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Dziga Vertov
Dziga Vertov (russian: Дзига Вертов, born David Abelevich Kaufman, russian: Дави́д А́белевич Ка́уфман, and also known as Denis Kaufman; – 12 February 1954) was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary movie-making and the Dziga Vertov Group, a radical film-making cooperative which was active from 1968 to 1972. He was a member of the Kinoks collective, with Elizaveta Svilova and Mikhail Kaufman. In the 2012 ''Sight & Sound'' poll, critics voted Vertov's '' Man with a Movie Camera'' (1929) the eighth-greatest film ever made. Vertov's younger brothers Boris Kaufman and Mikhail Kaufman were also noted filmmakers, as was his wife, Yelizaveta Svilova. Biography Early years Vertov was born David Abelevich Kaufman into a Jewish family in Białystok, Poland, then a part of the Russian Empire. He Russified h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Białystok
Białystok is the largest city in northeastern Poland and the capital of the Podlaskie Voivodeship. It is the tenth-largest city in Poland, second in terms of population density, and thirteenth in area. Białystok is located in the Białystok Uplands of the Podlachian Plain on the banks of the Biała River, by road northeast of Warsaw. It has historically attracted migrants from elsewhere in Poland and beyond, particularly from Central and Eastern Europe. This is facilitated by the nearby border with Belarus also being the eastern border of the European Union, as well as the Schengen Area. The city and its adjacent municipalities constitute Metropolitan Białystok. The city has a warm summer continental climate, characterized by warm summers and long frosty winters. Forests are an important part of Białystok's character and occupy around (18% of the administrative area of the city) which places it as the fifth-most forested city in Poland. The first settlers arrived in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinéma Vérité
Cinéma vérité (, , ; "truthful cinema") is a style of documentary filmmaking developed by Edgar Morin and Jean Rouch, inspired by Dziga Vertov's theory about Kino-Pravda. It combines improvisation with use of the camera to unveil truth or highlight subjects hidden behind reality. It is sometimes called observational cinema, if understood as pure direct cinema: mainly without a narrator's voice-over. There are subtle, yet important, differences between terms expressing similar concepts. Direct Cinema is largely concerned with the recording of events in which the subject and audience become unaware of the camera's presence: operating within what Bill Nichols, an American historian and theoretician of documentary film, calls the "observational mode", a fly on the wall. Many therefore see a paradox in drawing attention away from the presence of the camera and simultaneously interfering in the reality it registers when attempting to discover a cinematic truth. History Cinéma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
