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Dyer's Wife
' (''The Woman without a Shadow''), Op. 65, is an opera in three acts by Richard Strauss with a libretto by his long-time collaborator, the poet Hugo von Hofmannsthal. It was written between 1911 and either 1915 or 1917. When it premiered at the Vienna State Opera on 10 October 1919, critics and audiences were unenthusiastic. Many cited problems with Hofmannsthal's complicated and heavily symbolic libretto. However, it is now a standard part of the operatic repertoire. Composition history Work on the opera began in 1911. Hofmannsthal's earliest sketches for the libretto are based on a piece by Goethe, ' (1795). Hofmannsthal handles Goethe's material freely, adding the idea of two couples, the emperor and empress who come from another realm, and the dyer and his wife who belong to the ordinary world. Hofmannsthal also drew on portions of '' The Arabian Nights'', '' Grimms' Fairy Tales'', and even quotes Goethe's ''Faust''. The opera is conceived as a fairy tale on the theme of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elektra (opera)
''Elektra'', Opus number, Op. 58, is a one-act opera by Richard Strauss, to a German-language libretto by Hugo von Hofmannsthal, which he adapted from his 1903 drama ''Elektra''. The opera was the first of many collaborations between Strauss and Hofmannsthal. It was first performed at the Semperoper, Königliches Opernhaus in Dresden on 25 January 1909. It was dedicated to his friends Natalie and Willy Levin. History While based on ancient Greek mythology and Sophocles' tragedy ''Electra (Sophocles play), Electra'', the opera is highly Modernism, modernist and Expressionist music, expressionist in style. Hofmannsthal's and Strauss's adaptation of the story focuses tightly on Electra, Elektra, thoroughly developing her character by single-mindedly expressing her emotions and psychology as she meets with other characters, mostly one at a time. (The order of these conversations closely follows Sophocles' play.) The other characters are Clytemnestra, Klytaemnestra, her mother and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lotte Lehmann
Charlotte "Lotte" Lehmann (February 27, 1888 – August 26, 1976) was a German soprano who was especially associated with German repertory. She gave memorable performances in the operas of Richard Strauss, Richard Wagner, Ludwig van Beethoven, Puccini, Mozart, and Massenet. The Marschallin in ''Der Rosenkavalier'', Sieglinde in ''Die Walküre'' and the title-role in ''Fidelio'' are considered her greatest roles. During her long career, Lehmann also made more than five hundred recordings. Life and career Lehmann was born in Perleberg, Province of Brandenburg. After studying in Berlin with Mathilde Mallinger, she made her debut at the Hamburg Opera in 1910 as a page in Wagner's ''Lohengrin''. In 1914, she gave her debut as Eva in ''Die Meistersinger von Nürnberg'' at the Vienna Court Opera – the later Vienna State Opera – which she joined in 1916. She quickly established herself as one of the company's brightest stars in roles such as Elisabeth in ''Tannhäuser' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Mayr
Richard Mayr (18 November 1877, in Henndorf – 1 December 1935, in Vienna) was an Austrian operatic bass-baritone who was particularly admired for his performances in works by Wolfgang Amadeus Mozart, Richard Wagner and Richard Strauss. He notably created the role of Barak, the Dyer in the world premiere of Strauss's ''Die Frau ohne Schatten''. History Mayr studied medicine in Vienna before being persuaded by Gustav Mahler to pursue a career as a singer. After studying at the Vienna Music Academy for several years, he made his professional opera début to critical acclaim at the Bayreuth Festival in 1902 as Hagen in Wagner's ''Götterdämmerung''. This led to his being engaged as a principal singer at the Vienna Hofoper by Mahler where he enjoyed a highly successful career that lasted for three decades. His first role in Vienna was Silva in Giuseppe Verdi's ''Ernani''. Mayr also sang at the Royal Opera, London from 1911-1913 and again from 1924 (when he made his second déb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in ''Der fliegende Holländer'', Wotan/Der Wanderer in the ''Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in ''Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucie Weidt
