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Edith Mathis
Edith Mathis (born 11 February 1938) is a Swiss soprano and a leading exponent of the works of Wolfgang Amadeus Mozart worldwide. She is known for parts in Mozart operas, but also took part in premieres of operas such as Henze's ''Der junge Lord''. Her voice was featured in a key scene of the film ''The Shawshank Redemption'', joining with that of Gundula Janowitz in a duet from ''Le Nozze di Figaro'', "soar ngover a prison yard, signifying joy and hope in a world of despair," as described in a 2014 article in ''The New York Times''. Career Mathis was born and studied in Lucerne, and made her operatic debut in 1956 as the second boy in ''Die Zauberflöte''. She continued gaining stage experience in her native Switzerland for the next three years. Her first appearance abroad was at the Cologne Opera in 1959. In the early 1960s she made frequent guest appearances in Hamburg, at the Glyndebourne Festival, and the Salzburg Festival. In 1963, she became a member of the Deutsche Oper ...
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Lucerne
Lucerne ( , ; High Alemannic German, High Alemannic: ''Lozärn'') or Luzern ()Other languages: gsw, Lozärn, label=Lucerne German; it, Lucerna ; rm, Lucerna . is a city in central Switzerland, in the Languages of Switzerland, German-speaking portion of the country. Lucerne is the capital of the canton of Lucerne and part of the Lucerne (district), district of the same name. With a population of approximately 82,000 people, Lucerne is List of cities in Switzerland, the most populous city in Central Switzerland, and a nexus of economics, transportation, culture, and media in the region. The city's urban area consists of 19 municipalities and towns with an overall population of about 220,000 people. Owing to its location on the shores of Lake Lucerne (german: Vierwaldstättersee) and its outflow, the river Reuss (river), Reuss, within sight of the mounts Pilatus (mountain), Pilatus and Rigi in the Swiss Alps, Lucerne has long been a destination for tourists. One of the city's landm ...
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Deutsche Grammophon
Deutsche Grammophon (; DGG) is a German classical music record label that was the precursor of the corporation PolyGram. Headquartered in Berlin Friedrichshain, it is now part of Universal Music Group (UMG) since its merger with the UMG family of labels in 1999. It is the oldest surviving established record company. History Deutsche Grammophon Gesellschaft was founded in 1898 by German-born United States citizen Emile Berliner as the German branch of his Berliner Gramophone Company. Berliner sent his nephew Joseph Sanders from America to set up operations. Based in the city of Hanover (the founder's birthplace), the company was the German affiliate of the U.S. Victor Talking Machine Company and the British Gramophone Company, and, from 1900, a fully owned subsidiary of the latter, but that ended after the outbreak of World War I in 1914 when ownership reverted to Germany. Though no longer connected to the British Gramophone Company, Deutsche Grammophon continued to use the "His M ...
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Hyperion Records
Hyperion Records is an independent British classical record label. History Hyperion is an independent British classical label that was established in 1980 with the goal of showcasing recordings of music in all genres and from all time periods, from the twelfth century to the twenty-first. The company was named after Hyperion, one of the Titans of Greek mythology. It was founded by George Edward Perry, widely known as "Ted". Early LP releases included rarely recorded 20th century British music by composers such as Robin Milford, Alan Bush and Michael Berkeley. The success of the venture was sealed with a critically acclaimed and popular disc of music by Hildegard of Bingen, ''A Feather on the Breath of God'' (1985), directed by the medievalist Christopher Page and his group Gothic Voices. The current director of Hyperion Records is Simon Perry, son of Ted Perry. Recognition Hyperion became renowned for recording lesser-known works, particularly reviving Romantic piano con ...
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Franz Schubert
Franz Peter Schubert (; 31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast ''oeuvre'', including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...s, incidental music, and a large body of piano and chamber music. His major works include "Erlkönig (Schubert), Erlkönig" (D. 328), the Trout Quintet, Piano Quintet in A major, D. 667 (''Trout Quintet''), the Symphony No. 8 (Schubert), Symphony No. 8 in B minor, D. 759 (''Unfinished Symphony''), the Symphony No. 9 (Schubert), "Great" Symphony No. 9 in C major, D. 944, the String Quintet (Schubert), String Quintet (D. 956), ...
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Help, Help, The Globolinks!
''Help, Help, the Globolinks!'' is an opera in four scenes by Gian Carlo Menotti with an original English libretto by the composer. It was commissioned by the Hamburg State Opera and first performed as ''Hilfe, Hilfe, die Globolinks!'' in a German translation by Kurt Honolka on December 21, 1968, in a double bill with Menotti's ''Amahl and the Night Visitors''. The opera had its English language premiere on August 1, 1969, in the United States at the Santa Fe Opera in a double bill with Igor Stravinsky's '' The Nightingale''. Both premiere productions were directed by the composer. Many of the cast members from the Santa Fe production reprised their roles for the work's New York debut at the New York City Opera in December 1969. Roles Synopsis Prologue The opening fugue is interrupted by a police bulletin telling us that dangerous creatures known only as Globolinks have landed on earth. A ballet follows accompanied by recorded electronic music, during which the Globolinks ar ...
