Eddie Condon's Club
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Eddie Condon's Club
Eddie Condon's was the name of three successive jazz venues in New York run by jazz banjoist, guitarist, and bandleader Eddie Condon from 1945 until the mid-1980s.Deffaa, Chip (1992) ''Voices of the Jazz Age: Profiles of Eight Vintage Jazzmen'', p. xiii. University of Illinois Press
At Google Books. Retrieved 17 July 2013.
In 1975, took over the management of the club.

Eddie Condon, Tony Parenti, Wild Bill Davison, Brad Gowans, Jack Lesberg, And Freddie Ohms, Eddie Condon's, New York, Ca
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Ralph Sutton
Ralph Earl Sutton (November 4, 1922 – December 30, 2001) was an American jazz pianist born in Hamburg, Missouri. He was a stride pianist in the tradition of James P. Johnson and Fats Waller. Biography Sutton was born in Hamburg, Missouri, United States, the son of Earl and Edna Sutton. His younger sister Barbara Sutton Curtis was also a jazz pianist."Barbara Sutton Curtis"
''Ukiah Daily Journal'' (November 24, 2019).
Sutton had a stint as a with 's band,
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Defunct Jazz Clubs In New York City
Defunct (no longer in use or active) may refer to: * ''Defunct'' (video game), 2014 * Zombie process or defunct process, in Unix-like operating systems See also * * :Former entities * End-of-life product * Obsolescence Obsolescence is the state of being which occurs when an object, service, or practice is no longer maintained or required even though it may still be in good working order. It usually happens when something that is more efficient or less risky r ...
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Music Venues In Manhattan
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz the ...
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Jazz Clubs In New York City
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisational sty ...
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Bud Freeman
Lawrence "Bud" Freeman (April 13, 1906 – March 15, 1991) was an American jazz musician, bandleader, and composer, known mainly for playing tenor saxophone, but also the clarinet. Biography In 1922, Freeman and some friends from high school formed the Austin High School Gang. Freeman played the C melody saxophone with band members such as Jimmy McPartland and Frank Teschemacher. before switching to tenor saxophone two years later. The band was influenced by the New Orleans Rhythm Kings and Louis Armstrong. While Armstrong was in King Oliver's Creole Jazz Band, Freeman attended performances at Lincoln Gardens with McPartland. They were nicknamed "Alligators". In 1927, he moved to New York City, where he worked as a session musician and band member with Red Nichols, Roger Wolfe Kahn, Ben Pollack, and Joe Venuti. One of his most notable performances was a solo on Eddie Condon's 1933 recording, ''The Eel'', which became Freeman's nickname for his long snake-like improvisation ...
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Edmond Hall
Edmond Hall (May 15, 1901 – February 11, 1967) was an American jazz clarinetist and bandleader. Over his career, Hall worked extensively with many leading performers as both a sideman and bandleader and is possibly best known for the 1941 chamber jazz song "Profoundly Blue". Biography Early life Born in Reserve, Louisiana, United States, about 40 miles west of New Orleans on the Mississippi River, Hall and his siblings were born into a musical family. His father, Edward Blainey Hall, and mother, Caroline Duhe, had eight children, Priscilla (1893), Moretta (1895), Viola (1897), Robert (1899), Edmond (1901), Clarence (1903), Edward (1905) and Herbert (1907). His father, Edward, played the clarinet in the Onward Brass Band, joined by Edmond's maternal uncles, Jules Duhe on trombone, Lawrence Duhe on clarinet, and Edmond Duhe on guitar. The Hall brothers, Robert, Edmond, and Herbert, all became clarinetists, but Edmond was first taught guitar by his uncle Edmond. When Hall picke ...
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Wild Bill Davison
William Edward Davison (January 5, 1906 – November 14, 1989), nicknamed "Wild Bill", was an American jazz cornetist. He emerged in the 1920s through his work playing alongside Muggsy Spanier and Frank Teschemacher in a cover band where they played the music of Louis Armstrong, but he did not achieve wider recognition until the 1940s. He is best remembered for his association with bandleader Eddie Condon, with whom he worked and recorded from the mid-1940s through the 1960s. His nickname of "Wild Bill" reflected a reputation for heavy drinking and womanizing in his younger years. Reception The poet Philip Larkin, a fan, described his playing thus: :"...a player of notable energy, he uses a wide range of conscious tonal distortions, heavy vibrato, and an urgent, bustling attack. At slow tempos he is melting, almost articulate. Humphrey Lyttelton has compared him with the kind of reveler who throws his arm round your neck one moment and tries to knock you down the next." :"All ...
