|
Dušanka Sifnios
Dušanka Sifnios ( sr-cyr, Душанка Сифниос; 15 October 1933 – 14 October 2016), also known as Duška Sifnios, was a Serbian ballerina and choreographer, considered one of the most distinguished and internationally most successful Serbian ballerinas. The pinnacle of her career was in the 1960s, achieved through her work with Maurice Béjart when she was one of the most popular ballerinas in the world. Early life and education She was born on 15 October 1933 in Skoplje, Kingdom of Yugoslavia (now Skopje, in Republic of North Macedonia). She became member of the National Theatre in Belgrade in 1951, and in 1953 graduated from the ballet gymnasium in the class of Nina Kirsanova. Later, she was also tutored by great choreographers Leonid Lavrovsky, Asaf Messerer and Victor Gsovsky. Career National Theatre Noticing Sifnios's talent, Kirsanova almost immediately placed her a soloist and soon she became a prima ballerina. Her early performances were chore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skoplje
Skopje ( , , ; mk, Скопје ; sq, Shkup) is the capital and largest city of North Macedonia. It is the country's political, cultural, economic, and academic centre. The territory of Skopje has been inhabited since at least 4000 BC; remains of Neolithic settlements have been found within the old Kale Fortress that overlooks the modern city centre. Originally a Paeonian city, Scupi became the capital of Dardania in the second century BC. On the eve of the 1st century AD, the settlement was seized by the Romans and became a military camp. When the Roman Empire was divided into eastern and western halves in 395 AD, Scupi came under Byzantine rule from Constantinople. During much of the early medieval period, the town was contested between the Byzantines and the Bulgarian Empire, whose capital it was between 972 and 992. From 1282, the town was part of the Serbian Empire, and acted as its capital city from 1346 to 1371. In 1392, Skopje was conquered by the Ottoman Turks, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orpheus (ballet)
''Orpheus'' is a thirty-minute neoclassical ballet in three tableaux composed by Igor Stravinsky in collaboration with choreographer George Balanchine in Hollywood, California in 1947. The work was commissioned by the Ballet Society, which Balanchine founded together with Lincoln Kirstein and of which he was Artistic Director. Sets and costumes were created by Isamu Noguchi. Structure The original cast consisted of 30 dancers: Orpheus; Eurydice; the Dark Angel of Death; Apollo; the leader of the Furies; the leader of the Bacchantes; eight women Bacchantes; nine women in various roles (Friends to Orpheus, Furies, Pluto, Satyr, and Nature Spirits); and seven men as Lost Souls. The action is divided into three tableaux and twelve dance episodes: (I. Tableau): Orpheus Weeps for Eurydice; Air de Danse; Dance of the Angel of Death; Interlude. (II. Tableau): Pas des furies; Air de danse (Orphée)/Interlude/Air de danse, conclusion; Pas d’action; Pas de deux; Interlude; Pas d’act ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giselle
''Giselle'' (; ), originally titled ''Giselle, ou les Wilis'' (, ''Giselle, or The Wilis''), is a romantic ballet (" ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Wilis, the ghosts of unmarried women who died after being betrayed by their lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Sylphides
''Les Sylphides'' () is a short, non-narrative ''ballet blanc'' to piano music by Frédéric Chopin, selected and orchestrated by Alexander Glazunov. The ballet, described as a "romantic reverie","Ballet Theater", until 1955. A compact disk of ABT's production, with Mikhail Baryshnikov as the dreamer, is available from Kultor, entitled "American Ballet Theatre at the Met – Mixed Bill (1985)". See Olga Maynard's definitive account, based on information from Fokine's son Vitale Fokine: "Les Sylphides", ''Dance Magazine'' Portfolio: December 1971, advertised separately by some online booksellers. is frequently cited as the first ballet to be simply about mood and dance. ''Les Sylphides'' has no plot but instead consists of several white-clad sylphs dancing in the moonlight with the "poet" or "young man" dressed in white tights and a black tunic. Its original choreography was by Michel Fokine, with Chopin's music orchestrated by Alexander Glazunov. Glazunov had already set som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Thiriet
Maurice Thiriet (; 2 May 1906 – 28 September 1972) was a French composer of classical and film music. Biography Born in Meulan, Yvelines, Maurice Thiriet attended the Paris Conservatory from 1925 to 1931, studying counterpoint and fugue with Charles Koechlin, and orchestration and arrangement under Alexis Roland-Manuel. Thiriet's career revolved mainly around film music, completing around seventy scores from 1942 to 1960. A fellow composer Maurice Jaubert, whose life was cut short during World War II, is often cited as a major influence on Thiriet's outlook. Besides his cinematic output, Thiriet also composed several concert works, including a concerto for the flute, twelve ballets, and three operas. His compositional style, which Jaubert and Roland-Manuel influenced, is characterized by taught construction and modest, nearly impressionistic harmonization, often bearing a neo-classical grace similar to that of the music of Francis Poulenc and Jean Françaix. Thiriet's work w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fran Lhotka