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Heinrich Sutermeister
Heinrich Sutermeister (12 August 1910 – 16 March 1995) was a Swiss composer, most famous for his opera ''Romeo und Julia''. Life and career Sutermeister was born in Feuerthalen. During the early 1930s he was a student at the Akademie der Tonkunst in Munich, where Carl Orff was his teacher. Orff thereafter remained a powerful influence on his music. Returning to Switzerland in the mid-1930s, Sutermeister devoted his life to composition. He wrote some works for the radio, starting with '' Die schwarze Spinne'' in 1936, before turning later to television opera. His most successful stage work was ''Romeo und Julia'', premiered in Dresden in 1940 under Karl Böhm. Sutermeister's penultimate stage work, ''Madame Bovary'', first given in Zurich in 1967, is loosely based on Flaubert's novel. With many characters cut, it consists largely of monologues for Emma Bovary, who was sung by Anneliese Rothenberger. For his final opera, he adapted Eugène Ionesco's play ''Exit the King'' (' ...
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Gottfried Von Einem
Gottfried von Einem (24 January 1918 – 12 July 1996) was an Austrian composer. He is known chiefly for his operas influenced by the music of Stravinsky and Prokofiev, as well as by jazz. He also composed pieces for piano, violin and organ. Biography Einem was born in the Swiss capital Bern into an Austrian diplomat family. According to Einem's publisher, his father was William von Einem, military attaché of the Austro-Hungarian embassy. According to another source, however, he was adopted by Einem, his natural father being the Hungarian aristocrat Count László von Hunyadi. His mother, Baroness Gerta Louise née Rieß von Scheurnschloss, an officer's daughter from Kassel, led a lavish lifestyle between Berlin and Paris. The family moved to Malente in the Prussian Schleswig-Holstein Province, when Gottfried was four years old. After his school days in Plön and Ratzeburg, Gottfried von Einem went to Berlin in 1937, to study at the State School of Music with Paul Hindemith w ...
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Der Freischütz
' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection ''Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantic opera. The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the ''Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''Der Freischütz'' surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same year f ...
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Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by pre ...
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Herbert Von Karajan
Herbert von Karajan (; born Heribert Ritter von Karajan; 5 April 1908 – 16 July 1989) was an Austrian conductor. He was principal conductor of the Berlin Philharmonic for 34 years. During the Nazi era, he debuted at the Salzburg Festival, with the Vienna Philharmonic, the Berlin Philharmonic, and during the Second World War he conducted at the Berlin State Opera. Generally regarded as one of the greatest conductors of the 20th century, he was a controversial but dominant figure in European classical music from the mid-1950s until his death. Part of the reason for this was the large number of recordings he made and their prominence during his lifetime. By one estimate, he was the top-selling classical music recording artist of all time, having sold an estimated 200 million records. Biography Early life Genealogy The Karajans were of Greek ancestry. Herbert's great-great-grandfather, Georg Karajan (Geórgios Karajánnis, el, Γεώργιος Καραγιάννης, lin ...
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Janet Perry
Janet Perry (born December 27, 1947, Minneapolis) is an American operatic soprano. In 1959, aged 11, she was seen in a stage-version of '' The Wizard of Oz'' at the St Paul Civic Opera. Following high school, she matriculated at the Curtis Institute of Music, under the tutelage of Mme Eufemia Giannini-Gregory. Having earned her Bachelor of Music, she left for Europe where she debuted at the Linz Opera as Zerlina in ''Don Giovanni'' in 1969. In subsequent seasons, Perry was featured in most of the continent's major opera houses (including La Scala, 1978), as well as most of its famed festivals, including those of Salzburg, Glyndebourne, Aix-en-Provence, and Bregenz. A particular favorite of Herbert von Karajan, she also sang under Carlos Kleiber, Karl Böhm, Riccardo Muti, Daniel Barenboim, Nikolaus Harnoncourt, Mstislav Rostropovich, Rafael Kubelík, James Levine and Wolfgang Sawallisch, as well as the stage directors Jean-Pierre Ponnelle and Giorgio Strehler.
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Karin Ott
Karin Ott (born 13 December 1945) is a Swiss operatic coloratura soprano. Born in Wädenswil near Zürich as the daughter of a doctor, as a child she studied piano, violin, then organ, and later attended the International Opera Studio at Zürich. Her first engagement was in Biel, where she sang the soprano roles in ''Rigoletto'', ''La bohème'' (as Mimì), ''Die Entführung aus dem Serail'' (as Konstanze), and ''The Bartered Bride'' (as Marie). She has appeared with various European companies, including the Deutsche Oper Berlin, where she sang in ''La bohème'' (now as Musetta, with Enrico Di Giuseppe, 1982), ''Don Pasquale'' (as Norina, 1984), ''La bohème'' again (1985), and ''Lucia di Lammermoor'' (1985). At the Staatsoper Stuttgart, she was in the world premiere of the original version of Henze's ''König Hirsch'' in 1985. She also sang with the companies in Vienna, Munich, Paris, Zurich, Rome, Naples, Barcelona, Brussels, Amsterdam, Bordeaux, and Marseille. In concert, she has ...
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