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Johnny Varro
Johnny Varro (born 1930) is a pianist with roots in the swing (genre), swing style of jazz. He is also a leader and arranger. Commodore Music Shop Varro was born in Brooklyn, New York. He began studying piano at the age of ten. During his teenage years, he was introduced to jazz by way of the Commodore Music Shop in New York City. There he met the manager Jack Crystal (father of Billy Crystal), who was running jam sessions on the Lower East Side. At these sessions, Johnny met some of the greatest players of the era, such as Willie "The Lion" Smith, Big Sid Catlett, Joe Thomas (tenor saxophonist), Joe Thomas, Hot Lips Page, Joe Sullivan, Pete Brown (jazz musician), Pete Brown and others. The experience of sitting in for Joe Sullivan and Willie "The Lion" Smith was invaluable and soon allowed Johnny to become a hired player. New York: Bobby Hackett and Eddie Condon Johnny's first professional job was with Bobby Hackett touring the East Coast with his quartet. In 1954 he worked at ...
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Jazz Journalists Association
The Jazz Journalists Association (JJA) is an international organization of all types of media professionals who document, promulgate, or appreciate jazz. As of 2016, it has approximately 250 members, including professional journalists, students, industry associates and supporting institutions, primarily in North America but also on other continents. The mission of the association is "to promote high standards and respect for our works, to create a professional network, and to increase general interest in jazz". It is a 501(c)(3) non-profit corporation. The president of the association (as of 2016) is jazz writer Howard Mandel. The organization was founded after writers and broadcasters involved in jazz convened in 1987 in Chicago. Since then the JJA has held meetings and panel discussions, frequently coinciding with major jazz festivals around North America, and online activities including its eyeJAZZ video training webinars. It established a website, www.Jazzhouse.org, in 1996, and ...
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Eddie Condon
Albert Edwin Condon (November 16, 1905 – August 4, 1973) was an American jazz banjoist, guitarist, and bandleader. A leading figure in Chicago jazz, he also played piano and sang. Early years Condon was born in Goodland, Indiana, the son of John and Margaret (née McGraw) Condon. He grew up in Momence, Illinois, and Chicago Heights, Illinois, where he attended St. Agnes and Bloom High School. After playing ukulele, he switched to banjo and was a professional musician by 1921. When he was 15 years old, he received his first union card in Waterloo, Iowa. Career He was based in Chicago for most of the 1920s, and played with such jazz notables as Bix Beiderbecke, Jack Teagarden, and Frank Teschemacher. He and Red McKenzie formed the Chicago Rhythm Kings in 1925. While in Chicago, Condon and other white musicians would go to Lincoln Gardens to watch and learn from King Oliver and his band. They later would frequent the Sunset Café to see Louis Armstrong and his Hot Five for ...
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Buzzy Drootin
Benjamin "Buzzy" Drootin (April 22, 1920 – May 21, 2000) was an American jazz drummer. Career Drootin was born near Kyiv, Ukraine, and moved to Boston, Massachusetts, United States, with his family when he was five. His father played the clarinet, and two of his brothers and his nephew were musicians. He began playing drums professionally as a teenager. At age twenty, he toured with the Jess Stacy All-Stars, a band that includeded Lee Wiley. In 1940, he also toured with Ina Ray Hutton. He then joined the band of Wingy Manone. From 1947 until 1951, he worked as the house drummer at Eddie Condon's night club in New York City. He was a bandleader at El Morocco club in New York City, and a member of the house band with his brother Al at George Wein's Storyville club in Boston. During these years he worked with Doc Cheatham, Vic Dickenson, Bobby Hackett, Ruby Braff, Claude Hopkins, Jimmy McPartland, Pee Wee Russell, and Arvell Shaw. Drootin recorded with Tommy Dorsey, Bobby Ha ...
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