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Eastern Sounds
''Eastern Sounds'' is an album by jazz saxophonist and multi-instrumentalist Yusef Lateef, recorded in 1961. The album features Lateef's continued exploration of Middle Eastern music, which were incorporated into his version of hard bop with a quartet featuring Barry Harris on piano. The opening track features Lateef on Chinese globular flute, generally called xun. The fusing of musical genres was not a new thing in jazz or for Lateef as his 1957 album ''Prayer to the East'' incorporated the shehnai and Middle Eastern influences in playing jazz standards. Aside from Lateef's original compositions, there are covers of themes from the films ''Spartacus'' and ''The Robe'', the last one being used as samples by Blockhead and Nujabes. Track listing #"The Plum Blossom" (Yusef Lateef) – 5:03 #"Blues for the Orient" (Lateef) – 5:40 #"Ching Miau" (Lateef) – 3:20 #" Don't Blame Me" (Jimmy McHugh) – 4:57 #"Love Theme from ''Spartacus''" (Alex North) – 4: ...
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Yusef Lateef
Yusef Abdul Lateef (born William Emanuel Huddleston; October 9, 1920 – December 23, 2013) was an American jazz multi-instrumentalist, composer, and prominent figure among the Ahmadiyya Community in America. Although Lateef's main instruments were the tenor saxophone and flute, he also played oboe and bassoon, both rare in jazz, and non-western instruments such as the bamboo flute, shanai, shofar, xun, arghul and koto. He is known for having been an innovator in the blending of jazz with "Eastern" music. Peter Keepnews, in his ''New York Times'' obituary of Lateef, wrote that the musician "played world music before world music had a name". Lateef's books included two novellas entitled ''A Night in the Garden of Love'' and ''Another Avenue'', the short story collections ''Spheres'' and ''Rain Shapes'', also his autobiography, ''The Gentle Giant,'' written in collaboration with Herb Boyd. Along with his record label YAL Records, Lateef owned Fana Music, a music publishing com ...
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Hard Bop
Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz that incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing. David H. Rosenthal contends in his book ''Hard Bop'' that the genre is, to a large degree, the natural creation of a generation of African-American musicians who grew up at a time when bop and rhythm and blues were the dominant forms of black American music. Prominent hard bop musicians included Horace Silver, Clifford Brown, Charles Mingus, Art Blakey, Cannonball Adderley, Miles Davis, John Coltrane, Hank Mobley, Thelonious Monk and Lee Morgan. Musical style Hard bop is sometimes referred to as "funky hard bop". The "funky" label refers to the rollicking, rhythmic feeling associated with the style. The descriptor is also used to describe soul jazz, which is commonly a ...
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Jimmy McHugh
James Francis McHugh (July 10, 1894 – May 23, 1969) was an American composer. One of the most prolific songwriters from the 1920s to the 1950s, he is credited with over 500 songs. His songs were recorded by many artists, including Chet Baker, June Christy, Bing Crosby, Deanna Durbin, Ella Fitzgerald, Judy Garland, Adelaide Hall, Billie Holiday, Beverly Kenney, Bill Kenny, Peggy Lee, Carmen Miranda, Nina Simone, Frank Sinatra, and Dinah Washington. Career McHugh began his career in his hometown of Boston, Massachusetts Massachusetts (Massachusett language, Massachusett: ''Muhsachuweesut [Massachusett writing systems, məhswatʃəwiːsət],'' English: , ), officially the Commonwealth of Massachusetts, is the most populous U.S. state, state in the New England ..., United States, where he published about a dozen songs with local publishers. His first success was with the World War I song "Keep the Love-Light Burning in the Window Till the Boys Come Marching Home", and this ...
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Don't Blame Me (Dorothy Fields And Jimmy McHugh Song)
"Don't Blame Me" is a popular song with music by Jimmy McHugh and lyrics by Dorothy Fields. The song was part of the 1932 show ''Clowns in Clover'' and was published in 1933. Popular versions that year were recorded by: Ethel Waters (US No. 6), Guy Lombardo, and Charles Agnew. Later recordings *It was a No. 21 hit for Nat King Cole in 1948. *The song received two significant "rock era" remakes: a ballad version by the Everly Brothers in 1961 which reached No. 20 on ''Billboard'', and an up-tempo version by Frank Ifield which reached No. 8 on the UK Singles Chart on 15 February 1964, as well as in New Zealand. In the U.S., Ifield's version reached No. 128. Other recordings * Charles Agnew and his Hotel Stevens Orchestra (1933). ''The New Yorker'' magazine reviewed this recording as "richly played." * Duke Jordan with Sam Jones and Al Foster (1975) * Terence Blanchard with Cassandra Wilson – ''Let's Get Lost'' (2001) * King Cole October 1938, July 1944,The King Cole Trio: The Mac ...