Lucie Weidt (May 11, 1876 – July 28, 1940) was a German-born Austrian dramatic soprano noted for her prowess in the operas of Richard Wagner. Born in what is now Opava in Silesia, Weidt was the daughter of composer and ''Kapellmeister'' Heinrich Weidt, who was one of her first teachers, along with Rosa Papier. For most of her career she was on the roster of the Vienna State Opera, beginning in 1903 and continuing until 1926. She first succeeded Sophie Sedlmair, who was retiring, and soon began sharing major Wagner roles with Anna Bahr-Mildenburg. She also became known for her portrayal of Leonore in ''Fidelio'', and she created for Vienna the Marschallin in ''Der Rosenkavalier''. For Milan she was the first Kundry. Between 1908 and 1910 she appeared in Munich. During the 1910–11 season Weidt was on the roster of the Metropolitan Opera, singing Brünnhilde in both ''Die Walküre'' and ''Siegfried'' and Elisabeth in ''Tannhäuser''. In 1912 she was singing in Buenos Aires. She ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Jeritza
Maria Jeritza (born Marie Jedličková; 6 October 1887 – 10 July 1982) was a dramatic soprano, long associated with the Vienna State Opera (1912–1934 and 1950-1953) and the Metropolitan Opera (1921–1932 and 1951). Her rapid rise to fame, beauty and personality earned her the nickname "The Moravian Thunderbolt". Biography Jeritza was born in Brno, Moravia, then part of the Austro-Hungarian Empire, in 1887 as Marie Jedličková. She was trained at the Brno Conservatory, and later was a pupil of Estelle Liebling in New York City. In 1910, she made her debut as ''Elsa'', in Wagner's ''Lohengrin'', at Olomouc. The Emperor Franz Josef heard her and immediately ordered that she be offered a contract at the Imperial Hofoper, Vienna. She created the roles of ''Blanchefleur'' in Kienzl's opera '' Der Kuhreigen'' (1911), Ariadne in Strauss's ''Ariadne auf Naxos'' (1912), the Empress in his ''Die Frau ohne Schatten'' (1919), and Hariette/Juliette in Korngold's ''Die tote St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Karl Aagard Østvig
Karl may refer to: People * Karl (given name), including a list of people and characters with the name * Karl der Große, commonly known in English as Charlemagne * Karl Marx, German philosopher and political writer * Karl of Austria, last Austrian Emperor * Karl (footballer) (born 1993), Karl Cachoeira Della Vedova Júnior, Brazilian footballer In myth * Karl (mythology), in Norse mythology, a son of Rig and considered the progenitor of peasants (churl) * ''Karl'', giant in Icelandic myth, associated with Drangey island Vehicles * Opel Karl, a car * ST ''Karl'', Swedish tugboat requisitioned during the Second World War as ST ''Empire Henchman'' Other uses * Karl, Germany, municipality in Rhineland-Palatinate, Germany * ''Karl-Gerät'', AKA Mörser Karl, 600mm German mortar used in the Second World War * KARL project, an open source knowledge management system * Korean Amateur Radio League, a national non-profit organization for amateur radio enthusiasts in South Korea * KAR ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Schalk
Franz Schalk (27 May 18633 September 1931) was an Austrian conductor. From 1918 to 1929 he was director of the Vienna State Opera, a post he held jointly with Richard Strauss from 1919 to 1924. He was later involved in the establishment of the Salzburg Festival. Life and career Born in Vienna, he studied under composer Anton Bruckner. From 1900, he was first kapellmeister of the Vienna Court Opera (Hofoper). Between 1904 and 1921, he was head of the Gesellschaft der Musikfreunde in Vienna. In 1918 he became director of the Vienna State Opera (Staatsoper, successor to the Hofoper), but from 1919 shared the directorship with Richard Strauss, with the well-known composer considered "blatantly (though unofficially) the 'greater equal' of the pair" (despite Schalk's recorded renditions of the Beethoven and Schubert 8th Symphonies virtually as distinguished as Strauss' versions of the last three Mozart symphonies, Beethoven's 5th & 7th, and some of the best-known German overtur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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