Fran Lhotka (25 December 1883 – 26 January 1962) was a Czech-born Croatian composer of classical music. A student of Antonín Dvořák, in 1909 he moved to Zagreb where as a professor of harmony he would teach almost every Croatian contemporary composer. He composed orchestral music, music for the stage, chamber music, piano music, film music etc. Biography Fran Lhotka was born on 25 December 1883 in the town of Mladá Vožice in Bohemia. In 1899 he became a student of the Prague Conservatory, studying horn and composition; he was taught composition by Karel Stecker, Josef Klička and Antonín Dvořák. Six years later he graduated in both courses; the graduation piece in composition was the “Rej” Scherzo in F Major, performed for the first time in the Musikverein Hall in Vienna. After he had done his military service, and worked for a short time as a teacher in a branch of the Moscow conservatory in Yekaterinoslav (today Dnepropetrovsk, Ukraine, once part of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léo Delibes
Clément Philibert Léo Delibes (; 21 February 1836 – 16 January 1891) was a French Romantic composer, best known for his ballets and operas. His works include the ballets ''Coppélia'' (1870) and '' Sylvia'' (1876) and the opera ''Lakmé'' (1883), which includes the well-known "Flower Duet". Born into a musical family, Delibes enrolled at France's foremost music academy, the Conservatoire de Paris, when he was twelve, studying under several professors including Adolphe Adam. After composing light comic opérettes in the 1850s and 1860s, while also serving as a church organist, Delibes achieved public recognition for his music for the ballet '' La Source'' in 1866. His later ballets ''Coppélia'' and ''Sylvia'' were key works in the development of modern ballet, giving the music much greater importance than previously. He composed a small number of mélodies, some of which are still performed frequently. Delibes had several attempts at writing more serious operas, and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coppélia
''Coppélia'' (sometimes subtitled: ''La Fille aux Yeux d'Émail'' (The Girl with the Enamel Eyes)) is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter. Nuitter's libretto and mise-en-scène was based upon E. T. A. Hoffmann's short story ''Der Sandmann'' (''The Sandman''). In Greek, ''κοπέλα'' (or ''κοπελιά'' in some dialects) means ''young woman''. ''Coppélia'' premiered on 25 May 1870 at the Théâtre Impérial de l'Opéra, with the 16-year-old Giuseppina Bozzacchi in the principal role of Swanhilda and ballerina Eugénie Fiocre playing the part of Frantz ''en travesti''. The costumes were designed by Paul Lormier and Alfred Albert, the scenery by Charles-Antoine Cambon (Act I, scene 1; Act II, scene 1), and Édouard Desplechin and Jean-Baptiste Lavastre (Act I, scene 2). The ballet's first flush of success was interrupted by the Franco-Prussian War and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milko Šparemblek
Milko Šparemblek (born December 1, 1928) is a Slovenian-born Croatian dancer, choreographer, stage director and film director. He has made about 40 ballet films and has about 150 premiers of his work in over 50 theatres around the world. He has received a number of awards including a Vladimir Nazor Lifetime Achievement Award and a Distinguished Artist Award from the International Society for the Performing Arts. Early life Šparemblek was born in Prevalje, Slovenia, as an only child. At the age of three, his family moved to Zagreb, Croatia to a neighbourhood called Kustošija. He enrolled in the V. high school of Zagreb and participated in athletics. He attended the University of Zagreb to study Comparative literature, that same year starting to dance at the Zagreb Opera (later known as the Croatian National Theatre) under the direction of choreographers and dancers Ana Roje and Oskar Harmoš. Career around the work In 1948 Šparemblek joined the Croatian Ballet ensemble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pino Mlakar
Pino Mlakar () (2 March 1907, Novo Mesto – 30 September 2006) was a Slovenian ballet dancer, choreographer, and teacher. He was born in Novo Mesto. In 1927 he graduated from the Rudolf Laban Choreographic Institute in Hamburg. He was a member of the Ljubljana Opera and Ballet Company from 1946 to 1960. For 25 years he was a full professor at the Academy for Theatre, Radio, Film and Television (AGRFT) of the University of Ljubljana. He was married to fellow choreographer Maria Luiza Pia Beatrice Scholz (1910–2000), who was professionally known as Pia Mlakar. Their daughter Veronika Mlakar Veronica, Veronika, etc., may refer to: People * Veronica (name) * Saint Veronica * Saint Veronica of Syria Arts and media Comics and literature * ''Veronica'', an 1870 novel by Frances Eleanor Trollope * ''Veronica'', a 2005 novel by Mary Gaits ... was also a ballet dancer. He died in Novo Mesto. External links Obituary (1 October 2006) "Umrl Pino Mlakar" ''24ur'' Ljublj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romeo And Juliet (Prokofiev)
''Romeo and Juliet'' (russian: Ромео и Джульетта, Romeo i Dzhulyetta), Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play ''Romeo and Juliet''. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940. Prokofiev reused music from the ballet in three suites for orchestra and a solo piano work. Background and premiere Based on a synopsis created by Adrian Piotrovsky (who first suggested the subject to Prokofiev) and Sergey Radlov, the ballet was composed by Prokofiev in September 1935 to their scenario which followed the precepts of "drambalet" (dramatised ballet, officially promoted at the Kirov Ballet to replace works based primarily on choreographic display and innovation). Following Radlov's acrimonious resignation from the Kirov in June 1934, a new agreement was signed with the Bolshoi Theatre in Moscow on the understanding that Piotrovsky would remain involved. However, the ballet's original happy en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