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Nujabes
, better known by his stage name , was a Japanese record producer, audio engineer, DJ, composer and arranger best known for his atmospheric instrumental mixes sampling from hip hop, soul, and jazz, as well as incorporating elements of trip hop, breakbeat, downtempo, and ambient music. Seba released two studio albums during his lifetime: ''Metaphorical Music'' (2003) and ''Modal Soul'' (2005), while the album ''Spiritual State'' was released posthumously in 2011. He was the founder of the independent label Hydeout Productions and released two collection compilations: ''Hydeout Productions 1st Collection'' (2003) and '' 2nd Collection'' (2007). Additionally, Seba collaborated on the soundtrack for Shinichirō Watanabe's anime series ''Samurai Champloo'' ('' Music Record: Departure'' and '' Impression'') in 2004. In 2010, Seba died in a traffic collision at the age of 36. Although relatively niche during his lifetime, Seba has since achieved posthumous acclaim and been referred as t ...
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Blockhead (music Producer)
Tony Simon (born October 8, 1976), better known by his stage name Blockhead, and formerly known as Funky Omelet, is an American hip hop record producer and DJ from Manhattan, New York. Aside from his solo efforts released on the Ninja Tune label, he is most associated with producing tracks for Aesop Rock. He has been a member of the groups such as Party Fun Action Committee and The Mighty Jones. Biography Simon was born and raised in Downtown Manhattan. He is the son of the late Sidney Simon, a well-known sculptor in New York City, and Renee Adriance, a social worker. He has one brother and five half siblings. At a young age, he loved hip hop in both the lyrical and musical aspects. In his early teens, Simon and his friends formed a group called the Overground, where he started making music. As an aspiring rapper, he enrolled in Boston University and encountered Aesop Rock, another BU student. At this point, Simon quit rapping and focused on producing music. According to him, his s ...
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The Robe (film)
''The Robe'' is a 1953 American fictional Biblical epic film that tells the story of a Roman military tribune who commands the unit that is responsible for the Crucifixion of Jesus. The film was released by 20th Century Fox and was the first film released in the widescreen process CinemaScope. Like other early CinemaScope films, ''The Robe'' was shot with Henri Chrétien's original Hypergonar anamorphic lenses. The film was directed by Henry Koster and produced by Frank Ross. The screenplay was adapted by Gina Kaus, Albert Maltz, and Philip Dunne — although Maltz's place among the blacklisted Hollywood 10 led to his being denied his writing credit for many years — from Lloyd C. Douglas's 1942 novel. The score was composed by Alfred Newman, and the cinematography was by Leon Shamroy. The film stars Richard Burton, Jean Simmons, Victor Mature, and Michael Rennie and co-stars Dean Jagger, Jay Robinson, Richard Boone, and Jeff Morrow. The 1954 sequel, ''Demetrius and the ...
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Spartacus (film)
''Spartacus'' is a 1960 American epic historical drama film directed by Stanley Kubrick, written by Dalton Trumbo, and based on the 1951 novel of the same title by Howard Fast. It is inspired by the life story of Spartacus, the leader of a slave revolt in antiquity, and the events of the Third Servile War. It stars Kirk Douglas in the title role, Laurence Olivier as Roman general and politician Marcus Licinius Crassus, Peter Ustinov as slave trader Lentulus Batiatus, John Gavin as Julius Caesar, Jean Simmons as Varinia, Charles Laughton as Sempronius Gracchus, and Tony Curtis as Antoninus. Douglas, whose company Bryna Productions was producing the film, removed original director Anthony Mann after the first week of shooting. Kubrick, with whom Douglas had made ''Paths of Glory'' (1957), was brought on board to take over direction.Kirk Douglas. ''The Ragman's Son'' (Autobiography). Pocket Books, 1990. Chapter 26: The Wars of Spartacus. It was the only film directed by Kubrick ...
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Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a cop ...
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Jazz Standards
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard if ...
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Middle East
The Middle East ( ar, الشرق الأوسط, ISO 233: ) is a geopolitical region commonly encompassing Arabian Peninsula, Arabia (including the Arabian Peninsula and Bahrain), Anatolia, Asia Minor (Asian part of Turkey except Hatay Province), East Thrace (European part of Turkey), Egypt, Iran, the Levant (including Syria (region), Ash-Shām and Cyprus), Mesopotamia (modern-day Iraq), and the Socotra Governorate, Socotra Archipelago (a part of Yemen). The term came into widespread usage as a replacement of the term Near East (as opposed to the Far East) beginning in the early 20th century. The term "Middle East" has led to some confusion over its changing definitions, and has been viewed by some to be discriminatory or too Eurocentrism, Eurocentric. The region includes the vast majority of the territories included in the closely associated definition of Western Asia (including Iran), but without the South Caucasus, and additionally includes all of Egypt (not just the Sina ...
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Shehnai
The ''shehnai'' is a musical instrument, originating from the Indian subcontinent. It is made of wood, with a double reed at one end and a metal or wooden flared bell at the other end.Shehnai
Britannica.com.
Its sound is thought to create and maintain a sense of auspiciousness and sanctity and as a result, is widely used during s, and in s although it is also played in