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Eighteen Songs Of A Nomad Flute
Eighteen Songs of a Nomad Flute () are a series of Chinese songs and poems about the life of Han Dynasty (202 BCE – 220 CE) poet Cai Wenji, the songs were composed by Liu Shang, a poet of the middle Tang Dynasty. Later Emperor Gaozong of Song (1107–1187) commissioned a handscroll with the songs accompanied by 18 painted scenes. Inspiration Poet and composer Cai Yan, more commonly known by her courtesy name "Wenji", was the daughter of a prominent Eastern Han man of letters, Cai Yong. The family resided in Yu Prefecture, Chenliu Commandery, in what is now eastern Henan Province. Cai Wenji was born shortly before 178 CE, and was married at the age of sixteen according to the East Asian age reckoning (corresponding to the age of 15 in Western reckoning) to Wei Zhongdao in 192 CE. Zhongdao died soon after the wedding, without any offspring. 194–195 CE brought Xiongnu nomads into the Chinese capital and Cai Wenji was taken, along with other hostages, into the frontier. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nomad
A nomad is a member of a community without fixed habitation who regularly moves to and from the same areas. Such groups include hunter-gatherers, pastoral nomads (owning livestock), tinkers and trader nomads. In the twentieth century, the population of nomadic pastoral tribes slowly decreased, reaching an estimated 30–40 million nomads in the world . Nomadic hunting and gathering—following seasonally available wild plants and game—is by far the oldest human subsistence method. Pastoralists raise herds of domesticated livestock, driving or accompanying them in patterns that normally avoid depleting pastures beyond their ability to recover. Nomadism is also a lifestyle adapted to infertile regions such as steppe, tundra, or desert, ice and sand, where mobility is the most efficient strategy for exploiting scarce resources. For example, many groups living in the tundra are reindeer herders and are semi-nomadic, following forage for their animals. Sometimes also described as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Traditional Music
Chinese traditional music includes various music genres which have been inherited for generations in China. Specifically, this term refers to the music genres originated in or before Qing dynasty. According to the appearance, the genres can be classified into instrumental ensemble, instrumental solo, theatre, shuochang, dance music and song. It is now the primary classification in both research and education, although some genres contain different forms of performance and thus do not belong to a single category. The genres could also be classified into literati music, folk music, religious music and palace music, according to their cultural connotations or purpose. Instrumental ensemble * Nanguan music * Zhihua Temple Music * Teochew string music * Jiangnan sizhu Instrumental solo * Guqin * Pipa Theatre * Kunqu * Peking opera Peking opera, or Beijing opera (), is the most dominant form of Chinese opera, which combines music, vocal performance, mime, dance and acrobatics. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tang Poetry
Tang poetry () refers to poetry written in or around the time of or in the characteristic style of China's Tang dynasty, (June 18, 618 – June 4, 907, including the 690–705 reign of Wu Zetian) and/or follows a certain style, often considered as the Golden Age of Chinese poetry. The ''Quan Tangshi'' includes over 48,900 poems written by over 2,200 authors. During the Tang dynasty, poetry continued to be an important part of social life at all levels of society. Scholars were required to master poetry for the civil service exams, but the art was theoretically available to everyone. This led to a large record of poetry and poets, a partial record of which survives today. The two most famous poets of the period were Li Bai and Du Fu. Through the ''Three Hundred Tang Poems'', Tang poetry has remain familiar to educated Chinese in modern times. Periodization The periodization scheme employed in this article is the one detailed by the Ming dynasty scholar Gao Bing (1350–1423) in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of China
Music of China refers to the music of the Chinese people, which may be the music of the Han Chinese in the course of Chinese history as well as ethnic minorities in today's China. It also includes music produced by people of Chinese origin in some territories outside mainland China using traditional Chinese instruments or in the Chinese language. It includes forms from the traditional and modern, Western inspired, commercial popular music, folk, art, and classical forms, and innovative combinations of them. Documents and archaeological artifacts from early Chinese civilization show a well-developed musical culture as early as the Zhou dynasty (1122 BC – 256 BC) that set the tone for the continual development of Chinese musicology in following dynasties. These developed into a wide variety of forms through succeeding dynasties, producing the heritage that is part of the Chinese cultural landscape today. Traditional forms continued to evolve in the modern times, and over the cour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guqin
