucelm Faidit, and Uc de Saint Circ; his cousin, bishop Robert of Clermont, exchanged satirical and erotic verses with him, as did Richard Coeur de Lion. One ''partimen'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garin Lo Brun
Garin lo Brun or le Brun ( la, Garis Bruni; died 1156/1162) was an early Auvergnat troubadour. Life Garin lived in the Diocese of Le Puy-en-Velay, where his family owned castles. He was himself lord of Châteauneuf-de-Randon in the Gévaudan and a vassal of Ermengarde of Narbonne and of Eleanor of Aquitaine.Ippolito, Marguerite-Marie. (2001). ''Bernard de Ventadour: Troubadour Limousin du XIIe siècle, Prince de l'Amour Courtois et de la Poésie Romane'' (L'Harmattan, ), p. 228Biffière, Félix. (1985). ''« Ce tant rude » Gévaudan'', 2 vol. (SLSA Lozère: Mende), I, p. 729 His origins were either in the Diocese of Mende or in Randon.Moulier, Pierre. (2001). ''Églises romanes de Haute-Auvergne'' (Editions Creer, ), p. 21 If he was of Randon, then his father was Garin (Guérin) de Randon, a vassal of Raymond Berengar III, Count of Barcelona, of whom Guérin and his brother Odilon held the castle of Randon. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertran De Born
Bertran de Born (; 1140s – by 1215) was a baron from the Limousin in France, and one of the major Occitan troubadours of the 12th-13th century. He composed love songs (cansos) but was better known for his political songs (sirventes). He was involved in revolts against Richard I and then Phillip II. He married twice and had five children. In his final years, he became a monk. Early life Bertran de Born was the eldest son of Bertran de Born, lord of Hautefort (Occitan: ''Autafòrt''), and his wife Ermengardis. He had two younger brothers, Constantine and Itier. His father died in 1178, and Bertran succeeded him as lord of Hautefort. By this time, he was already married to his first wife, Raimonda, and had two sons. Hautefort lies at the border between the Limousin and Périgord. As a result, Bertran became involved in the conflicts of the sons of Henry II Plantagenet. He was also fighting for control of Hautefort. According to the feudal custom of his region, he was not t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sirventes
The ''sirventes'' or ''serventes'' (), sometimes translated as "service song", was a genre of Old Occitan lyric poetry practiced by the troubadours. The name comes from ''sirvent'' ('serviceman'), from whose perspective the song is allegedly written. Sirventes usually (possibly, always) took the form of parodies, borrowing the melody, metrical structure and often even the rhymes of a well-known piece to address a controversial subject, often a current event. The original piece was usually a canso, but there are sirventes written as contrafacta of (at least) sestinas and pastorelas. They were always opinionated, being either highly complimentary or, more often, oozing with vitriol; however, these features are not unique to the sirventes, so a piece can be positively identified as one only if its nature is explicitly stated in the text (which it often is) or the original piece it is based on has been preserved (which is also often the case: for a parody to work, it had to target a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canso (song)
The ''canso'' or ''canson'' or ''canzo'' () was a song style used by the troubadours. It was, by far, the most common genre used, especially by early troubadours, and only in the second half of the 13th century was its dominance challenged by a growing number of poets writing ''coblas esparsas''. The ''canso'' became, in Old French, the ''grand chant'' and, in Italian, the ''canzone''. Structure A ''canso'' usually consists of three parts. The first stanza is the ''exordium'', where the composer explains his purpose. The main body of the song occurs in the following stanzas, and usually draw out a variety of relationships with the ''exordium''; formally, aside from the ''envoi''(''s''), which are not always present, a ''canso'' is made of stanzas all having the same sequence of verses, in the sense that each verse has the same number of metrical syllables. This makes it possible to use the same melody for every stanza. The sequence can be extremely simple, as in ''Can vei la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Partimen
The ''partimen'' (; ca, partiment ; also known as ''partia'' or ''joc partit'') is a cognate form of the French jeu-parti (plural ''jeux-partis''). It is a genre of Occitan lyric poetry composed between two troubadours, a subgenre of the ''tenso'' or ''cobla'' exchange in which one poet presents a dilemma in the form of a question and the two debate the answer, each taking up a different side. Of the nearly 200 surviving Occitan debate songs, 120 are ''partimens'' and 75 are open ''tensos''. The ''partimen'' was especially popular in poetic contests. See also Torneyamen. References Further reading *Alfred Jeanroy Alfred Jeanroy (5 July 1859 – 13 March 1953) was a French linguist. Jeanroy was a leading scholar studying troubadour A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Age ..., ''Les origines de la poésie lyrique en France au Moyen-Age'' (Paris, 1899, 3/1925) *Alfred Jeanroy: ''La poésie lyr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Descort
The ''descort'' () was a form and genre of Old Occitan lyric poetry used by troubadours. It was heavily discordant in verse form and/or feeling and often used to express disagreement. It was possibly invented by Garin d'Apchier when he wrote ''Quan foill'e flors reverdezis'' (only the first two lines survive); the invention is credited to him by a vida, and these are unreliable. Gautier de Dargies imported the ''descort'' into Old French and wrote and composed three. Unlike the canso The Civil Air Navigation Services Organisation (CANSO) is a representative body of companies that provide air traffic control. It represents the interests of Air Navigation Service Providers (ANSPs). CANSO members are responsible for supporting ov ..., the most common open poetic form of the troubadours and the template upon which most genres were built, the descort is made of stanzas with a variable number of lines, and of lines with a variable number of syllables. Whereas the different stanzas of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trobar Leu
The ''trobar leu'' (), or light style of poetry, was the most popular style used by the troubadours. Its accessibility gave it a wide audience. See also *''Trobar ric'' *''Trobar clus ''Trobar clus'' (), or closed form, was a complex and obscure style of poetry used by troubadours for their more discerning audiences, and it was only truly appreciated by an elite few. It was developed extensively by Marcabru and Arnaut Daniel, bu ...'' Occitan literature Western medieval lyric forms {{Poetry-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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