The ''guqin'' (; ) is a plucked seven-string Chinese musical instrument. It has been played since ancient times, and has traditionally been favoured by scholars and literati as an instrument of great subtlety and refinement, as highlighted by the quote "a gentleman does not part with his ''qin'' or '' se'' without good reason," as well as being associated with the ancient Chinese philosopher Confucius. It is sometimes referred to by the Chinese as "the father of Chinese music" or "the instrument of the sages". The ''guqin'' is not to be confused with the '' guzheng'', another Chinese long stringed instrument also without frets, but with moveable bridges under each string. Traditionally, the instrument was simply referred to as the "''qin''" (琴) but by the twentieth century the term had come to be applied to many other musical instruments as well: the ''yangqin'' hammered dulcimer, the ''huqin'' family of bowed string instruments, and the Western piano (''gangqin'' (钢琴) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Han Poetry
Han poetry as a style of poetry resulted in significant poems which are still preserved today, and whose origins are associated with the Han dynasty era of China, 206 BC – 220 AD, including the Wang Mang interregnum (9–23 AD). The final years at the end of the Han era (known by the name ''Jian'an'', 196–220) often receive special handling for purposes of literary analysis because, among other things, the poetry and culture of this period is less than typical of the Han period, and has important characteristics of its own, or it shares literary aspects with the subsequent Three Kingdoms period. This poetry reflects one of the poetry world's more important flowerings, as well as being a special period in Classical Chinese poetry, particularly in regard to the development of the quasipoetic '' fu''; the activities of the Music Bureau in connection with the collection of popular ballads and the resultant development of what would eventually become known as the ''yuefu'', or as t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Poetry
Chinese poetry is poetry written, spoken, or chanted in the Chinese language. While this last term comprises Classical Chinese, Standard Chinese, Mandarin Chinese, Yue Chinese, and other historical and vernacular forms of the language, its poetry generally falls into one of two primary types, ''Classical Chinese poetry'' and ''Modern Chinese poetry''. Poetry has consistently been held in extremely high regard in China, often incorporating expressive folk influences filtered through the minds of Chinese literation. In Chinese culture, poetry has provided a format and a forum for both public and private expressions of deep emotion, offering an audience of peers, readers, and scholars insight into the inner life of Chinese writers across more than two millennia. Chinese poetry often reflects the influence of China's various religious traditions as well. Classical Chinese poetry includes, perhaps first and foremost ''Shi (poetry), shi'' (詩/诗), and also other major types such as ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jin Dynasty (1115–1234)
The Jin dynasty (, ; ) or Jin State (; Jurchen: Anchun Gurun), officially known as the Great Jin (), was an imperial dynasty of China that existed between 1115 and 1234. Its name is sometimes written as Kin, Jurchen Jin, Jinn, or Chin in English to differentiate it from an earlier Jìn dynasty whose name is rendered identically in Hanyu Pinyin without the tone marking. It is also sometimes called the "Jurchen dynasty" or the "Jurchen Jin", because members of the ruling Wanyan clan were of Jurchen descent. The Jin emerged from Wanyan Aguda's rebellion against the Liao dynasty (916–1125), which held sway over northern China until the nascent Jin drove the Liao to the Western Regions, where they became known in historiography as the Western Liao. After vanquishing the Liao, the Jin launched a century-long campaign against the Han-led Song dynasty (960–1279), which was based in southern China. Over the course of their rule, the ethnic Jurchen emperors of the Jin dynas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Empress Dowager Wei (Gaozong)
Empress Dowager Wei may refer to: *Empress Dowager Wei (Later Liang) ( 401), empress dowager of the Later Liang state *Empress Wei (Tang dynasty) Empress Wei (; personal name unknown) (died July 21, 710) was an empress consort of the Chinese Tang dynasty. She was the second wife of Emperor Zhongzong, who reigned twice, and during his second reign, she tried to emulate the example of her mo ... (died 710), consort and empress dowager of the Tang dynasty See also * Empress Wei (other) {{hndis, Wei Wei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erich Auerbach
Erich Auerbach (November 9, 1892 – October 13, 1957) was a German philologist and comparative scholar and critic of literature. His best-known work is '' Mimesis: The Representation of Reality in Western Literature'', a history of representation in Western literature from ancient to modern times and frequently cited as a classic in the study of realism in literature. Along with Leo Spitzer, Auerbach is widely recognized as one of the foundational figures of comparative literature. Biography Auerbach, who was Jewish and born in Berlin, was trained in the German philological tradition and would eventually become, along with Leo Spitzer, one of its best-known scholars. After participating as a combatant in World War I, he earned a doctorate in 1921 at University of Greifswald, served as librarian at the Prussian State Library for some years, and in 1929 became a member of the philology faculty at the University of Marburg, publishing a well-received study entitled ''Dante: P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegorical
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
